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Royal Ballet Insight Events - News & links


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1 hour ago, Richard LH said:

From the cast list I wonder if Annette will be dancing as Mercedes, with Lukas B B as Espada and  with the 6 other gentlemen as his matador compadres??

Oooh that would be wonderful to see this eve.

My mind went completely blank so was thinking Act 2 gypsies…

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I really enjoyed that! I had a lovely view from

my seat and thought the dancers were great! A really enjoyable trip to ROH - and on a work night too! 🤣 Well done to all involved and I am very grateful to the generous person who gave me the ticket! 😀

 

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10 hours ago, Ondine said:

The Don Q Insights subtitles on YT are hilarious.


auto-generated by YouTube.   It can’t cope with mix of languages … French ballet terms and English.  
 

it is possible for the ROH to replace them later with their own correct subtitles.  Some uploaded fo this.  I don’t know if ROH will? 

Edited by FionaE
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1 hour ago, FionaE said:


auto-generated by YouTube.   It can’t cope with mix of languages … French ballet terms and English.  
 

it is possible for the ROH to replace them later with their own correct subtitles.  Some uploaded fo this.  I don’t know if ROH will? 

 

it's easy enough to switch them off

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12 hours ago, Richard LH said:

Very pleased that Christopher Saunders confirmed that the RB will be keeping with Acosta's original version, and not  including the changes he has introduced for the BRB.


The musical arrangement for BRB seemed to me to be much more in the spirit of Don Q than the RB one.

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12 hours ago, Richard LH said:

Very pleased that Christopher Saunders confirmed that the RB will be keeping with Acosta's original version, and not  including the changes he has introduced for the BRB.

 

 

I much preferred the BRB production (although I enjoyed both) because it got rid of those ludicrous moving buildings and I loved the additional duet at the start of act 2.

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32 minutes ago, Richard LH said:

That change was the main problem for me, as I love the  RB Act 2 PDD and music (despite it being imported from La Bayadere). Anyway, between us we can be happy with our respective versions Jan!

 

Exactly Richard!  I would have booked for the RB version but I'm waiting for an appointment so don't want to risk it.  I shall look forward to reading all the reports about it!

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1 hour ago, Jan McNulty said:

 

 

I much preferred the BRB production (although I enjoyed both) because it got rid of those ludicrous moving buildings and I loved the additional duet at the start of act 2.

 

i like both productions immensely.  each has its variations, in both the dancers are the stars.

personally i prefer the 3-Dimensionality of the RB sets including the buildings and prefer many of the costumes in the RB production too. 

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1 hour ago, Jan McNulty said:

 

 

I much preferred the BRB production (although I enjoyed both) because it got rid of those ludicrous moving buildings and I loved the additional duet at the start of act 2.

 

I'm with you, Jan ..... Plus - it seems - or so the Rehearsal Director said - that Acosta wants this outing for his Royal DQ to be 'faster' - Fat chance I fear with THAT orchestration.  I fear it does nothing my make my teeth grit - but appreciate there are those who seem to enjoy/prefer it.  To each their own.  Always was; always will be.  

 

 

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Agree Bruce.  I watched the streaming of the Vienna DQ at the weekend and the music was SO much better and really complemented all the beautifully quick footwork in the Nureyev version! It is going to make the RB ‘arrangements’ very difficult to bear….

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12 minutes ago, capybara said:

Does anyone know anything about the presenter for the Insight? I haven't seen (or heard) of her before. She was fine except that it seemed a little as if she wasn't familiar with the ballet itself.

 

According to t'internet/  Linkedin

 

Marie-Claire Chappet

Contributing Editor at Harper's Bazaar, Freelance journalis

 

Fiction writer and freelance features journalist: specialising in arts, social trends, lifestyle, travel and fashion

 

 

 

 

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15 minutes ago, capybara said:

Does anyone know anything about the presenter for the Insight? I haven't seen (or heard) of her before. She was fine except that it seemed a little as if she wasn't familiar with the ballet itself.

 

Googled her and came up with this:

https://www.theweddingedition.co.uk/marie-claire-chappet/

 

Edited to add that Ondine and I were posting at the same time.

Edited by Bluebird
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Thanks Ondine and Bluebird. I should have done that myself.

To Marie-Claire’s CV must therefore be added ‘knows someone within the ROH who got her the gig’.

I rather like it when a Company member is the host and I’m sure they also come cheaper as some others might have to be paid for their ‘preparation time’ as well as for the work they do on the night.

(Not that I’m suggesting that dancers should do ‘extras’ for free - I hope they do get an ‘out of hours’ payment.)

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1 hour ago, Lindsay said:

Agree Bruce.  I watched the streaming of the Vienna DQ at the weekend and the music was SO much better and really complemented all the beautifully quick footwork in the Nureyev version! It is going to make the RB ‘arrangements’ very difficult to bear….

That's right, I visited the Vienna performance and I clearly prefer Nureyev's version. However, I also fly to London for Acosta's Don Q, exclusively for the dancers, and twice for the same cast. But I'm really looking forward to Don Q in Paris in the spring, it will of course be Nureyev's version, very nice set, amazing costumes and great dancers.

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1 hour ago, capybara said:

Does anyone know anything about the presenter for the Insight? I haven't seen (or heard) of her before. She was fine except that it seemed a little as if she wasn't familiar with the ballet itself.

 

She was one half of the ROH's "in conversation" with Lauren Cuthbertson last year.  I assumed she had been chosen for that by Ms Cuthbertson.

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5 hours ago, capybara said:

Does anyone know anything about the presenter for the Insight? I haven't seen (or heard) of her before. She was fine except that it seemed a little as if she wasn't familiar with the ballet itself.

She came across well live, I thought. However, I really do enjoy both Kate Shipway and Alex Campbell presenting things and do prefer them. :) 

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In mentioning, during the Insight, his 3 other colleagues playing  Don Q (Gary Avis, Thomas Whitehead, and Bennet Gartside) I was reminded what brilliant character artists the Royal Ballet is currently blessed with. They really add extra levels of depth and  enjoyment to the ballets in which they are cast.

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