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Everything posted by Odyssey
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Like Janet, I have attended many of these evenings- for many years memorably introduced by David Bintley. Without doubt, the anecdotes he used to entertain us with between the extracts was an important aspect of the evening. I’m not sure the guest compères have worked so well since. I always saw this as a celebration of the Company and its wonderful Sinfonia . The extracts were largely drawn from the current / recent repertoire and reflected both the riches in the Company’s ‘chest’ and the depth of talented dancers. In recent years, there has been a little more focus on new choreography created by people within the company. I think I’m right in saying that initially there was just a single performance which proved so popular that it extended to a second show usually on a second consecutive night. I last saw it at Warwick Arts Centre - on the occasion Janet refers to when it was staged outside the Symphony Hall. I’d be sad to see it go, but I always got the impression this was an initiative created and shaped by Bintley and it was an important event in the BRB calendar. It wasn’t a gala evening - nothing as grand as that, and as such had a unique quality. Perhaps there are other priorities now.
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What Got You Into Watching Ballet?
Odyssey replied to Dawnstar's topic in Performances seen & general discussions
I wrote on this topic a few years ago when I recalled having had the wonderful experience as a child of seeing Fonteyn in Swan Lake at Coventry Hippodrome. I wanted to add here, that around the same time, my Junior School ran a couple of trips to Stratford Upon Avon - one was to see the D’Oyly Carte Opera and the other, The Royal Ballet Touring Company which became SWRB, then BRB. I saw Monotones1 & 2 & Giselle ( you don’t get the luxury of such programming these days) with Margaret Barbieri as Giselle, Kerrison Cooke as Albrecht and Elizabeth Anderson as Myrtha. For those here who remember those days, you might be interested that the cast for Monotones 1 was Alfreda Thorogood, Brenda Last & David Wall, & Monotones 2 Jane Landon, Paul Clarke & Hendrix Davel. My rather scrappy programme from all those years ago also tells me Christopher Carre, Sarah Conley & David Morse were part of the Pas De Six. Such riches! My point is how important such school trips are in capturing youngsters’ interest in the arts. In my case, along with the fortune of seeing Fonteyn later in the same year - no doubt after pestering my parents to see more dance as a result of that school trip, I began a life long passion for ballet. I’ve since witnessed first hand the wonderful outreach work of BRB in working in schools and colleges, culminating in that vital experience of seeing ballet performed live on stage in a theatre/opera house. I’m just thankful to the farsighted teacher who took the time to organise those trips and wonder how many other appetites were whetted on that afternoon. -
Just moving off the current topic slightly, Andre Uspenski recently captured a wonderful moment from a performance of Romeo and Juliet by Melissa Hamilton and Ryoichi Hirano . It’s on his dancersdiary Instagram, but I haven’t seen it printed elsewhere. The image shows Melissa about to embrace Rio as his arms extend to greet her with his cloak which resembles a heart in how it has been captured. It’s a beautifully photographed moment which has been admired by many on his account including several current RB Principals. It would make an ideal ‘February image’ for the RB Calendar. I wondered if many folks here had seen it . Also wondering if Andre sells prints of his work.
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Royal Ballet's Swan Lake (Spring 2022)
Odyssey replied to MJW's topic in Performances seen & general discussions
I agree with this assessment JNC. I’d add that it always surprises me when comments are made that a dancer achieved say 25 fouettés in the same breath as stating that they do not consider this technical aspect should be important in indicating a dancer’s ability to perform the role of Odile . So why do they start counting? Presumably because we know It is an important aspect that helps to define Odile’s character through the stir her dancing causes, which separates her from the other eligible princesses at the ball, and it is a touchstone that ballerinas aim to emulate. Your later point about coaching would be an excellent subject for the wonderful Open Barre podcast to cover. Hopefully it may be picked up here.- 1,276 replies
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Brilliant news and thoroughly deserved. I love these on stage announcements over press releases - though of course these necessarily follow. Hope there’s a photo posted somewhere of the occasion.
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Royal Ballet's Swan Lake (Spring 2022)
Odyssey replied to MJW's topic in Performances seen & general discussions
I totally agree with this assessment Sim. There are many ingredients to being a Principal and in the current climate, having the resilience you describe is a key one.- 1,276 replies
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Such an enjoyable performance at Plymouth this evening. This is a lovely production which lifts the spirit and is very beautiful to look at. Definitely a keeper. I think Yu is a promising prospect for the future. She visibly relaxed into the role as the evening progressed, and then her personality shone through. Lachlan was an attentive partner and there was a pleasing chemistry between them. Having a male character of Amour works well I think. The Company was in good form and was deservedly warmly received.
