bangorballetboy

See here. Also announced on Twitter on 5 March.

It's Claire Calvert, according to her social media

The stalls and grand tier together with a number of the stalls circle seats are held back for those attending the first night celebrations. Some may come available at a later date depending on how many are taken by those wanting to party after the show.

Full list of nominees: Best New Dance Production Flight Pattern by Crystal Pite at Royal Opera House Goat by Ben Duke for Rambert Dance Company at Sadler’s Wells Grand Finale by Hofesh Shechter at Sadler’s Wells Tree Of Codes by Wayne McGregor and The Paris Opera Ballet at Sadler’s Wells Outstanding Achievement in Dance Rocío Molina for pushing the boundary of flamenco in Fallen From Heaven (Caída Del Cielo) at Barbican Theatre Francesca Velicu for her performance in English National Ballet’s production of Pina Bausch’s Le Sacre Du Printemps at Sadler’s Wells Zenaida Yanowsky for her performance in Liam Scarlett’s Symphonic Dances at Royal Opera House Best Theatre Choreographer Andy Blankenbuehler for Hamilton at Victoria Palace Theatre Bill Deamer for Follies at National Theatre – Olivier Kate Prince for Everybody’s Talking About Jamie at Apollo Theatre Randy Skinner for 42nd Street at Theatre Royal Drury Lane Christopher Wheeldon for An American In Paris at Dominion Theatre Best Actor in a Supporting Role in a Musical Michael Jibson for Hamilton at Victoria Palace Theatre Ross Noble for Young Frankenstein at Garrick Theatre Jason Pennycooke for Hamilton at Victoria Palace Theatre Cleve September for Hamilton at Victoria Palace Theatre Best Actress in a Supporting Role in a Musical Sheila Atim for Girl From The North Country at The Old Vic Tracie Bennett for Follies at National Theatre – Olivier Rachel John for Hamilton at Victoria Palace Theatre Lesley Joseph for Young Frankenstein at Garrick Theatre Outstanding Achievement in Music Everybody’s Talking About Jamie – Music and Orchestrations by Dan Gillespie Sells, his debut as a musical theatre composer and orchestrator at Apollo Theatre Follies – The Orchestra, under the Music Supervision of Nicholas Skilbeck and Music Director Nigel Lilley at National Theatre – Olivier Girl From The North Country – Music & Lyrics by Bob Dylan, Original Orchestrations & Arrangements by Simon Hale at The Old Vic Hamilton – Composer-Lyricist Lin-Manuel Miranda at Victoria Palace Theatre Best Entertainment and Family David Walliams’ Gangsta Granny at Garrick Theatre Derren Brown: Underground at Playhouse Theatre Dick Whittington at London Palladium Five Guys Named Moe at Marble Arch Theatre Magic Radio Best Musical Revival 42nd Street at Theatre Royal Drury Lane Follies at National Theatre – Olivier On The Town at Regent’s Park Open Air Theatre Best Actor in a Musical Ciarán Hinds for Girl From The North Country at The Old Vic John McCrea for Everybody’s Talking About Jamie at Apollo Theatre Giles Terera for Hamilton at Victoria Palace Theatre Jamael Westman for Hamilton at Victoria Palace Theatre Best Actress in a Musical Janie Dee for Follies at National Theatre – Olivier Shirley Henderson for Girl From The North Country at The Old Vic Imelda Staunton for Follies at National Theatre – Olivier Josie Walker for Everybody’s Talking About Jamie at Apollo Theatre Best Revival Angels In America at National Theatre – Lyttelton Hamlet at Almeida Theatre Who’s Afraid Of Virginia Woolf? at Harold Pinter Theatre Witness For The Prosecution at London County Hall Best New Comedy Dry Powder at Hampstead Theatre Labour Of Love at Noël Coward Theatre Mischief Movie Night at Arts Theatre The Miser at Garrick Theatre Outstanding Achievement in Affiliate Theatre The B*easts at Bush Theatre Killology at Jerwood Theatre Upstairs at the Royal Court Theatre The Red Lion at Trafalgar Studios 2 The Revlon Girl at Park Theatre White Light Award for Best Lighting Design Howell Binkley for Hamilton at Victoria Palace Theatre Paule Constable for Angels In America at National Theatre – Lyttelton Paule Constable for Follies at National Theatre – Olivier Jan Versweyveld for Network at National Theatre – Lyttelton Best Sound Design Tom Gibbons for Hamlet at Almeida Theatre Gareth Owen for Bat Out Of Hell The Musical at London Coliseum Eric Sleichim for Network at National Theatre – Lyttelton Nevin Steinberg for Hamilton at Victoria Palace Theatre Best Costume Design Hugh Durrant for Dick Whittington at London Palladium Roger Kirk for 42nd Street at Theatre Royal Drury Lane Vicki Mortimer for Follies at National Theatre – Olivier Paul Tazewell for Hamilton at Victoria Palace Theatre Blue-I Theatre Technology Award for Best Set Design Bunny Christie for Ink at Almeida Theatre and Duke of York’s Theatre Bob Crowley and 59 Productions for An American In Paris at Dominion Theatre Rob Howell for The Ferryman at Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre Vicki Mortimer for Follies at National Theatre – Olivier Best Actor in a Supporting Role Bertie Carvel for Ink at Almeida Theatre and Duke of York’s Theatre John Hodgkinson for The Ferryman at Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre James McArdle for Angels In America at National Theatre – Lyttelton Peter Polycarpou for Oslo at Harold Pinter Theatre Best Actress in a Supporting Role Bríd Brennan for The Ferryman at Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre Denise Gough for Angels In America at National Theatre – Lyttelton Dearbhla Molloy for The Ferryman at Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre Imogen Poots for Who’s Afraid Of Virginia Woolf? at Harold Pinter Theatre Best New Opera Production La Bohème at Trafalgar Studios 2 The Exterminating Angel at Royal Opera House Semiramide at Royal Opera House Outstanding Achievement in Opera Paul Brown for his set and costume designs for Iolanthe at London Coliseum Joyce DiDonato and Daniela Barcellona for their performances in Semiramide at Royal Opera House Roderick Williams for his performance in The Royal Opera’s The Return Of Ulysses at the Roundhouse Best Actor Paddy Considine for The Ferryman at Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre Bryan Cranston for Network at National Theatre – Lyttelton Andrew Garfield for Angels In America at National Theatre – Lyttelton Andrew Scott for Hamlet at Almeida Theatre Best Actress Laura Donnelly for The Ferryman at Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre Lesley Manville for Long Day's Journey Into Night at Wyndham’s Theatre Audra McDonald for Lady Day At Emerson’s Bar & Grill at Wyndham’s Theatre Imelda Staunton for Who’s Afraid Of Virginia Woolf? at Harold Pinter Theatre Best Director Dominic Cooke for Follies at National Theatre – Olivier Marianne Elliott for Angels In America at National Theatre – Lyttelton Rupert Goold for Ink at Almeida Theatre and Duke of York’s Theatre Thomas Kail for Hamilton at Victoria Palace Theatre Sam Mendes for The Ferryman at Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre American Airlines Best New Play The Ferryman at Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre Ink at Almeida Theatre and Duke of York’s Theatre Network at National Theatre – Lyttelton Oslo at Harold Pinter Theatre Mastercard Best New Musical An American In Paris at Dominion Theatre Everybody’s Talking About Jamie at Apollo Theatre Girl From The North Country at The Old Vic Hamilton at Victoria Palace Theatre Young Frankenstein at Garrick Theatre

