PRESS RELEASE: BLACK SABBATH THE BALLET ANNOUNCED BY CARLOS ACOSTA, DIRECTOR OF BIRMINGHAM ROYAL BALLET

[Jan McNulty]

PRESS RELEASE

 

BIRMINGHAM ROYAL BALLET ANNOUNCES 

THE WORLD PREMIERE OF BLACK SABBATH - THE BALLET

 

• BLACK SABBATH - THE BALLET WILL PREMIERE AT BIRMINGHAM HIPPODROME IN SEPTEMBER 2023
   
• FURTHER AUTUMN 2023 DATES AT PLYMOUTH THEATRE ROYAL AND SADLER’S WELLS LONDON TO BE ANNOUNCED
   
• HEAVY METAL DANCE EXPERIENCE WILL FEATURE 8 BLACK SABBATH TRACKS REORCHESTRATED FOR THE ROYAL BALLET SINFONIA PLUS NEW MUSIC INSPIRED BY THE BAND
   
• LEAD CHOREOGRAPHER PONTUS LIDBERG, DESIGN BY ALEXANDRE ARRECHEA, COMPOSITIONS BY CHRISTOPHER AUSTIN AND DRAMATURGY BY RICHARD THOMAS 

 

Image credit:   Perou

 

Image credit:  Drew Commons

 

 

 

Birmingham Royal Ballet today announces the world premiere of Black Sabbath - The Ballet with tickets available for the Birmingham Hippodrome 23 - 30 September now and further dates for autumn 2023 at Plymouth Theatre Royal and Sadler’s Wells London to be announced soon. 

 

A full-length, 3-act, Ballet Now commission, this brand-new work brings together a host of international creatives including lead Swedish choreographer Pontus Lidburg, Cuban designer Alexandra Arrechea, Tony Award winning composer Christopher Austin with additional choreographers Raúl Reinoso and Cassi Abranches and composers Marko Nyberg and Sun Keting. Richard Thomas is dramaturg for the project and lighting design is by Kieron Johnson. See full biographies for the creative team in notes.

 

Rehearsals will begin in April this year.

 

The 8 Black Sabbath tracks that will feature are: Paranoid (Paranoid, 1970);  Ironman (Paranoid, 1970); War Pigs (Paranoid, 1970); Black Sabbath (Black Sabbath, 1970); Solitude (Master of Reality, 1971);  Orchid (Master of Reality, 1971); Laguna Sunrise (Vol 4, 1972) and Sabbath Bloody Sabbath (Sabbath Bloody Sabbath, 1973). The music will be re-orchestrated for the Royal Ballet Sinfonia with new compositions inspired by Black Sabbath also performed live by the orchestra. On the stage guitars and drums will be integrated into the performance.

 

Black Sabbath - The Ballet is the second Birmingham-focussed commission from Carlos Acosta. The first, City of a Thousand Trades which looked at the city’s industrial heritage and multicultural communities, premiered in 2021.

 

The idea of  a Black Sabbath ballet has been on Carlos Acosta’s mind since he first arrived in Birmingham at the start of 2020, just before the pandemic hit. Black Sabbath played their first ever gig in The Crown pub just a stone’s throw from Birmingham Royal Ballet’s base on Thorp Street. The pub was recently saved from demolition and is deemed a heritage site by fans.

 

Carlos Acosta said ‘Black Sabbath is probably Birmingham’s biggest export, the most famous (and infamous) cultural entity to ever emerge from the city - so I was naturally drawn to the idea of a collaboration between what most people might think are the most unlikely of partners. The band’s enthusiasm for the project is a huge endorsement. They are putting their trust in us to deliver something completely new and original, and that’s quite a responsibility but one that we are beyond excited to take on. Everyone in the BRB company is thrilled to be involved and we cannot wait to share the vision for the show in more detail in the coming months.I have hand picked the creative team and will work closely with them to make a spectacular show.’

 

Black Sabbath co-founder, lead guitarist, co-songwriter and local resident Tony Iommi said ‘I’m looking forward to seeing how this all develops! Black Sabbath have always been innovators and never been predictable, and it doesn’t come any more unpredictable than this! I’d never imagined pairing Black Sabbath with Ballet but it’s got a nice ring to it! I’ve met with Carlos several times and his enthusiasm is infectious. I performed alongside some of the dancers at the Commonwealth Games opening ceremony and they had an incredible energy, so I’m happy to go along  for the ride with them and see you on the other side!’ 

