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Official London Theatre have just emailed me an offer for Weds, Thurs & Sunday performances of this programme. Book online to receive 33% off. Promo Code OLT21

Seat AA10 £60 Any takers?

E-mail from ENB - not going to cut/paste the whole thing as takes up far too much space but you get the idea.... Mods...I couldn't find this anywhere else but please move if appropriate ENB at Home: Ballet on Demand and BalletActive Classic titles available to rent and view on demand + online dance and fitness class subscriptions Throughout 2020, we have connected with hundreds of thousands of dance lovers all over the world via our ENB at Home programme of online classes and ballet streams. We are thrilled to announce the launch of a brand new ENB at Home online platform, which will allow us to engage further with our global community and reach new ballet fans everywhere. With Ballet on Demand, you can now rent some of our best-loved titles, including Akram Khan's Giselle, La Sylphide, Dust, and Le Corsaire, and watch them from home! (Rent for three days from £4.99 – no subscription needed ) Ballet on Demand will also host our digital season of short films commissioned specifically for the camera, with choreography by Sidi Larbi Cherkaoui, Russell Maliphant, Yuri Possokhov, Stina Quagebeur and Arielle Smith. These unique dance-film collaborations are unlike anything we've previously done and will premiere throughout November and December. BalletActive takes our online classes to an entirely new level! Subscribe today to take ballet, contemporary and yoga classes with an exciting team of instructors, including Company ballet masters and mistresses. Designed for at-home participation, this is a fitness subscription you'll look forward to using!

Details can be found here.

I enjoyed a lot of the movement in this piece; those velvety, sumptuous fondue transitions that had a quality of liquid (or stringy mozzarella) that seemed to ripple. I wasn't quite sure of the narrative, if there was one, which sort of left a gap for me. Was I watching nature? Why can't we have more of the shaggy things? What was the meaning or do I have to create one by engaging with the dance in some way?

This was interesting but not as accessible to me as Broken Wings. More visceral overall and colder. Definitely choreography I want to understand and appreciate more.

I'm new to ballet in middle life. I don't know much about it and only have a few weeks of trying it out (Baroque dance is more my thing, but only have a few years experience). Anyway, someone pointed me to ENB's watch party of Broken Wings this week. I'd thought I'd give it a go but wasn't sure what to expect. But wow, I mean WOW!. Moving, comic, sad and sometimes disturbing - completely blown away by it and want to watch it again. But can't! Just very cool and gets me to want to explore more.

Hello, Looking for know how and advice! My son will start y11 in Sept 2019, looking to apply for upper schools for sept 2020. It’s make or break year, and the threat of loss of identity if he doesn’t make it is looming large. His dream is ELmhurst, we will also apply to ENB and Central. He does not want to do a course that is more modern or contemporary. Does anyone have any advice, about the audition process, or what other options there are? We live in London which helps. Are there other options?

I took 2 children aged 7 and 5 to a performance of ENB's My First Ballet: the Sleeping Beauty at Richmond Theatre. They loved it - so job well done. I didn't love it quite so much although I love the concept of these ballets. The ballet was narrated throughout, which was excellent and it also mirrored the mime happening on stage, which I really appreciated. Not sure any of the children did, but never mind. I learned quite a lot about mime. The story of the Sleeping Beauty was changed quite significantly. No spinning wheel (old fashioned I assume), so Aurora is pricked by a rose, not a spindle. This negates the need for the Rose Adagio (as she would have been pricked), but a version of that dance was still presented, but not to the right music! Surely if you are introducing children to the Sleeping Beauty ballet, the most famous dance of all should be represented with the right music which is so famous and so beautiful. Nothing nasty really happens, so Carabosse turns into a good fairy, and the kiss to wake Aurora up is turned into a hug. Oh well, nice for children to think the world is a happy place. The quality of the dancing did not overwhelm but the dancers deserve great credit for keeping their concentration through a noisy audience experience.

The announcement has dropped and he is (a) Ballet Master of the ENB: https://www.ballet.org.uk/people/renato-paroni-de-castro/

Noooooooooooooooooooooooooooooooooooo! From Facebook: Nancy Osbaldston, for those unfamiliar with her, won ENB's Emerging Dancer award in 2013 and is properly amazing. Of course, I wish her all the best at her new company. May her career go from strength to strength.

