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Found 24 results

  1. Really liked the film, Hayward as glorious as expected (the camera clearly loves her) and the rest of the cast looked very good as well. Clever 'staging', though there was a bush that really needed pruning since it took centre view in a couple of scenes. The set and costumes are deliciously opulent. I was very happy to hear that Michael Nunn and William Trevitt are hoping to make more ballet films. I'd love to see Swan Lake filmed, though judging by the comments about mime and natural settings, that is unlikely to be a contender.
  2. So, the Royal Ballet season starts tonight. I hope people who are going will report back.
  3. The Stuttgart production with new sets and costumes by Jürgen Rose will be online for 24 hours from April 11th, 18.00 CET to April 12th, 18.00 CET on Stuttgart Ballet's Youtube Chanel https://www.youtube.com/c/dasstuttgarterballett The cast is the premiere cast at Stuttgart, with Friedemann Vogel (Rudolf), Elisa Badenes (Mary), Miriam Kacerova (Elisabeth), Alicia Amatriain (Larisch), Diana Ionescu (Stephanie), Anna Osadcenko (Mizzi), Marcia Haydée (Sophie) and Egon Madsen (Franz Josef).
  4. I have just realised that there is a performance of Anastasia on the saturday evening that I'm going to be in London in November - it's with Cuthbertson, Lamb and Macrae. They have some really good tickets still available and if I were on my own I'd have gone like a shot, but I'm going to be with my husband who is not a ballet buff. The last time I saw it was with Lynn Seymour (yes that long ago) and I can't decide what to do. I'd be grateful for some opinions on it - has anyone seen it lately or remembers it better than I do??????
  5. Well, it will soon be time for my Mayerling fix (!) and I have tickets for all three Watsons. But I would like to see somebody else and seem to remember forum members raving about Bonelli and Morera. Am I right? Oh, and does anyone know if Ed Watson is fit again??????????
  6. With a month to go, I thought a topic for news/comments, pre-performance, might be useful. I am pleased to see from social media that on 20 February Steven McRae began rehearsals at the RB with Akane Takada, her debut as Juliet being set for 28 March.
  7. No comment on the dress rehearsal today, for the usual reasons, but did anyone happen to catch the pre-show announcement about two (I think) cast changes? I missed this as my neighbour arrived rather noisily at exactly that moment and so I am puzzling as to who we saw who isn't on the cast list.
  8. Just received a tweet announcing a new filmed version of the the above starring Francesca and Bracewell as the lovers, supported by dancers from the RB. Being shown by Curzon chain on December 16th , I guess to tie up with release of Cats. Looks great, hope for DVD eventually. If there was any doubt this will rocket Francesca’s career to greater heights.
  9. Fabulous insight event (“Ballet Talk”) this morning about the forthcoming premiere of Mayerling with Stuttgart Ballet. Tamas Detrich spoke about why he chose to add Mayerling to the repertoire in Stuttgart – he’d seen the work performed by the Stanislavsky Ballet and was “blown away” by it, thought that the dramatic narrative would work well in Stuttgart with its history of three-act story ballets by John Cranko, and had been looking to get Juergen Rose involved. Gerald Dowler talked about the creation of the work for the Royal Ballet in 1978 and its reception – in London and elsewhe
  10. In the last month, I've seen Macmillan's R&J with Karlsruhe Ballet, Cranko's R&J (twice!) with Stuttgart Ballet, and now QB's R&J. And I still love the ballet! Both versions! Mia Heathcote was Juliet, and Romeo was danced by Patricio Reve, who is so new to the company that he's not yet listed in the program. He is another Cuban dancer, and brought the dash and brio that all Cuban male dancers seem to have to the role. Mia Heathcote was a beautiful, strong, and determined Juliet. (Her father, Stephen Heathcote was Lord Capulet ... nothing like keeping things in the family!) Vito Ber
  11. First, good news for Londoners. Although this programme has been sold out for weeks at ROH, Yolanda Yorke-Edgell told me yesterday that she is hoping that an extra performance will be offered on 16 May. She is hoping that the ROH website will include it at the end of this week. The ROH website says there will be one interval but last night there were two. This very talented and innovative company performed in Leeds last night as part of a tour before arriving at the ROH in mid May. The first piece, Playground, one of MacMillan's dark works, will interest those of you wh