 

Further UK dates in Plymouth and London for autumn 2023 to be announced soon.

 

 

 

Listings information

 

Black Sabbath - The Ballet 

Birmingham Hippodrome

Sat 23 Sep 7.30pm

Wed 27 Sep 7.30pm PN

Thu 28 Sep 2pm & 7.30pm

Fri 29 Sep 7.30pm

Sat 30 Sep 2.30pm & 7.30pm

 

 

NOTES TO EDITORS:

 

CHOREOGRAPHY

 

PONTUS LIDBERG – Lead Choreographer

 

Lidberg has created works for dance companies including Paris Opera Ballet, New York City Ballet, Martha Graham Dance Company, Vienna Staatsoper Ballet, Les Ballets de Monte-Carlo, Semperoper Ballet Dresden, Royal Swedish Ballet, Royal Danish Ballet, Le Ballet du Grand Théâtre de Genève, Acosta Danza, and Beijing Dance Theatre 

 

His work has been commissioned and presented by festivals and venues including Montpellier Danse, Théâtre National de Chaillot, The Joyce Theater, the National Arts Center of Canada, New York City Center’s Fall For Dance Festival, the Havana International Ballet Festival and the Spoleto Festival. 

 

His work Siren received a Villanueva Award from UNEAC, The National Union of Writers and Artists of Cuba in 2018. 

In 2021, he won the Lumen Prize, Nordic Award for Art and Technology for Centaur.

 

His film, The Rain, received numerous awards. The New York Times wrote “memorably, The Rain illustrates what filmed dance can say that staged dance cannot.”

 

His first feature film, Written on Water, starring Aurélie Dupont premiered at Le Festival International du Film sur l'Art in Montréal in 2021.

Raised in Stockholm, Sweden, Lidberg trained at the Royal Swedish Ballet School and the Conservatoire National de Musique et de Danse de Paris.. 

 

He is the Artistic Director of Danish Dance Theatre in Copenhagen, Denmark.

 

RAÚL REINOSO - Choreographer

 

Born in Pinar del Río, in 2002, since 2015 he has been a dancer with Acosta Danza.

 

As a choreographer he has created Anadromous, a piece that was part of the show “A Classical Farewell”, by Carlos Acosta, that was performed in United Arab Emirates, United Kingdom and Hong Kong. 

 

With Beatriz García he created the dueto Nosotros, premiered by Acosta Danza. 

 

With this choreography he performed at the Fire Island Dance Festival 2017, in New York. 

 

In 2018, Raúl Reinoso premiered his choreography Satori. This piece won the Villanueva Award from the Association of Scenic Critics, as one of the best shows presented in Cuba in 2018.

 

 

CASSI ABRANCHES - Choreographer

 

Born in São Paulo, Brazil, in 1974.

 

As a dancer, Cassi performed with Brazil's Raça Cia de Dança, Balé do Teatro Castro Alves and Balé do Teatro Guaíra, before she joined Grupo Corpo in 2001, where she danced until 2013. As a choreographer, Cassi has created numerous works for Grupo Corpo that have toured the world.
 
Besides her work for dance companies, Cassi has choreographed for film, commercials and music videos, including the creation of Pas-de-Deux from the movie Rio, I Love You.  

 

She was Director of Movement and Choreographer of Rio 2016 Paralympic Games Opening Ceremony. 

 

On 6 June, 2019, Cassi's Agora, was premiered by São Paulo Cia de Dança and then toured to the Moviemento Festival in Wolfsburg, Germany.  

 

In February, 2020, Agora received the APCA Award 2019 in Sao Paulo for Best Choreography/Creation. Sao Paolo Ci de Dança plans to tour Agora to Europe and the UK in 2021. 

 

More recently, in November 2020, Cassi created Respiro, her response to lockdown for São Paolo Cia de Dança which premiered at Teatro Alfa and on line.

 

In September 2021, Cassi was appointed the new Artistic Director of Balé da Cidade de São Paulo in Brazil.

 

COMPOSITION

 

CHRISTOPHER AUSTIN - Lead Composer, Project Music Supervisor, Conductor

 

Tony® Award-winning orchestrator Christopher Austin will create a new score for choreographer Pontus Lidberg, forming the final act of this evening length work. He is also Music Supervisor for the whole ballet. 