And the press release: English National Ballet Nutcracker / Swan Lake / Manon London Coliseum 13 December 2018 – 20 January 2019 www.ballet.org.uk This Winter, English National Ballet presents three critically acclaimed productions, Nutcracker, Swan Lake and Manon, at the London Coliseum. The company today announces Principal Casting for performances of Nutcracker and Manon, and, an additional performance of Manon. Tamara Rojo, Artistic Director of English National Ballet said: “I’m thrilled that we’re able to give our London audiences as many chances as possible to see this wonderful production by putting on an additional performance. It's also a great opportunity for them to experience the remarkable talent shining across the whole Company, who have all really enjoyed bringing Manon to life." English National Ballet presents Manon, and also Swan Lake, at the London Coliseum in January 2019 following performances of both productions on tour in the UK this Autumn. Famous for its dramatic, challenging and expressive choreography, Sir Kenneth MacMillan’s Manon features some of the most demanding and fulfilling roles in ballet. Manon is accompanied by Jules Massenet’s haunting music performed live by English National Ballet Philharmonic. English National Ballet’s hugely successful production of the timeless classic, Swan Lake, choreographed by Derek Deane with music performed live by the English National Ballet Philharmonic, will bring some of the most iconic scenes in ballet, and Tchaikovsky’s glorious score, to London audiences once again. Continuing its Christmas tradition of presenting a Nutcracker production every year since 1950, English National Ballet’s Nutcracker returns this festive season, following sold out performances in 2016 and 2017. Over 100 dancers and musicians bring to life the popular Tchaikovsky score featuring the Dance of the Sugar Plum Fairy and Waltz of the Flowers, performed live by English National Ballet Philharmonic. Principal Casting Nutcracker (in the order of Clara, Nephew, Nutcracker) Thursday 13 December Rina Kanehara, Jeffrey Cirio, Fernando Carratalá Coloma Friday 14 December (mat) Fernanda Oliveira, James Forbat, Daniel McCormick* Friday 14 December Erina Takahashi, Isaac Hernández, Aitor Arrieta Saturday 15 December (mat) Katja Khaniukova, Ken Saruhashi, Erik Woolhouse Saturday 15 December Shiori Kase, Francesco Gabriele Frola*, Fernando Carratalá Coloma Sunday 16 December (mat) Fernanda Oliveira, James Forbat, Daniel McCormick Tuesday 18 December (mat) Begoña Cao, Aitor Arrieta, Junor Souza Tuesday 18 December Alina Cojocaru, Francesco Gabriele Frola, James Forbat Wednesday 19 December (mat) Katja Khaniukova, Ken Saruhashi, Erik Woolhouse Wednesday 19 December Rina Kanehara, Jeffrey Cirio, Fernando Carratalá Coloma Thursday 20 December (mat) Begoña Cao, Aitor Arrieta, Junor Souza Thursday 20 December Shiori Kase, Francesco Gabriele Frola, Daniel McCormick Friday 21 December (mat) Francesca Velicu, Ken Saruhashi, Erik Woolhouse Friday 21 December Jurgita Dronina, Joseph Caley, Skyler Martin Saturday 22 December (mat) Erina Takahashi, Isaac Hernández, Aitor Arrieta Saturday 22 December Alina Cojocaru, Francesco Gabriele Frola, James Forbat Sunday 23 December (mat) Jurgita Dronina, Joseph Caley, Skyler Martin Wednesday 26 December (5pm) Shiori Kase, Francesco Gabriele Frola, Daniel McCormick Thursday 27 December Erina Takahashi, Isaac Hernández, Aitor Arrieta Friday 28 December Alina Cojocaru, Francesco Gabriele Frola, James Forbat Saturday 29 December (mat) Rina Kanehara, Jeffrey Cirio, Fernando Carratalá Coloma Saturday 29 December Jurgita Dronina, Joseph Caley, Skyler Martin Sunday 30 December (mat) Francesca Velicu, Ken Saruhashi, Erik Woolhouse Manon (in the order of Manon and Des Grieux) Wednesday 16 January Alina Cojocaru and Joseph Caley Thursday 17 January (mat) Jurgita Dronina and Isaac Hernández Thursday 17 January Begoña Cao and Aitor Arrieta Friday 18 January (mat) Emma Hawes and Rupert Pennefather Friday 18 January Erina Takahashi and Jeffrey Cirio Saturday 19 January (mat) Alison McWhinney and Francesco Gabriele Frola Saturday 19 January Jurgita Dronina and Isaac Hernández Sunday 20 January (mat) Alina Cojocaru and Joseph Caley *Debut in role Casting for Swan Lake to be announced in due course. Casting is subject to change. Please see www.ballet.org.uk for up-to-date casting. ENDS For further information about English National Ballet and to book tickets visit www.ballet.org.uk. Please note performance details are subject to change. Notes to Editors Alongside performances, English National Ballet will host a range of workshops and events throughout the Winter, aimed to provide a gateway into the world of ballet. Activities include on-stage workshops for all ages, Live Drawing, Family Events, and behind-the-scenes talks. For more details, see www.ballet.org.uk/whats-on/ Listings information for 2018 Winter Season: Nutcracker London Coliseum Thursday 13 December – Sunday 30 December 2018 Press night: Thursday 13 December, 7.30pm Box Office: 020 7845 9300 or www.ballet.org.uk/nutcracker Swan Lake London Coliseum Thursday 03 January – Sunday 13 January 2019 Press night: Thursday 03 January, 7.30pm Box Office: 020 7845 9300 or www.ballet.org.uk/swanlake Manon London Coliseum Wednesday 16 January – Sunday 20 January 2019 Press night: Wednesday 16 January, 7.30pm Box Office: 020 7845 9300 or www.ballet.org.uk/manon About English National Ballet English National Ballet has a long and distinguished history. Founded in 1950 as London Festival Ballet by the great English Dancers Alicia Markova and Anton Dolin, it has played a major role in the growth and history of ballet in the UK. Today, English National Ballet is renowned for taking world-class ballet to the widest possible audience through its national and international tour programme, offsite performances at festivals including Glastonbury and Latitude, its distinguished orchestra English National Ballet Philharmonic, and being a UK leader in creative learning and engagement practice and delivery, building innovative partnerships to deliver flagship programmes such as English National Ballet’s Dance for Parkinson’s. Under the artistic directorship of Tamara Rojo, English National Ballet has gained new acclaim as it introduces innovative new works to the Company’s repertoire while continuing to honour and reinvigorate traditional ballet.

