ToThePointe Posted August 6, 2018 Posted August 6, 2018 I'm not a dancer, nowhere near it unless there's free flowing wine and a disco playlist; however, I was listening to the music from Sleeping Beauty earlier and thought how fun it would be to dance the role of Carabosse. This led me to thinking of other roles I would love to dance, if I were a ballerina, and thought this would be a fun topic to discuss! So assuming we are all talented, capable and technically wonderful ballet dancers - if you could dance any role in ballet's repertoire which would it be and why? 3
Beryl H Posted August 6, 2018 Posted August 6, 2018 I've always wanted to dance Odette's second act 2 solo, Ashton's Aurora vision scene solo, and Nikiya's first act 1 solo in particular, they look particularly beautiful, and Myrthe's dances in act 2 Giselle, so strong and exhilarating. My two favourite heroines are Giselle and Nikiya. 1
ToThePointe Posted August 6, 2018 Author Posted August 6, 2018 I would love to dance Myrtha as well and Gamzatti! I like all the evil ones! 1
bridiem Posted August 6, 2018 Posted August 6, 2018 I'd love to be in the corps for Swan Lake, Giselle, etc. Being one of a group striving to achieve something so beautiful. I'd be happy for others to take the principal roles! 2
Jan McNulty Posted August 6, 2018 Posted August 6, 2018 As I've got 2 left feet and have never aspired to being a dancer the roles I would covet would be Carabosse (especially if wearing that magnificent black dress in SPW's production for BRB) and Madge in La Sylphide. 1
Coated Posted August 6, 2018 Posted August 6, 2018 I honestly think that no one deserves to see me dance ballet. Though maybe it could be deployed as as cruel and unusual punishment for persistently misbehaving audience members, in which case I would appear as one of the strange creatures from Firebird, sit on stage for 4 hours to a severely amplified soundtrack of me eating crisps and scraping my nails on a blackboard every so often. 10
capybara Posted August 6, 2018 Posted August 6, 2018 I think I’d go for the women who die or really suffer: Mary Vetsera, Manon, Marguerite and Tatiana in particular. But I’m with TothePointe on the baddies as well. 3
ToThePointe Posted August 6, 2018 Author Posted August 6, 2018 Yes Tatiana would be wonderful. I also think that the Queen of Hearts is probably a real blast to perform too!
J_New Posted August 6, 2018 Posted August 6, 2018 Tatiana gets my vote - I'd love to do the mirror scene - in my dreams!!!
ToThePointe Posted August 6, 2018 Author Posted August 6, 2018 I just asked my boyfriend which role he would dance and he said “the drunken uncle from Manon” - he means Lescaut...! 2
Duck Posted August 6, 2018 Posted August 6, 2018 (edited) In browsing the list of programmes, I found myself drawn to specific emotions that the various works elicit from me e.g., For serenity - any role in Ashton's Monotones I/II For fun - the Joker in Cranko's Jeu de Cartes To honour the preciousness of nature - any of the extinct species in Bintley's Still Life at the Penguin Cafe As embodiment of humanity and friendship - either role in the PDD in the 3rd part of Bejart's 9th Symphony To dance myself towards ecstasy - any of the larger roles in Bejart's Bolero Edited August 6, 2018 by Duck typo 2
Fiz Posted August 6, 2018 Posted August 6, 2018 1 hour ago, capybara said: I think I’d go for the women who die or really suffer: Mary Vetsera, Manon, Marguerite and Tatiana in particular. But I’m with TothePointe on the baddies as well. I would pick those roles too, capybara. I would also like to dance Act 2 in Swan Lake. Those fouettés are something else!
Vanartus Posted August 6, 2018 Posted August 6, 2018 (edited) I want to do nasty sister in My Brother, My Sisters...does that make me a bad person? Edited August 6, 2018 by Vanartus Typo 2
Lizbie1 Posted August 6, 2018 Posted August 6, 2018 Myrtha all the way for me - love her attitude and not a baddy in my book, just looking for justice for the sisterhood! 4
ninamargaret Posted August 6, 2018 Posted August 6, 2018 Given my age, poor mobility and size, I think I'll settle for the Queen in Swan Lake, although that gorgeous dress would need a bit of letting out! And I always fancied Carabosse in one of the old Sleeping Beautys- it was the carriage that did it!