 

Austin’s Tony® and Drama Desk Award-winning orchestrations for Christopher Wheeldon’s An American in Paris followed on from his work with Joby Talbot, arranging and orchestrating music by The White Stripes for Wayne McGregor’s Chroma, and working on Talbot’s score for Christopher Wheeldon’s critically acclaimed Alice’s Adventures in Wonderland(both for the Royal Ballet). Chroma, Alice and An American in Paris are performed around the world. More recently for the Royal Ballet (in 2017), Austin made new orchestrations for Mark-Anthony Turnage’s score Strapless and orchestrated Frank Moon’s music for Arthur Pita’s The Wind.  

 

Christopher Austin’s most recent dance collaboration was his Houston Ballet commissioned score for Arthur Pita’s Good Vibrations, which premiered in September 2022.

 

For Rambert, Austin has arranged and orchestrated music by Alex North for Javier de Frutos’s Elysian Fields (2011) and created new orchestrations of Witold Lutosławski’s Chain 2 and Symphony No. 4 for Kim Brandstrup’s Life is a Dream (2018). 

 

Austin’s work as a conductor for dance includes Ballet Boyz (for Javier de Frutos and Pontus Lidberg); CCN Roubaix - Carolyn Carlson (for the Carlson/Talbot ballet Eau at the Opéra de Lille and elsewhere); and Rambert’s Life is a Dream.Austin will be conducting the first performances of Black Sabbath - The Ballet.

 

Since 2020, Austin has been working as both conductor and orchestrator with singer/songwriter Rufus Wainwright.

 

Christopher Austin studied composition at Bristol University (with Raymond Warren and Adrian Beaumont) and at the Guildhall School of Music and Drama (with Robert Saxton and Simon Bainbridge).

  

MARKO NYBERG - Composer / Sound Design

 

Marko Nyberg is the studio head of El Camino Helsinki and one of Finland’s most sought-after writers of film scores and advertising music.

 

As the founder and main songwriter of the ambient pop ensemble Husky Rescue - set up in 2002 and currently on a hiatus - Nyberg has released four studio albums and performed at music festivals from Glastonbury to Lollapalooza and Austin City Limits. Husky Rescue’s music has been featured in a number of advertisements and TV series, including HBO series The Sopranos, the BBC’s Top Gear and the Netflix’s Lovesick.

 

Since the late ’90s, Nyberg has provided rich aural tapestries for the likes of Nokia, Wrigley’s, Finnair and Colemans. He was nominated for the HARPA Nordic Film Composers Award in 2017 for his score for Ville Jankeri’s Onnenonkija.

 

Nyberg is currently finishing his debut solo album, a follow-up to the early 2022 solo EP 'Ingrid'. This eponymous, multidisciplinary solo project combines raw emotion with neoclassical and techno, and is often accompanied by contemporary dance and abstract video art.

 

markonyberg.com

 

SUN KETING - Composer

 

Sun Keting is a London-based, China-born composer, researcher, and creative director. Her composition work is focused on multidisciplinary collaboration, combining with Eastern cultural, spiritual, and philosophical elements. Her works have been described as “the future way to go” (The Independent) and “very attractive for its harmonic imagination, mastery of instrumentation” (Bachtrack).

 

Keting’s music has been performed in the U.K (including the Aldeburgh Festival and Tête-à-tête) the U.S., Europe and Asia. She has composed music for the London Symphony Orchestra, the London Philharmonic Orchestra, the BBC Singers, the National Youth Choir of Great Britain, the Riot Ensemble, the Silk Road Ensemble, the Ligeti Quartet, Psappha, the Shanghai Philharmonic Orchestra, and the National Chinese Orchestra, Taiwan.

 

Keting has also composed music for film and dance, including a collaboration with Rome-based Chinese choreographer/artist Huang Xiao. They jointly created the dance works Ensō and Now I will do nothing but Listen, with music performed by members of the London Symphony Orchestra at LSO St. Luke’s. 

 

Keting is graduate of both the Shanghai Conservatory of Music (BA) and the Royal Academy of Music in London (MMus) where she is currently completing a doctorate in composition.

 

ketingsun.com

 

 DESIGN

 

ALEXANDRE ARRECHEA - Designer

 

Alexandre graduated from Instituto Superior de Arte (ISA) in Havana in 1994.

 

His work comprises large-scale  installations, sculptures, watercolour drawings, and videos that debate such issues as history, memory, politics, and the power relations of the urban space.   