I'd imagine the executive director and then the full board of directors, noting that anyone with a personal involvement would be excluded from such matters.

I would suggest grievances are most likely dealt with in accordance with the company's grievance procedures.

I'm looking forward to a similar call!

Yūgen means “an awareness of the universe that triggers emotional responses too deep and mysterious for words.”

That change was made before spring booking opened...

And the members of the audience were given one by Kevin O'Hare - Morera was taken ill last night.

Why would Thames Valley Police be involved if she got a taxi from the Royal Brompton to Marble Arch? Why would the Met in their statement give details of the road in Reading where the taxi journey started? I've not heard anything about a miscommunication and that the journey was from the Royal Brompton anywhere other than on this thread. As others say, the important thing is finding this vulnerable person and I'm keeping her (and others) in my thoughts and prayers as I'm afraid that's all I can do.

Well, that is what O'Hare said in his announcement

Interval was about 40 minutes long

Pretty obvious in the auditorium too.

There's also a picture of McGregor rehearsing Bracewell and Hamilton.

See my post on the thread about last night's insight evening for the dancers who were rehearsed.

As noted above, it will be made available online at a later date. I would suggest that insights that are held in the Linden Studio will not be live-streamed as that studio is not set up with the technical capability to do so. It was an enjoyable insight, led by Clemency Burton-Hill. It started with McGregor rehearsing Bonelli, Lamb and Richardson in a pd3 from the second movement of Chichester Psalms. As we have come to expect from McGregor in his more mature RB years, the choreography was rather lyrical and sat on the music very well. Quite a number of intricate movements, elegant shapes and jaw-dropping extensions from Lamb. The rehearsal continued with a short burst of Lamb and Richardson in a pd2 from the third movement. Q&As with the choreographers didn't really cover any new ground. Wheeldon's piece is to Serenade after Plato's Symposium (a piece that Wheeldon has previously used in a piece for Boston). He rehearsed Sambé and Magri in a pd2 for the 3rd movement (the piece is a five movement violin concerto). Lots of fast steps and exciting ("but don't make it too exciting, Marci") movements with, IMO, somewhat of an inspiration from Balanchine. An enjoyable evening and worth catching up with it when it's online.

From the reminder of the change of location: "Please note that this event will be filmed and made available online at a later date." Heading off there now.

Please don't ask for inside information to be shared. Any post containing information that is not properly in the public domain would be in breach of the AUP and would consequently be hidden.

I'm currently picturing Shirley Bassey (Burly Chassis) singing Smoke Gets In Your Eyes...

Comments on the performance in the new thread please.