Two Pigeons Posted December 20, 2014 Posted December 20, 2014 No one could ever be Elgar quite the way he was. He just lived the role. 4
LinMM Posted December 20, 2014 Posted December 20, 2014 Agree absolutely! It's the role I picture him in.
Jacqueline Posted December 21, 2014 Posted December 21, 2014 (edited) I was lucky enough to see Derek Rencher as Rothbart, many years ago, on my first ever visit to Swan Lake at the ROH. The way he moved around the stage in as I think I recall correctly, a rather spectacular full length cloak of peacock like feathers, was mesmerizing. I think Odette was Lesley Collier and Siegfried, David Wall. This was the kind of performance that made ballet magical. Derek Rencher brought a huge but subtle stage presence to everything he did. He made Rothbart a real character and young as I was then, believably frightening and powerful. Completely unlike the rather absurd figure he is in the current production, hindered in no small part by the ridiculous costumes. Edited December 21, 2014 by Jacqueline 4
alison Posted December 28, 2014 Posted December 28, 2014 Slightly belatedly, a tribute on the ROH website: http://www.roh.org.uk/news/derek-rencher-a-look-back-at-his-life-with-the-royal-ballet
Bruce Posted December 28, 2014 Posted December 28, 2014 He made all his characters real and vivid. For me his best role was Monsieur GM in Manon (which he created) and it was very, very, sad when he had to give up dancing it. Although I rather took it for granted at the time, the 90's was mightily blessed with Principal Character dancers who started in the 1950's and 60's and who played a large part in defining RB dramatic style. Even now I still miss Rencher as GM, Gerd Larsen as Giselle's mother and Leslie Edwards Prince of Verona. In Garry Avis and Genesia Rosato we have a 'new' generation - and talk to them and they all acknowledge what they learned from the likes of David Drew, Gerd Larsen, Leslie Edwards, Derek Rencher and others. 5
alison Posted November 17, 2018 Posted November 17, 2018 Walking through the cemetery at Baron's Court today, I noticed his grave, which was looking a little in need of some TLC, less than 4 years on, especially compared with nearby, lovingly tended, graves. Rather sad, really. 6
bridiem Posted November 18, 2018 Posted November 18, 2018 10 hours ago, alison said: Walking through the cemetery at Baron's Court today, I noticed his grave, which was looking a little in need of some TLC, less than 4 years on, especially compared with nearby, lovingly tended, graves. Rather sad, really. But someone walked past his grave yesterday, and cared. Which matters more than its physical condition. So thank you, alison. 8
Vanartus Posted November 18, 2018 Posted November 18, 2018 ...and your quick message Alison made me spend time looking through the details of his life and work, something I don’t remember doing 4 years ago. So yes, your thoughts made a difference . 2
LinMM Posted November 18, 2018 Posted November 18, 2018 It could be just a temporary blip on the part of the person/people tending his grave I have to admit to not always being on top of the tiny plot ( ashes buried but roughly 2ft square plot) where my parents are in the lovely location of Rottingdean ( st Margarets) churchyard. Sometimes it's looking really nice ....especially in the Spring around birth/death anniversaries ....but I haven't been there for over six months so it's probably not looking so good right now! 1
alison Posted November 18, 2018 Posted November 18, 2018 Fair enough, Lin. And there was a cyclamen planted on it, so someone had taken some trouble.
ninamargaret Posted November 18, 2018 Posted November 18, 2018 lovely to remember all the many performances I saw of him. For me, the most important thing is that he is remembered for his performances - I can never see Manon, or R and J without thinking of him. 1
Sophoife Posted November 18, 2018 Posted November 18, 2018 He was Monsieur GM in my first Manon in July 1974, and Don Quixote for me in June 1994. I remember him coming out of stage door with a little dog like a true diva and being delighted to be asked to sign that Manon programme 20 years later. 5
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