 

His mode of working site specifically makes him explore the ideological and philosophical legacy of the surrounding context to create a more engaging interaction with the audience. 

 

His exploration of space contemplates cultural resonances implicit in architecture, from design to social value, and how these  condition its multiple readings. 

 

He is internationally renowned as one of the founding members of the Cuban collective, Los Carpinteros [The Carpenters], active between 1991 and 2003. 

 

Embarking on his solo career in the same year, Arrechea is widely recognized for No limits (2013), a monumental project composed of ten sculptures inspired by iconic buildings in New York City and erected along Park Avenue, and Katrina Chairs (2016), erected at the Coachella Music Festival, Palm Springs, California, USA. 

 

Last December, he created “Dreaming with Lions,” an immersive rotunda resembling an enormous forum-cum-library installed at Faena Miami Beach.

 

KIERON JOHNSON - Lighting

 

Kieron is a lighting designer for dance, theatre and opera. They are a graduate of the ALPD 20:20 Lumiere Scheme. Recent credits include, Dogs(Liverpool Playhouse), Happy Meal(Traverse/Roots/Theatre Royal Plymouth), Knot of the Heart (Royal Birmingham Conservatoire), Masters Showcase (Guildford School of Acting), Smile: The Musical(Mountview Academy of Theatre Arts), Celebrated Virgins (Theatr Clwyd), Coming to England (Associate/Birmingham Rep), As You Like It (Northern Broadsides/National Tour), Black Is...(Fubunation/Sadler’s Wells),Decades: Stories from the City (Leeds Playhouse), West Side Story: Symphonic Dances (Opera North), EBÓ and BlackWaters (Phoenix Dance Theatre), Head Above Water and Khepr (Joss Arnott Dance).

 

 

RICHARD THOMAS - Dramaturg

 

Richard Thomas is an Olivier-Award winning composer and writer and is best known for writing and composing Jerry Springer - The Opera, the first-ever musical to win all four British 'Best Musical' awards.  

 

Richard wrote the lyrics for the musical adaptation of Made in Dagenham, which opened at the Adelphi Theatre in London's West End in 2014 with music by David Arnold

 

He is also known for his BBC2 television series Kombat Opera Presents which won two Rose D'Or awards in 2008 for Best Comedy and Best Programme across all categories. 

 

Richard has also written songs for two seasons of the Emmy-nominated  The Tracey Ullman Show (BBC1/HBO)

 

Richard is working on a several new musicals, amongst which are "Rock Bottom - the AA musical”,  “Grayson Perry- The Musical?!”, “Singing Heads” for The New Group in New York as well as a series of piano-dramas including "The Covid-19 Variations” which have already been heard at The Guggenheim Theatre (NYC) and Birmingham Rep.

 

Birmingham Royal Ballet

Based at Birmingham Hippodrome, Birmingham Royal Ballet is the United Kingdom’s leading touring ballet company performing a range of traditional, classical and heritage ballets as well as ground-breaking new works with the aim of encouraging choreographers of the future.

The Company’s Director since January 2020 is the internationally renowned Carlos Acosta.

Birmingham Royal Ballet standardly performs at Birmingham Hippodrome for approximately ten weeks of the year and the remainder of the year tours throughout the United Kingdom and overseas. On average, the Company performs 175 shows a year nationally and internationally.

 

The Royal Ballet Sinfonia is Birmingham Royal Ballet’s permanent orchestra, it is also Britain's busiest ballet orchestra. The Sinfonia also plays frequently for The Royal Ballet and other leading ballet companies, including performances with Paris Opéra Ballet, New York City Ballet, Australian Ballet, Les Grands Ballets Canadiens, the Kirov, Norwegian Ballet, Atlanta Ballet, San Francisco Ballet, and La Scala Ballet. www.brb.org.uk

 

Ballet Now is generously supported by Oak Foundation’s Special Interest Programme, which provided major funding for the project, Foyle Foundation, Anthony Coombs and The Keith Coombs Trust, The Big Give 2017, The John Feeney Charitable Trust, The John S Cohen Foundation, The H Steven and PE Wood Charitable Trust, The W and M Morris Charitable Trust, the estate of Judith and John Percival, Birmingham Royal Ballet’s New Work Syndicate 2017 and Director’s Appeal 2017.