Two Pigeons Posted August 6, 2018 Posted August 6, 2018 In my dreams i dance Myrtha, Gamzatti and Tatiana. If I really get carried away you can join Marie Larisch and Mitzi Casper to the list along with absolutely anything and everything by Sir Fred. 3
Bruce Wall Posted August 6, 2018 Posted August 6, 2018 (edited) In a totally fantastical world .... I would dance the male role in Rubies as it encapsulates wit .... but - pushing the boat out even further - (and blurring the gender boundaries - which surely don't matter whatsoever in fantasy - which I realise will disturb at least one member hereabouts for which I apologise in advance) - I would want to do the female principal role in Diamonds as that PDD - that GLORY of a PDD - is the very soul of humane yearning .... or have the chance to ravish the walking girl's solo in Emeralds. Jewels is, simply, a masterpiece of/for balletic time. It not only celebrates - but cherishes - humankind. Otherwise I would long to have a stab at either of the leading roles - oh, so heartfelt in their wonderful weave of petit allegro - in Ashton's brilliantly detailed observance - A Month in the Country. So rich; so full. Edited August 6, 2018 by Bruce Wall 5
Texan Posted August 6, 2018 Posted August 6, 2018 (edited) Crown Prince Rudolf. With 6 ladies. Need I say more? Edited August 6, 2018 by Texan 7
Guest Posted August 7, 2018 Posted August 7, 2018 Many of the roles above, plus: For glamour: The hostess in Les Biches For evil: Black Queen in Checkmate/Siren in Prodigal Son For pathos: Julia in A Wedding Bouquet (for being drunk, yet loveable, I'd like to be Josephine from the same ballet) For temperament and sparkle: Raymonda's Act 3 variation For being revered: The High Brahmin in La Bayadere For 'having a good time': Mitzi Caspar in Mayerling For defying gravity: Bluebird (just watch Soloviev on YouTube - best live performance I have seen is Marcelino Sambé) For watching classical ballet close-up: King or Queen in Sleeping Beauty - preferably with a cushion.
capybara Posted August 8, 2018 Posted August 8, 2018 9 hours ago, Darlex said: For watching classical ballet close-up: King or Queen in Sleeping Beauty - preferably with a cushion. Von Rothbart in the RB’s new Swan Lake has an even better view. 2
penelopesimpson Posted August 8, 2018 Posted August 8, 2018 The Indian in the Arthur Pita - for sheer abandonment 1
BMC Posted August 8, 2018 Posted August 8, 2018 Natalya in Month in the Country - would love to waft around in those beautiful white dresses and bourree across the stage in the arms of a handsome tutor!! Would also love to experience the beautiful lift at the end of the Rhapsody pas de deux but suspect I would need a prop forward from the All Blacks rugby team to be my partner! Fantasies over now - back to reality! 9
jmb Posted August 8, 2018 Posted August 8, 2018 Myself as dancer is utterly unthinkable, except ... A couple of years ago, Queensland Ballet did Christopher Bruce's Ghost Dances. I was stunned. I remember oh, so clearly, the Chilean refugees who arrived, traumatised and shell-shocked in Australia in the 70s. Bruce's work caught their terror and their resolution, but also their love of life. So watching Ghost Dances represents the one and only time that I have felt a huge serge of desire. I want to dance this. Role? Whatever, except not the ghost dancers. 2
Springbourne3 Posted August 8, 2018 Posted August 8, 2018 (edited) I would love to dance the beautiful Nocturne from ‘Les Sylphides’. I saw this performed as a young child and thought it was just magical with the Chopin music, the moonlit woodland setting and the corps de ballet poised like ethereal white statues around the stage. The other title/leading roles would be, Juliet ‘Romeo and Juliet’ - rebellious and tragic💔 the Firebird from ‘Firebird’ - exotic and mysterious🔥 ‘Manon’ - romance, trickery and tragedy 💋💍 ‘Cinderella’ - the fairytale transformation and to make that ballroom entrance sur les pointes down the staircase 🌟 ’Giselle’ - betrayal, tragedy and forgiveness 😢😘 ’Sylvia’ - that Pizzicato variation would be tricky though🏹 ’Pineapple Poll’ 😃 just fun! ⚓️ and last but not least, and just to make that spectacular run and dive into my partner’s arms, the Bolshoi’s ‘Spring Waters’ pas de deux.....phew Which partner/partners would we dance with though? Edited August 8, 2018 by Springbourne3 3
