Ruby Foo

The difference in quality of teaching at a certain establishment between boys and girls is obvious to all. Hence the reason for most boys going through the school and graduating into upper school. Nothing to do with hours.

Although it tempting to conclude the international students have been hot housed, I don’t think that’s necessarily the case, at least not in a damaging sense that is mentioned above. Obviously they have had a different sort of training, possibly put in a lot more hours and had more experiences of competition and pressure. Personally, I believe its more a case of taking a seriously talented student and making the contract of teacher/ pupil work to its max, where the teacher and pupil are working collaboratively to produce the very best in that pupil. If a school knows they can adopt and consistently rely on adopting a higher standard student, then the commitment to the original teacher/ student contract may not be so necessary and the commitment may weaken. Especially where a student starts with a reasonable criteria but develops problems along the way, not necessarily changes in body shape, but other issues which need time and a great deal of work and perseverance to correct, from BOTH parties.

I’m sorry, but I disagree with this. I can’t speak for MA’s as I’ve never heard of any ‘ actually’ being assessed out. I guess in any school or institution where you are not behaving appropriately or representing the establishment in an appropriate way, then you might be asked to leave. From a WL point of view, especially in yr 10, it is very clear to EVERYBODY what happens when the class sizes swell to a disproportionate size with new exclusively international students of an extremely high standard who will be ready to replace the WL students in upper school. Believe me, it has nothing to do with ‘ not representing the school in a good light’ or ‘looking or behaving in a certain way’. It is all about talented students who have received excellent training abroad and reached a higher standard.

we always took a spare leotard and tights... just in case and plenty snacks.

It’s very rare for anyone to be assessed out of mids. I think it has happened once or twice but usually there has been a long-standing issue which everyone is aware of long before the assessments. That’s my understanding from experience but I can’t tell you if policy has changed.

No. Very rarely. If ever.

What amazing and happy news! So difficult to land a contract on a cruise - she must be over the moon! Just feel very blessed you are not the ‘ other mother’ who is blissfully unaware of what really matters in life.

Im sure you are right Farawaydancer re the extra lessons! But they are strictly forbidden and punishable by immediate expulsion so, although they may improve your technique, the joy and confidence will be lost in fear of doing something illicit.

RBS students may be familiar with the surroundings and possibly the teacher too but that’s where it ends! Most of the students the panel will be really interested in are high brow International students who are already international competition winners and used to performing to an extremely high standard and under pressure. RBS students may well be at a disadvantage as they will have had very little experience out of their own environment - no competitions, exams or extra lessons with different teachers to gain experience and confidence. Also, being known by some members of the panel may be both an advantage or disadvantage as they may well have a prejudged opinion.

The recruiting policy adopted by RBS is the direct opposite of most other international Ballet schools such as Paris Opera or School of American Ballet which only recruit from their own pupils. But much has been commented on on this particular subject.... sigh.

At RBS, some students are very aware they may be assessed out from previous assessment marks/ parent teacher interview, but for some, there was no warning and it comes as a complete surprise and shock. I think there is some help finding new schools but it depends who you speak to as to how far reaching this is. Obviously the numbers of students going from yr 7 to yr 11 varies from year to year but i think approx 3/4 . However, the number ( girls) going on to upper school is very tiny indeed. One year only 2! Last year 5 ( the most for a good few years) Out of a class of 14 -17 year 11’s, that’s a very tiny percentage. Going to vocational school is just the beginning of a very long road of challenges and being aware of this is wise, which is why it’s great you asked these questions!

Not really put off exactly but wishing to try something different this year.

My Dd attended ENB 2018 and 2019. They were like 2 completely different summer schools and experiences. The first year was well organised with great teaching ( Ist year school teacher + other superb teachers) and a parent watching day at the end of the week. My Dd felt she had improved heaps and was inspired to give her best the whole 2 weeks. The second time was badly organised, some days not starting until 11.30 am and other days finishing by 3pm. No routine and mediocre, uninspiring teachers. No parent watching at the end of the week. Whether the changes in leadership and the prospect of moving premises had an effect, I’m not sure. I’m positive, now the changes have taken place, everything will be back to normal. Both times, the class sizes were huge with very little room to do the exercises properly on the barre so hopefully they have sorted that issue.