 

 

[Guest oncnp]

It's Black Sabbath the ballet! Director hopes fans will gather in their masses for new stage show | Daily Mail Online

[Pulcinella]

Being Birmingham born and bred I ought to be thrilled by this and I admire Carlos for doing something different  which should bring in an entirely new audience who would never normally consider seeing a ballet. I feel I should go to see it, it being a landmark work but do I want to see it? Not really as I don't like heavy metal music and the fact I now have to travel a fairly long distance to B'ham doesn't help my decision. I think this will put a lot of the traditional audience off but will attract a new one. I'll be interested to hear others thoughts.

[Odyssey]

I too grew up in Birmingham. Am I unusual in having enjoyed heavy metal and classical ballet ? Should they be separate ‘guilty secrets’ depending on whose company you are with? I quite happily embraced both in my youth, as I’m sure many have and do. It sounds a crazy mix but my curiosity has been piqued. I can’t believe my luck that it will also be part of the autumn tour in iPlymouth, - though as a Brummie, I feel  drawn to seeing this at The Hippodrome where I think it will go down well.  I admire what Carlos Acosta is doing. Projects like this are open to much cynicism, but I really wish him well with his endeavours. The Guardian article I read this morning provides further background to his community outreach.

[bridiem]

I'm not sure I understand why this is deemed to be so newsworthy. There has been quite a lot of ballet/dance to rock/pop music.

[Pas de Quatre]

Odyssey, I am with you. Why should the two be mutually exclusive?

[Lizbie1]

I'm not at all opposed to the idea but I don't exaggerate when I say that my first instinct was to ask myself whether it is April 1st today!

[CCL]

I think this sounds fascinating- I’m sure my husband, being a Black Sabbath fan, will be interested in this!

[LinMM]

But how can that above advertisement not even mention Ozzie Osbourne!!! 
I don’t mind heavy metal at all if in the right mood etc but not sure about in the confines of a theatre just hope it won’t be deafening!! 
Am interested in how the orchestra will be integrated with it. 
However this is a full length ballet so will have to have some kind of Story to hold it together so this will be crucial I think. 
I just hope it’s not going to be another one of those ballets that would have been better as a one acter!! 

[Jan McNulty]

3 minutes ago, LinMM said:

But how can that above advertisement not even mention Ozzie Osbourne!!! 
I don’t mind heavy metal at all if in the right mood etc but not sure about in the confines of a theatre just hope it won’t be deafening!! 
Am interested in how the orchestra will be integrated with it. 
However this is a full length ballet so will have to have some kind of Story to hold it together so this will be crucial I think. 
I just hope it’s not going to be another one of those ballets that would have been better as a one acter!! 

 

Because he was only the singer and is he still living in the States?

 

I worked as a Saturday girl in 2 record shops as a teenager and went to see all the bands as they came to Liverpool.  I have seen Black Sabbath (in about 1974) but they were not my favourites and, as far as I was concerned at that time, Tony Iommi was the de-facto driving force behind the band.

 

PS - among my favourite live bands at the time were Rory Gallagher, Nils Lofgren, Deep Purple and Pink Floyd (up to and including Dark Side of the Moon).

 

As SWRB the company had a ballet called License my roving hands using music by Jimi Hendrix (IIRC Will Tuckett) which was just awful - Pans People on Pointe!!  I will never forget Miyako Yoshida in the most unflattering blond wig!  The sound system at Sadler's Wells was atrocious and could not cope with the volume of the music so it was all distorted.

 

At least this one has live music.

 

PPS - priority booking opened this morning and I have booked.

 

PPPS - if I had been able to I would love to have seen the Leonard Cohen ballet on at SW next week.

[mauriceC]

Janet,I am glad you mentioned "License My Roving Hands"...had to check to see if Jimi Hendricks was "heavy metal" before I commented well it is not the first heavy...but as it was SWRB I suppose it doesnt count..........I cannot get at all excited about this as it is not my kind of music and there seem to be an awful lot of people involved...lets hope they agree on which way to go.Hope for BRB it is a huge success and it will certainly get them plenty of publicity.

[zxDaveM]

2 hours ago, Pulcinella said:

Being Birmingham born and bred I ought to be thrilled by this and I admire Carlos for doing something different  which should bring in an entirely new audience who would never normally consider seeing a ballet. I feel I should go to see it, it being a landmark work but do I want to see it? Not really as I don't like heavy metal music and the fact I now have to travel a fairly long distance to B'ham doesn't help my decision. I think this will put a lot of the traditional audience off but will attract a new one. I'll be interested to hear others thoughts.