ENB kicked off their national tour of Swan Lake last night in Liverpool. It was pretty much full house (= cacophony of rustling papers etc!) but despite distractions it was a nice performance. Jurgita Dronina/Isaac Hernandez/James Streeter took the leads. I enjoyed the performance but overall it didn't get me emotionally this time. The swans were really good very well drilled and the corps de ballet in Act 1 and 3 were also very good. I think Rothbart and the swans were the best bit last night, and I must mention the 2 dancers who replaced Ken Sarasuhi they were both great and I really enjoyed watching them. Junor Souza was in the show but only in Act 3. Sadly Dronina ran out of puff with her fouettes so we didn't quite get the full 32. (I know I'm sorry I count!) The music was beautifully played I thought and it sounded great from my seat in the Circle and thankfully drowned out some of the background noises from those rustlers! I am sure Janet will write a better review than I - I am just about to leave to go down south but just wanted to post a few curtain call photos.

Date is June 11 and the London Coliseum is the venue. Booking here.

Principal casting for The Sleeping Beauty at the London Coliseum in June is now on the ENB Website https://www.ballet.org.uk/production/sleeping-beauty/#cast-section Wednesday 6 June, 7.30pm Alina Cojocaru* and Joseph Caley* Thursday 7 June, 2pm Erina Takahashi and Aitor Arrieta* Thursday 7 June, 7.30pm Maria Alexandrova*† and Aaron Robison* Friday 8 June, 7.30pm Alina Cojocaru and Joseph Caley Saturday 9 June, 2.30pm Jurgita Dronina* and Isaac Hernández* Saturday 9 June, 7.30pm Erina Takahashi and Aitor Arrieta Tuesday 12 June, 7.30pm Maria Alexandrova† and Aaron Robison Wednesday 13 June, 7.30pm Erina Takahashi and Aitor Arrieta Thursday 14 June, 2pm Alina Cojocaru and Joseph Caley Thursday 14 June, 7.30pm Jurgita Dronina and Isaac Hernández Friday 15 June, 7.30pm Maria Alexandrova† and Aaron Robison Saturday 16 June, 2.30pm Shiori Kase* and Cesar Corrales* Saturday 16 June, 7.30pm Jurgita Dronina and Isaac Hernández *Debut in role with English National Ballet †Guest Artist

Use the promo code OLTENB onlineor call 020 7845 9300 and quote "Official London Theatre"£60.50 tickets now £46.50* £46.50 tickets now £31.50* Balcony tickets (normally £20.50 or £15.50) now £11.50*Valid for Tuesday – Thursday performances*Prices include booking fees

Casting just announced: https://www.ballet.org.uk/production/voices-of-america/#cast-section

20% off selected performances here

Does anyone have any thoughts on either of the double bills? Did anyone see it in Manchester or Milton Keynes? Is anyone planning to see it in London? I'm contemplating going, but not sure which one. I'd love to hear anyone's thoughts!

