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Pulcinella

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Everything posted by Pulcinella

  1. It’s just started. At least I thought it had but just seems to be the introduction. Apologies.
  2. Another one which hasn't been seen for ages is Les Noces.
  3. Anyone else out there a cycling fan? Huge congratulations to Geraint Thomas for winning the Tour de France (providing he crosses the finishing line on the Champs Elysee tomorrow). A credit to Britain and , of course, Wales.
  4. I have to agree with this. Up to now all the directors of BRB (and its predecessors) have come from within the Royal Ballet "family". We all know what happened to the Royal when they appointed outsiders, Ross Stretton, and to a lesser extent Norman Morrice, so I would hope that there is someone out there who was once part of the "family" who would be interested and considered suitable. Unlike the Royal BRB doesn't sell out their programmes, especially the mixed bills, but at least these sell reasonably well if they contain some well known ballets, which they haven't recently and don't next season. I would hope the direction isn't to go down the Ballet Rambert route and turn themselves into a modern dance company. It didn't work when they became the New Group in the seventies. We can only wait and see.
  5. This is what Amazon say about the special edition. The ordinary edition is £30, the special edition £50. "This special edition (limited to 500 copies), of the first book from Darcey Bussell in over six years, is a true collector's item for all admirers of one of our greatest ballerinas. The exquisitely produced hardback, with over 150 glorious images of Darcey Bussell's career, is presented in a luxurious slipcase. Each book is signed and numbered by Darcey Bussell. Produced to the highest specification, the book is filled with remarkable images of Dame Darcey in various notable locations, such as a pod of the London Eye, on top of the Victoria and Albert memorial, and performing at worldwide events, like the Olympics closing ceremony. The collection includes rare and unseen moments of Darcey shot by some of the most famous photographers, including Lord Snowdon, Mario Testino and Annie Liebovitz, in locations beyond the stage including rehearsals, fashion shoots and more which are accompanied by behind-the-scenes stories and personal anecdotes. A fitting testament to one of our true national treasures, this glorious and charming book is a wonder to enjoy for years to come"
  6. Have to agree with you jmb about this production which I've just returned from seeing in Builth Wells. Loads of really exciting dancing, especially from Mattia Semperboni as Ali in the Pas de Trois, I don't remember ever seeing anyone turn so fast before in his solo. Really liked Nicolette Manni as Medora, loads of spirit and fabulous dancer. I did wonder what happened to the other characters on the ship, presumed drowned? All in all a really enjoyable evening and came out to a fabulous sunset over the river Wye. What could be better!
  7. Theatre half empty this afternoon so no problem getting seats but there was an enormous queue for tickets when we got there. Must have been people booking for Les. Mis not wanting to pay the booking fee.
  8. CASTING FOR R&J NOW ANNOUNCED! https://www.brb.org.uk/whats-on/event/romeo-and-juliet
  9. Casting now up for the triple bill in Birmingham. https://www.brb.org.uk/whats-on/event/polarity_proximity
  10. Casting now up for the triple Bill but not yet Romeo. https://www.brb.org.uk/whats-on/event/polarity_proximity
  11. Just looked on the BRB site and there is casting for the Friday and Saturday night's showing - Jenna Roberts (Friday) and Nao Sakura and Chi Cato (Saturday), as already announced. This is really getting ridiculous!
  12. If you're travelling from London try checking Chiltern Railways from Marylebone as well as the Euston line as they often have cheaper fares.
  13. They obviously have the casting in place well in advance as they were able to announce some time ago that Jenna Roberts will be performing in Romeo and Juliet on the Friday and Nao Sakura and Chi Cao on the Saturday as these will be their last performances in Birmingham. They actually want people there to say goodbye to them but it doesn't seem to matter that some people also want to see certain other dancers in the roles as well. I always maintain they would probably sell more tickets by announcing casts well in advance of performances as the general public will just book for whichever performance suits them by day of the week anyway but the ballet fans will book extra tickets to see particular dancers.
  14. Still no casts for Birmingham and they open next Wednesday. I really think it's a bit much leaving cast announcements this late. I hope the new director, whoever it may be, has a more enlightened outlook to announcing casting a bit further (or preferably a lot further) in advance.
  15. We were all handed earplugs on the way in when I went to see Hofesh Schecter's Grand Finale at the B'ham Rep in April and I was very glad of them. It's obviously a thing with him by the sound of it.
  16. If you change the language to English it says the start time is 5 pm.
  17. I have just found my biography of Antoinette Sisley by Barbara Newman and in this she says she had to pull out of some of the creation of the role because of injury. " So before I started getting injured, we did the first Pas de deux, the bedroom Pas de deux, the bracelet Pas de deux, the solo, the Pas de trios, oh, we did a whole lot......So I had done those various numbers, but I hadn't done that adage with the boys and I hadn't done little bits where I'm concerned with other people because I'd never been with groups.I'd never put it together with anybody. I'd done the rest, except for the last Pas de deux - Jenny (Penney) created that - which I could never get together. I hadn't created it, so I could never remember it." This doesn't seem to me to be someone who "pulled out" of it and then changing her mind. I know Sibley had a lot of time with injury and she seems to have had both hip and knee problems at this time.
  18. Sunday 29 April 12 noon - repeated Wednesday 2 May 6.50am - Manon (new) Monday 30 April 11pm - South Bank Originals: Wayne Sleep Tuesday 1 May 4pm - repeated Wednesday 2 May 11am - Trailblazers: Dance (An eye-opening look at the most memorable dance videos ever made, from Madonna's Vogue to Psy's Gangnam Style. Noddy Holder presents.) Don't think this is really relevant but may be of interest to some.
  19. I was at the TKTS booth on Saturday and they were offering tickets in the Stalls for 30 something pounds for this bill.
  20. I can only spot one item for next week: Tuesday 24 April, 6.00am - Natalia Osipova at Sadler's Wells
  21. Found the following broadcasts up to next Monday. Friday 13 April 6.55am - Giselle (Osipova/Acosta) Sunday 15 April 1.50pm - La Fille mal Gardee (RB - no cast shown) Monday 16 April 6.00am - Ballet 422 (Documentary going behind the scenes at New York City Ballet as choreographer Justin Peck crafts a new work, following the creative process from first rehearsal to world premiere)
  22. There is also a screening of the La Scala version of Le Corsaire by Anne-Marie Holmes in June. This is on at the Barbican in London on 6th June (https://www.barbican.org.uk/whats-on/2018/event/teatro-alla-scala-le-corsaire-12a) and a seemingly eclectic range of cinemas elsewhere, such as Bridlington, Builth Wells, Chichester, Ripon and Shrewsbury, all on different dates. There may well be more but it's very difficult to find a complete list of screenings. Search your local area!
  23. Apologies for starting a new thread on this subject but I searched and couldn't find the previous one. As well as Northern Ballet's Casanova which is on Sky Arts tonight at 18.00 (this came up as Digital Theatre on my Virgin listing which had me confused at first), there is a repeat of Dancing in the Blitz: How World War Two Made British Ballet on BBC4 tonight at 00.30.
  24. Because for those of us who don't live in London it's cheaper and more convenient than going to the ROH and I get a much closer view. I go to the ROH quite a lot but if I'd gone to this programme I wouldn't have got home until 1 o'clock (for one and a half hours worth of dancing!). As it is I went to my local cinema 20 minutes drive away and was home by 10.45. I mainly agree with everyone's comments on the programme but, although not having seen Age of Anxiety before, I suspect it came over better in the cinema than the theatre. I was particularly impressed with Tristan Dyer but none of the facial expressions would have come over in the Amphi.
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