 

as it is being orchestrated, the 'heavy metal' element may be vastly reduced, perhaps just the odd guitar riff surviving (can't imagine Paranoid for example, without that opening guitar). It sounds great to me anyway!

[Emeralds]

I came here to see if the word had got round and I see it has. The press are all over it. I suppose it’s because they want some positive and “feel good” news after the recent avalanche of successive tragedies in the news.

 

i just have one thing to say: I hope they can guarantee me that all bats and other animals will be safe! -I am only half joking. (For those who are wondering what I’m talking about, just Google “Ozzy Osbourne bat”)

 

I don’t follow or listen to heavy metal, I admit, but I am open to anything of quality. (Does this mean were not getting Sir Peter’s Coppelia or Swan Lake next year at Sadler's Wells if one of them isn't coming this summer? 🙁)

 

Wonder how the songs will sound when they’re rearranged for a classical orchestra. Would they just sound very “tame”?

 

Well, I knew Carlos was a man of eclectic tastes and full of surprises, but I certainly didn’t see this one coming.....Carlos a fan of Black Sabbath? Who'd have thunk it 😄.... Great photo of Sofia Linares and the guitar, by the way!

Edited February 8, 2023 by Emeralds

[LinMM]

Jan!!!! ……. What do you mean “only the singer”  Ozzy Osbourne probably helped to make Black Sabbath as successful as it was originally in the early days anyway. What a crazy bunch they were but eminently watchable lol!! 

I don’t think they were the best group heavy metal musically speaking but I’d love to have gone to one of their concerts live …lucky you! 
Aren’t the Osbournes thinking of coming back to UK 

Would be great to get Ozzy plus any other members in the audience on the first night!!! I’d go to Birmingham for that for sure!!! 

[Christine]

2 hours ago, LinMM said:

But how can that above advertisement not even mention Ozzie Osbourne!!! 
I don’t mind heavy metal at all if in the right mood etc but not sure about in the confines of a theatre just hope it won’t be deafening!! 
Am interested in how the orchestra will be integrated with it. 
However this is a full length ballet so will have to have some kind of Story to hold it together so this will be crucial I think. 
I just hope it’s not going to be another one of those ballets that would have been better as a one acter!! 

Yes, fascinating. Just heard about it this morning when I listened to BBC 4's Today Show . There was an interview with Carlos and Tony Iommi.  https://www.bbc.co.uk/sounds/play/m001hxs6. (1:22:00)

 

No, I am not a fan of Heavy Metal music and find it quite hard to bring ballet and HM music together in my mind.

Yet I do find the idea, actually the whole project intriguing, So, iif I lived in Birmingham I'd probably give it a go just to see what they make of it.

A pretty bold decision of Carlos Acosta which deserves some applause for trying out a new and unlikely avenue..

 

There is a brief reference to the "story" of this ballet in the above interview, basically saying it would be a "rags-to-riches" sort of story.

That is not saying much, of course. 

 

[Sim]

I love ballet and I love Black Sabbath (among the first LPs I ever got were Paranoid and Master of Reality) so I am fascinated to see what this is like.  I guess you always have to have a narrative to thread the songs together, no matter how silly it might be, if it's a full-length piece.  For things like Christopher Bruce's Rooster, which is a short piece, you can just move to the music.  

 

I am looking forward to seeing how this is done!  

[LinMM]

Don’t mention Rooster I really LOVE ❤️that piece ….haven’t seen it for a while and now I want to see it tomorrow!! 

[Odyssey]

Yes, Rooster is great fun.  Carlos brought it to Birmingham with his Acosta Danza  just prior to taking over BRB ( 2019?) Memorable because it was not long before COVID  He was such a charismatic red rooster. 

[Mary]

 

It isn't a combination of ballet and heavy metal at all- orchestrated music cannot be heavy metal....

 

What next, a ballet version of This is Spinal Tap? That could be diverting - I am already seeing the Stonehenge and jazz sequences in my mind's eye and I can imagine Carlos saying huskily,  'Hope you like our new direction'.

 

 

[alison]

Will this be the ballet version of all those "jukebox musicals" populating the West End?

[Scheherezade]

4 hours ago, Lizbie1 said:

I'm not at all opposed to the idea but I don't exaggerate when I say that my first instinct was to ask myself whether it is April 1st today!