  12. ENB's national tour of Manon started in Manchester (Opera House) this evening. I attended opening night where Alina Cojocaru (lead principal at ENB since 2013) and Joseph Caley (lead principal since 2017) danced the leads. Both noted as debuts in the roles with ENB on the cast sheet. I cannot find the words to say how good it was. To roll out the cliches - it was simply out of this world, and it was a privilege to be there. The rapturous response of the audience indicated that most people there agreed with me. I speak as someone who hasn't always loved neo-classical ballets or MacM
  13. I was unable to be at the London Coliseum tonight for the first night of ENB's Sleeping Beauty (Kenneth MacMillan production), but I know a lot of forum members were, so I'm looking forward to hearing your thoughts! Our coverage of the previous run can be found here:
  14. Principal casting for The Sleeping Beauty at the London Coliseum in June is now on the ENB Website https://www.ballet.org.uk/production/sleeping-beauty/#cast-section Wednesday 6 June, 7.30pm Alina Cojocaru* and Joseph Caley* Thursday 7 June, 2pm Erina Takahashi and Aitor Arrieta* Thursday 7 June, 7.30pm Maria Alexandrova*† and Aaron Robison* Friday 8 June, 7.30pm Alina Cojocaru and Joseph Caley Saturday 9 June, 2.30pm Jurgita Dronina* and Isaac Hernández* Saturday 9 June, 7.30pm Erina Takahashi and Aitor Arrieta Tuesday 12 June, 7.30pm Maria Alexandrova† and Aaro
  15. Tonight was the first night of the Royal Ballet's last triple bill of the season. I'm afraid I didn't make it through to the end, but would be glad to hear from those who did!
  16. Just back from seeing this. An interesting evening but first a few gripes. I hadn't been to The Pit before and was disappointed with a number of aspects. The lighting was virtually non existent when entering the auditorium and very difficult to find seats, with tiny seat numbers. Many people struggled. I mentioned how dark it was to an usher but it seemed it was intentionally dark to help create an appropriate atmosphere. Adding the extra row AA seriously compromised the view for me in row B. Rows AA and A are at the same level and the step up for row B is minimal. With just
  17. Northern Ballet is in Bradford from 05-07 October with their mixed programme "A Celebration of Sir Kenneth MacMillan" comprising Concerto, Las Hermanas and Gloria. Please use this thread to record your thoughts on the performances. Here is a short film released by the Company:
  18. Northern Ballet has just announced that they will be dancing 3 of MacMillan's one act masterpieces to commemorate him: Concerto, Las Hermanas, Gloria. Performances will take place in Bradford (October5-7, 2017) and Leeds (March 16-17, 2018)
  19. Thread for all the mixed-company MacMillan celebrations at the Royal Opera House this autumn. It kicks off tonight with Birmingham Royal Ballet in Concerto, Scottish Ballet in Le Baiser de la fée (or The Fairy's Kiss, if you prefer) and a mixed-company performance of Elite Syncopations, if I'm not mistaken. And to start us off, here's a link back to David's notes on Le Baiser de la fée
  20. [A general thread for any feedback on the range of Kenneth MacMillan insight events being put on by the ROH in commemoration of the 25th anniversary of his death] And even more heart warming to see the tiny excerpt from House of Birds with Gable and Wells! But the whole programme excellent
  21. Listening to excerpts from Verdi's Vespri Siciliani last night on Classic FM, brought back vivid memories of MacMillan's The Four Seasons. This ballet had some wonderful inventive choreography - most notable perhaps the Spring section - I can still see Lesley Collier being partnered by Eagling, Ashmole and Hosking - simply ravishing. The original sets and costumes were rather "chocolate box", but when designs were revised by Deborah MacMillan using bare stage and leotards, the ballet really did not work. With so many ballets being revised this year in honour and memory of the great Sir Kenn
  22. PRESS RELEASE 6 October 2017 A MACMILLAN CLASSIC RETURNS AND A ROYAL OPERA HOUSE PREMIERE FOR SCOTTISH BALLET THIS AUTUMN
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