Sim Posted August 8, 2018 Posted August 8, 2018 Great topic, TTP! Hmmm.....I think Manon, Giselle, Myrtha, O/O, Tatiana, Juliet (MacMillan), Natalia Petrovna, any of the female roles in Symphony in C, Carabosse, Lise. There are others, but these are the main ones and represent most of my favourite female roles in the ballet repertoire. I think that between them they represent the human condition in its good and bad modes, and that is challenging to convey, especially without words. Symphony in C is simply loads of fun, and that too is part of the human condition...if we are lucky. 2
RuthE Posted August 8, 2018 Posted August 8, 2018 1 hour ago, Springbourne3 said: and last but not least, and just to make that spectacular run and dive into my partner’s arms, the Bolshoi’s ‘Spring Waters’ pas de deux.....phew Being unfamiliar with this ballet, the mental image I now have is of "that" lift in Dirty Dancing! 2
Jane S Posted August 8, 2018 Posted August 8, 2018 I think it's really interesting how few people have chosen pure dancing roles - for me, given the technique and physique to dance just one role, I wouldn't want to waste one second on acting or mime - I'd hope to find that rare moment that dancers sometimes talk about as the peak of their experience, when everything clicks and there's nothing but you and the music - and maybe a perfectly-attuned partner, to help you fly. I'd go for the Waltz in Serenade. 4
ToThePointe Posted August 8, 2018 Author Posted August 8, 2018 Now partners adds a new level to the mix! I think it would be incredible to experience the passion and tragedy in the final scenes of Onegin with a wonderful partner. It would also be wonderful to experience the thrill of putting all of your trust in a partner especially for really difficult lifts and choreography. I think Rhapsody would be wonderful to dance with a partner you shared chemistry and trust with as that choreography is so special. But to be honest there are a few dancers I would be happy partnering me even if it was just to literally walk onto the stage! It must have been so incredible to have shared the stage with dancers like Nureyev or Baryshnikov let alone be partnered by them! 4
Ianlond Posted August 8, 2018 Posted August 8, 2018 I’d love to have a go at Symphonic Variations - a killer but such dance heaven! Ideally the ‘side man’ role who does the ‘look at the sky’ pirouettes; I’m not sure if it was Brian Shaw or Henry Danton who originated this part. Perhaps Monotones. Or Dutiful Ducks by Richard Alston, possibly so I can pretend to be as good as Michael Clark (if only!) 5
Springbourne3 Posted August 8, 2018 Posted August 8, 2018 (edited) 3 hours ago, RuthE said: Being unfamiliar with this ballet, the mental image I now have is of "that" lift in Dirty Dancing! 😂😀 here is the complete Bolshoi ‘Spring Waters’ pas de deux with Bylova and Nikonov 💖 enjoy Edited August 8, 2018 by Springbourne3 7
swanprincess Posted August 8, 2018 Posted August 8, 2018 Odette.... of course But I also love the sincerity of Nikiya in La Bayadere, and the music for the Entrance of the Shades is so gorgeous that I wouldn’t mind all those arabesques either! 4
Margaret Posted August 9, 2018 Posted August 9, 2018 For me, the slow movement of Concerto would be my dream part. It is one of my favourite ballets and I have a much watched DVD with Nunez and Pennefather - so beautiful. 5
LinMM Posted August 9, 2018 Posted August 9, 2018 (edited) I'm for the slow movement in Concerto too ....love love love! For a complete main role in a ballet probably Lise in Fille ...or Coppelia...for a bit of comedy and fun. For odd bits : final pas de deux from Two Pigeons Any of the girls parts in Dances at a gathering Natalya, the young girl or the maid in the Month in the Country.....especially if Corrales is playing the tutor!! Isadora's dances by Ashton The real in my dreams though ....because haven't got in any way the bendy body for it ...would be Nikiya role in Bayadere....the bit where she dies etc ....nice and emotive! I would also like to do the male role in Le Corsaire....I just want to run onto the stage like that ( would be Nureyev in my dreams)!! Im sure I will think of other bits but haven't got much access to wifi at the moment so hope thread hasn't finished before get back to it. Am doing a summer school and we are learning a bit from Coppelia's solo which is lovely but how do they do those retirees SO fast .....amazing and all respect to the professionals who dance these roles so wonderfully!! Already remembered a ballet would just love to dance in ....any role but perhaps the opening number ( another male part!) and that is Ramberts Red Rooster....or is it just Rooster! Anyway all Stones numbers! Every time I see it I just want to go up on the stage with them! Edited August 9, 2018 by LinMM 2
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