This site has 35% off tickets for the ENB performances at the Coliseum in January 2018 (except the top and bottom two price brackets).

It looks as though ENB has been invited to contribute to the Robbins celebration in the first half of the Paris Summer dance festival (Les Etes de la Danse) There are 2 Robbins programmes in the last week of June, 2018 (25-27; 28-30) at which ENB are expected to perform, in addition to New York City Ballet, Miami City Ballet and Joffrey, plus Pacific Northwest Ballet, which will be presenting contemporary ballets in the second week (July 3-7). Given ENB are doing The Cage in their Sadler's Wells season it is that ballet that they would be likely to do. The details of the season have not yet been publicised but I have gleaned this information from the website of PNB (directed by Peter Boal, a wonderful New York City Ballet dancer in the past, and one of the best Apollos. His wife is one of the former City Ballet dancers mentioned in the Peter Martins scandal). There is also information on the website of a theatre, La Scene Musicale, in the Bois de Boulogne suburb of Paris, which will be the venue. Coincidentally, Isaac Hernandez is guesting with Paris Opera Ballet this week in Don Q (Thursday and Saturday) replacing Hoffalt.

Hi, Looking for tickets for ENB's Nutcracker. Two for either 4th, 5th or 6th January, one adult and one child, matinee or evening, and a single for evening of 6th. Anyone got anything available? Thanks.

Does anyone have a spare ticket? Can't pay too much and needs to be upstairs. Please PM me if you do. Thanks.

The Khan Giselle casting for all venues is now on the ENB website: https://www.ballet.org.uk/production/akram-khan-giselle/#cast-section Just discovered the link doesn't take you straight to the casting page. You have to click on 'see casting for all dates' I've now pasted the casting below: Liverpool Empire, Wed 25 October 2017, 7.30pm Tamara Rojo Giselle James Streeter Albrecht Liverpool Empire, Sat 28 October 2017, 7.30pm Tamara Rojo Giselle James Streeter Albrecht Liverpool Empire, Sat 28 October 2017, 2.30pm Fernanda Oliveira Giselle Fernando Bufalá Albrecht Liverpool Empire, Fri 27 October 2017, 7.30pm Erina Takahashi Giselle Aitor Arrieta Albrecht Liverpool Empire, Thu 26 October 2017, 7.30pm Fernanda Oliveira Giselle Fernando Bufalá Albrecht Liverpool Empire, Thu 26 October 2017, 2pm Crystal Costa Giselle Aitor Arrieta Albrecht Sadler's Wells, Wed 20 September 2017, 7.30pm Tamara Rojo Giselle James Streeter Albrecht Sadler's Wells, Thu 21 September 2017, 2pm Fernanda Oliveira Giselle Fernando Bufalá Albrecht Sadler's Wells, Thu 21 September 2017, 7.30pm Erina Takahashi Giselle Isaac Hernández Albrecht Sadler's Wells, Fri 22 September 2017, 2.00pm (NB website has 7.30pm but this must be a typo) Crystal Costa Giselle Aitor Arrieta Albrecht Sadler's Wells, Fri 22 September 2017, 7.30pm Tamara Rojo Giselle James Streeter Albrecht Sadler's Wells, Sat 23 September 2017, 2.30pm Fernanda Oliveira Giselle Fernando Bufalá Albrecht Sadler's Wells, Sat 23 September 2017, 7.30pm Erina Takahashi Giselle Isaac Hernández Albrecht

Selling these two tickets as I am not in the UK during the Akram Khan Giselle season :sob sob: - They are listed as Restricted View: Overhang. I don't find they restrict the view unless you want to see the uppermost part of the set. Saw this production from the same seats when it premiered and had no issue whatsoever. Thursday 21 September 2PM First Circle L2 £25 Friday 22 September 7:30PM First Circle L1 £25 If interested, please PM/email. Linda.