It’s lovely that you are supporting her in this way! I wish you the best of luck in finding something suitable and hope your girlfriend loves every moment of her ballet experiences. As you can see from the forum there are loads and loads of adults enjoying ballet ( some who started very late) and, even though they will never be professional, more and more opportunities are popping up to take advantage of.

I was under the understanding that it was only a final audition ( White Lodge) that a teacher could ask for feedback but I’m maybe wrong! If you contact them, Mr Annear should call you back at some point. It can take a few weeks.

Hi Greg, Im not sure that what you are looking for exists. But maybe someone on this forum can help you find something more appropriate for your girlfriend. What is your girlfriend hoping to gain from the experience? Most students of your girlfriends age will be dancing professionally by now and students attend these international intensives at a very high standard indeed hoping to get noticed by the AD as well as improving their technique. I am not familiar with schools in Russia but I can tell you that most international summer intensives are highly sought after and even students who have been training full time vocationally from age 11 have tough competition to get accepted. The training in Russia is very different and tough and unless your girlfriend has been studying this technique from the beginning, it probably wouldn’t be the most suitable for a late starter. Have you considered other parts of the world who all have strong ballet techniques and may offer an adult ballet week / 2 week course? There are definitely some here in the UK which are very popular and have been mentioned on this forum. Sure someone will bring up some names for you.

I would totally agree with Anna C, that looking at your feet you do not need elastic. Elastic should only be used when really necessary to support an hyper flexible foot and instep or to keep the shoe on at the heels when a good fitting shoe can still not do that job - the student has a very narrow and shallow heel. In the case of the shoe slipping off the heel then the elastic should be sewn in a single strip from near the back of the shoe and fits around the ankle. Maybe you could try a more flexible backed shoe or your teacher can give you extra exercises to develop and strengthen your feet.

I wouldn’t worry too much about the detail as long as she’s making some effort to turn the legs outwards, rather than parallel. Whichever version the teacher wants, it will need to be with use of turn out if she’s doing ballet. She is only Gr 1? And it takes many years to learn to hold those legs outwards so don’t worry too much.

My Dd loved it when she did it a few years back. Just a good, solid summer school with good teaching and a nice atmosphere. No ‘ big names’ and no pretensions.

There is a Travelodge on York Road, Battersea just round the corner from RAD..

I totally agree with you Pas de Quatre. I don’t know the history of the Polka but I think there’s a lovely one in ‘ Meet me in St Louis’ or ‘ Little Women’ and it a lovely, natural, happy movement that flows along quite chirpy. The ISTD version stops very suddenly after the spring/ jete which indeed stops the flow of movement. But I don’t know how all these versions came to be.... sure there’s good reason.

Don’t panic or let your Dd worry about this before her audition. If your Dd is feeling confident she will do well and something like this won’t phase a vocational school who will look in to it in more detail if they are interested in her. There is a whole number of reasons why this might happen from holding the barre incorrectly with too much tension, heavy school bags, something going on with her spine or something else entirely. As Anna C says, a good physio will take a history and over time be able to ascertain what the issue is and correct it. For now, remind your Dd to relax and breathe and love every moment so that her top half is effortless and ‘open’ and combined with a lovely use of eyes and facial expression it should do the trick.

As usual, it’s a balance of all things. A student with a lovely physique who maybe is not quite down on one splits will not matter. I think box splits is quite important but again, if you’re not down fully it won’t matter if you have the physical attributes. I know there are students in yr 7 White Lodge with varying degrees of flexibility but obviously you would want to show as much flexibility as possible!

It’s pretty much a yes to all of the above. At Royal, there is a lot of standing front, side, back to see physical stuff. Some stretching just as you’ve described above and they take shoes off I believe. A simple ballet class with barre, port de bras, center work, simple pirouette, allegro and corner allegro. Then some improvisation to music. It’s the same for Elmhurst although not so much ‘ looking ‘ at the beginning. I’m not sure if there’s any impro at Emhurst either.

Yes, this video is NOT how it is done in ISTD Gr1. It is a little more technical. It was always done with a petit developpe when I was teaching but I didn’t want to confuse poor Isabella.