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alison

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Everything posted by alison

  1. What a shame, although I had been expecting it. Never mind, I'm sure Lamb will be great - and we assume there's one recording of that cast safely in the bag anyway.
  2. Is this the one BRB used to do until it was replaced by the Bintley version? I only ever saw it the once, at Sadler's Wells, way back.
  3. I suspect that, at this stage in her career, the chances of seeing her in a lead role are very low. Plus of course she's now on maternity "leave" anyway, so won't be dancing for some time.
  4. Zurich is in the German-speaking part of Switzerland, so I'd think that logically German would be the language to go for, even if it's only a few words. There's absolutely no point in trying for Swiss German, which apparently varies greatly across the country (Roger Federer's Basel dialect is pretty impenetrable). And I gather the public perception of Swiss people being bilingual, or even trilingual, isn't very accurate - it's certainly not a given that a native German speaker will also speak good French, or vice versa.
  5. Looking back through the earlier posts, I couldn't work out what the original announced end date was. I guess I must have missed it.
  6. Ah, sorry - I was assuming they'd only just released the news. I'm a couple of days behind on the Links.
  7. https://www.sarasotaballet.org/24-25-season-overview/ Including Sir Peter Wright's Giselle, Ashton's Romeo & Juliet, A Wedding Bouquet, Napoli Act III, Rubies, Serenade, In The Night, and a visit from Mark Morris Dance Company.
  8. I've been rapidly coming to the conclusion that that's no longer the case The problem with standing after a performance at the ROH, at least in Stalls Circle and the Balcony, is that due to the lack of rake it totally blocks the view of those who are already standing, i.e. those who have standing tickets rather than seated ones, and who therefore can't do anything about it. And - applying it to the Orchestra Stalls as well - not everyone is able, or inclined (i.e. not wanting to give a standing ovation), to stand up as well, so just have to sit there surrounded by loads of standing people at close quarters, which can actually be very unpleasant. It's not a problem of ROH etiquette as such - it also applies to places like Sadler's Wells, although without the added problem of standing tickets, and probably anywhere which has insufficiently raked stalls.
  9. It's been mentioned on here quite a few times in recent weeks, but I don't think we have a specific thread on it, so here goes: The Paris Opera (Ballet) streaming service (POP) appears to offer paid-for and free live and recorded streams of their productions, masterclasses and rehearsals, both ballet and opera (and the School, too). The options appear to be pay-per-view, or € 99 for a year's subscription (half that if you're under 28). Seems like a bargain if you want to see something other than UK output. https://play.operadeparis.fr/en
  10. I was going to say I wondered why, since Carmen appeared to be largely sold out. Then I scrolled down the page to what I presume is a second cast, and understood why they might be.
  11. I really don't think that 3 paltry performances can be regarded as saturation of any kind ☹️
  12. At least the London Ballet Circle's event with the RB's Isabella Gasparini this Monday is online, so shouldn't be affected.
  13. I've realised that since I'm intending to go and watch this in the cinema I don't actually need my ticket for the above performance. It's end seat amphi E34. If anyone's interested, please send me a PM. In my opinion, Requiem always looks better from on high
  14. I'm sorry to miss Cojocaru, but the consolation is that I can at least get to see Yu Kurihara now. I shall very much look forward to seeing how she's developed in the role since her already-excellent debut performances. If it wasn't for the fact that I don't think I can face late nights three days running I'd be hugely tempted to go and see Mizutani too, because she had to withdraw from her scheduled performance in Birmingham when I went.
  15. Ah yes, the loincloths. I have a feeling they're less close to individual skin-colour than in previous runs. Anyone else think so? And the other thing I've been meaning to ask: I keep looking for a bit in Different Drummer where Woyzeck is hearing the Freemasons hammering underground, but haven't spotted it as yet. Was I imagining it was there?
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