 

Lizbie, we think alike. That was precisely my reaction. Not because of the mix of ballet and heavy metal but because the idea of ballet and Black Sabbath seemed so implausible.

[Scheherezade]

4 minutes ago, alison said:

Will this be the ballet version of all those "jukebox musicals" populating the West End?

 

Well, I am hoping that it won't be the ballet equivalent of 'popera'.

[LinMM]

Rooster is a Christopher Bruce creation for Rambert at least 30 years old now!! 
When you say Odyssey that Carlos brought it to Birmingham in 2019 does this mean that BRB now have the rights to perform it etc. 

Must admit can certainly see Carlos as the Red Rooster but I thought it was mostly performed by Rambert Company. 

[Odyssey]

It wasn’t performed by BRB it was his company Costa Danza which he toured just prior to him taking up the post at BRB . I managed to find the original press release which explains his affinity to this work.

https://www.birminghamhippodrome.com/carlos-acosta-brings-acosta-danza-to-birmingham/

 

Sorry to divert the thread, but it might be fun to have a thread about bands who have collaborated with dance companies  over the years. The Fall and Michael Clark come to mind.  I can never forget their appearance  on The Old Grey Whistle Test, which those younger members on this Forum may not have heard of - a wonderful late evening show that featured live appearances by bands largely not in the mainstream. 

[LinMM]

Thanks Odyssey …yes I see that Bruce himself often stages it for other Ballet Companies …apparently Ballet Ireland performed it last Spring. 
Bruce has said he wants to do some choreography to Leonard Cohen pieces so I checked the piece on at the Wells but that has different choreographers. 
I also don’t know how I didn’t previously connect Mark Bruce whose Company  I really like to Christopher Bruce ….who is his father!! 

[CCL]

35 minutes ago, Odyssey said:

The Fall and Michael Clark come to mind.  

I really wish I’d gone to see The Fall and Michael Clark at the time instead of staying in my comfort zone…

I saw the Mark Bruce Company with PJ Harvey, which was beautiful 

[San Perregrino]

4 hours ago, Christine said:

basically saying it would be a "rags-to-riches" sort of story

 

Cinderella Rockerfella?

[Jan McNulty]

3 hours ago, LinMM said:

Rooster is a Christopher Bruce creation for Rambert at least 30 years old now!! 
When you say Odyssey that Carlos brought it to Birmingham in 2019 does this mean that BRB now have the rights to perform it etc. 

Must admit can certainly see Carlos as the Red Rooster but I thought it was mostly performed by Rambert Company. 

 

Rooster was actually created for the ballet company in Geneva and was then performed by the much missed London Contemporary Dance Theatre (I saw them doing it at Sadler's Wells, I think during their final season) before it was performed by Rambert (probably when Christopher Bruce became AD).  As a minimum it has also been performed by Houston Ballet (which was once shown on BBC2 or Ch4 - I had it on video!!).

 

I've got a feeling that the very wonderful Paul Liburd danced in Rooster with both LCDT and Rambert.

Edited February 8, 2023 by Jan McNulty
To add sentence about Paul Liburd

[Scheherezade]

3 hours ago, Odyssey said:

I can never forget their appearance  on The Old Grey Whistle Test, which those younger members on this Forum may not have heard of - a wonderful late evening show that featured live appearances by bands largely not in the mainstream. 

And musicians’ musicians such as the peerless Ry Cooder. 

[Scheherezade]

3 hours ago, LinMM said:

I also don’t know how I didn’t previously connect Mark Bruce whose Company  I really like to Christopher Bruce ….who is his father!! 

Nor did I make that connection. And so obvious once you know. 

[AnneL]

6 hours ago, LinMM said:

Don’t mention Rooster I really LOVE ❤️that piece ….haven’t seen it for a while and now I want to see it tomorrow!! 

Me too!!!!

[LinMM]

Now what a great Piece that would be for the RBS students summer show. 
Perhaps the two Christopher’s should have a chat together!! 

[maryrosesatonapin]

On 08/02/2023 at 10:33, mauriceC said:

Janet,I am glad you mentioned "License My Roving Hands"...had to check to see if Jimi Hendricks was "heavy metal" before I commented well it is not the first heavy...

No no, Hendrix was NOT heavy metal at all.  He may be considered a precursor by some.  I saw him in 1970 and don't think he would even have liked Heavy Metal (though I like both him and it).