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Royal Ballet's Swan Lake (Spring 2022)
Odyssey replied to MJW's topic in Performances seen & general discussions
I was aware it was Gina, thank you. Plenty of pics out there of Melissa’s beautiful feet . I’m sure Rob has taken a few !- 1,276 replies
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Royal Ballet's Swan Lake (Spring 2022)
Odyssey replied to MJW's topic in Performances seen & general discussions
It struck me that among the RB first soloists are two of the loveliest pair of feet ‘in the business’ - Clare and Melissa !- 1,276 replies
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Royal Ballet's Swan Lake (Spring 2022)
Odyssey replied to MJW's topic in Performances seen & general discussions
Lovely to see Clare Calvert will be on stage tonight as a big swan .- 1,276 replies
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I wonder if they might consider streaming this after the live performances in order to raise more funds.
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Royal Ballet's Swan Lake (Spring 2022)
Odyssey replied to MJW's topic in Performances seen & general discussions
Interesting how two years ago the different nuances of the two sister dancers was celebrated. I came across this in the2020 Dance Tabs review : Mayara Magri and Fumi Kaneko are well contrasted as the charming sisters, Magri exuberant and Fumi meticulous. I also don’t think it helpful to suggest the rank of a dancer is tied to a performance in a single role.- 1,276 replies
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Let’s just wait and see. With excellent coaching (which clearly provided some superb performances in R & J) some people here may be pleasantly surprised by the casting.
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Thank you ChrisG for whetting my appetite. It looks to be a welcome dash of sunlight amidst all the miserable gloom we’re currently experiencing.
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Royal Ballet - Romeo and Juliet - Winter 2022
Odyssey replied to MJW's topic in Performances seen & general discussions
Jann Parry, in her excellent biography of MacMillan , agrees with you CCL. She says of Lady Capulet’’s extravagant mourning of Tybalt, “ Naturalistic responses have been overtaken by Expressionism.” Parry’s account of the creation of R&J, contains many interesting observations regarding the intentions of MacMillan including those final, powerful moments. Here Christopher Gable is quoted as saying, “So they die apart, not touching. Two beautiful young lives have been totally wasted. Nothing’s been achieved, nothing’s better, and they’re not united. They’re just dead. Just two dead things.” Chillingly frank. Incidentally, pertinent to comments above, Parry refers to Juliet’s sepulchre recognisably her bed, stripped of its coverings.- 603 replies
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Royal Ballet - Romeo and Juliet - Winter 2022
Odyssey replied to MJW's topic in Performances seen & general discussions
I think it’s a sarcophagus as it’s meant to be stone. -
Royal Ballet - Romeo and Juliet - Winter 2022
Odyssey replied to MJW's topic in Performances seen & general discussions
I’ve never noticed a Juliet in threads in curtain call pics . Is this unusual? -
I remember him being interviewed a few years back about the creation of Symphonic Variations. Had seen plenty of photos of him, so it was good to hear him talk in person.
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Royal Ballet - Romeo and Juliet - Winter 2022
Odyssey replied to MJW's topic in Performances seen & general discussions
Yes, I didn’t recognise him from the Dante Project. It’ll be good to go back to the World Ballet day class and look out for him. This seems to be shaping up to be an exceptional run of R & J . Apart from the undoubted talent in the company at all levels, a lot has to be down to the superb coaching the dancers are receiving.- 603 replies
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Yes, we are so lucky to have such a richness of companies, each with their distinctive ‘flavour’ and blessed with some tremendous talent. I wish there were more opportunities for cooperation between them. I remember the celebrations for Macmillan a few years back when there was a lovely mix. Keeping to the topic of this thread, I think Carlos Acosta remains a very exciting prospect for BRB. Reading through his comments in the interview link, higher up the thread, I think he has a good understanding of the competing issues that he has to juggle.
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Royal Ballet - Romeo and Juliet - Winter 2022
Odyssey replied to MJW's topic in Performances seen & general discussions
Thank you. These are beautiful pictures.