Jump to content

Swan Lake - Danse Russe


Recommended Posts

If I recall correctly (I don't see it very often) I think it's supposed to be a traditional Russian dance, isn't it? I don't think many Western productions include it, but whether that's because it's deemed dull I couldn't say.

Link to comment
Share on other sites

I love this dance, as well as the music. It's one of my absolute favourites! Perhaps there's different versions of it. Here's a Bolshoi version with Svetlana Uvarova. It's a traditional character dance, but so sensuous and sparkling. (I'll try embedding the videos....)

 

<iframe width="420" height="315" src="https://www.youtube.com/embed/F0RW2gEJqIU" frameborder="0" allowfullscreen></iframe>

 

There's also a lovely version of it done by some Vaganova students as part of their exam.

 

<iframe width="420" height="315" src="https://www.youtube.com/embed/B3J8oAM7xwo" frameborder="0" allowfullscreen></iframe>

  • Like 1
Link to comment
Share on other sites

Yes, if it's a traditional Russian character dance, and not really ballet, then that explains it!

 

Why it is not really ballet? The movements are based on Russian folk dance but it is performed on points, with beautiful pas de bourre, sometimes 'gliding', sometimes staccato. It is a pity that the last gesture of the arm stretched forward with the palm opened, as if offering a gift, somehow disappeared in Uvarova's recording. Gestures (sometimes like telling a story) and the right posture are very important in character dances.
In Russia character dances (not on points) were always an important part of ballet performances. Yuliana Malkhasyants talked about it in her interview a few years ago: http://www.ballet.co.uk/magazines/yr_04/aug04/interview_malkhasyants.htm
 
Here are several interpretations of the Danse Russe:
 
Ulyana Lopatkina:
 
 
 
Ekaterina Maximova is here as enchanting as in anything she did.  (With Vladimir Vasiliev watching her dance.) Every movement is full of grace.
She would have been 76 yesterday.
Edited by John Mallinson
  • Like 4
Link to comment
Share on other sites

OK, I think I understand now - I truly am somewhat shallow in my appreciation of ballet (and I'm not being sarcastic here, honest!). I can see that there is some grace is some of those clips, but I want more action. Hope I don't get banned, and maybe when I'm older I will appreciate the finer points!

 

It's a bit like when I used to prefer Australian wine to French...

Edited by thewinelake
  • Like 1
Link to comment
Share on other sites

And here's video of Anastasia Kolegova dancing Russkaya in a tutu.  A bit more action in this one, but I still prefer the Lopatkina version.

 

What Kolegova was dancing (very nicely) here is very thinly related to a character Russian dance, apart from a few steps. This variation was choreographed by Vladimir Vasiliev for his production of “Swan Lake” during his tenure as the Director of the Bolshoi and was shown at Coliseum in 1999, I think. Odile was scrapped and replaced at the ball by the Swan Princess who did her variation - in tutu! - to the tune of Danse Russe. I remember it danced by Antonicheva and Volochkova.

What really conveys the spirit of Russian dance is the concert piece, with neither tutu no point shoes, by the great choreographer Kasyan Goleizovsky (1892-1970) who is little known in the West. It had to be danced either barefoot or in soft boots. There is no much “action”, no grand battement or developpe, but the body moves all the time in flowing movements, which are supposed to communicate with the viewer. 

Maximova was allowed to do it on points by the personal permission of Goleizovsky’s widow ballerina Vera Vasilieva. All following performers danced it without any permission.

I found one youtube clip of the barefoot performance with Goleizovsky’s choreography - by Nina Golskaya, still a student of the Bolshoi Ballet Academy at that time:

Link to comment
Share on other sites

Khvanchkara is the one to try, rumoured to be Stalin's favourite.  A great rarity when I first tried it, it's much more widely available now.

 

Have you tried the wines of Lanzarote?  The vines are grown in the lava fields and look like no other vineyards you've ever seen. well worth a trip and a taste!

Link to comment
Share on other sites

Wondering if Khvanchkara is a wine or a ballet dancer/choreographer?!!

Yes, I've visited the vineyards there - fascinating the way the vines can develop in those craters. However, the wines are much better in Tenerife! Suertes del Marques (no relation of Roberta!) is well worth trying. Will certainly follow up the Khvanchkara recommendation - cheers!

Link to comment
Share on other sites

Wondering if Khvanchkara is a wine or a ballet dancer/choreographer?!!

....  Will certainly follow up the Khvanchkara recommendation - cheers!

 

While following up the Khvanchkara recommendation, thewinelake, you can also enjoy the Armenian composer Khachaturian's music for "Spartacus" and "Masquerade". Did you mean him?
Edited by Amelia
  • Like 2
Link to comment
Share on other sites

Oh, one drift a bit more please! What is the film and why were the men dancing with one arm behind their backs? I love Russian music, history and ballet but I have tried over and over again to read Russian novels and I can't get into them at all. ????

Link to comment
Share on other sites

Oh, one drift a bit more please! What is the film and why were the men dancing with one arm behind their backs? 

 

I don’t know which film this clip is from. The words “Film Masquerade” are inscribed there but the behaviour of the couple does not resemble the plot. There was an old film “Masquerade” made much earlier, in 1941, and although Khachaturian’s famous Masquerade Suite was composed for a theatre production in the same year - but a different waltz was used in the film. It can be heard and seen here, min. 106. https://www.youtube.com/watch?v=22hfPMUbx0U

 

It was explained to me long time ago that, when waltz came to Russia (about 200 y. ago), the Russian beau monde was much more apprehensive of physical proximity, especially in public, and was attaching great importance even to a light touch of hands. It was noticed, discussed, criticized. Therefore, they danced waltz in the ‘open position’. Things changed gradually...

Edit: link added.

Edited by Amelia
  • Like 1
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...