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John Mallinson

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Everything posted by John Mallinson

  1. Bravo and thanks! So the 'other' Brit companies are having their slots overlapping with the RB?
  2. Alison, thanks. I've changed the title of this thread to make it clearer that it's for announcements and links to ROH Insights.
  3. Yes, maybe starting this thread was a bad idea (on my part!). I envisaged it being for announcements rather than discussion.
  4. Thanks Bruce. My poor head. I don't suppose anyone wants to translate all those times to BST for a poor benighted Brit?
  5. Any news of streaming of tonight's Unknown Soldier insight? I can't find anything. Tickets still available.
  6. Where was that information? If you look at the map of Mayerling screening locations via the ROH website I can see none in the USA (several in Canada) but I assume that is because of the time difference which means that US screenings are usually, or maybe always, deferred.
  7. Chloe Miller Smith, Project Manager in the Royal Opera House’s Learning and Participation department.
  8. Who knows. The streaming of the Mayerling insight doesn't seem to be announced on the ROH website or Facebook and was only posted on Twitter at 11am. Thursday's insight is labelled as 'filming' so maybe it will be.
  9. First off. Mayerling insight with Ryoichi Hirano and Melissa Hamilton. (Also, I think, a first look at the revamped Clore Studio.) Today, Sept 25, at 19.30 BST on the ROH YouTube channel.
  10. I don't think we have a similar thread to this which I hope will be useful for alerting people to what web relays are coming up, where and when. N.B. I have changed the title of this thread to point out that it is for notices of Insight Events and where to find the links for web streaming before (and after) the events. Wider discussion of Insights should be in Royal Ballet Insights and Rehearsals discussion.
  11. As Alison has mentioned anyone, even if not a member, can contact us for help. At the bottom of all pages there is a Contact Us link. That should elicit a response, possibly helpful!
  12. No doubt we'll find out today with the opening of Rheingold but I was told by an usher that ticket checks would be performed at each entrance to the auditorium.
  13. Links – Monday September 24, 2018 Review - New York City Ballet, Jewels / All Balanchine bill, NY: Marina Harss, DanceTabs Review - Northern Ballet, The Kingdom of Back, Mamela…, The Shape of Sound, Leeds: Bruce Marriott, DanceTabs Memoir - Sharing the stage with Nureyev: Donald Hutera, The Times Review - Adam Weinert, Ted Shawn’s The Death of Adonis & Dance of the Ages, Beckett: Alastair Macaulay, New York Times Reviews - English National Ballet, Lest We Forget, London: Debra Craine, The Times David Mead, SeeingDance Review - The Trocks, London: Jeffery Taylor, Sunday Express Film review - Nureyev: Jim Pritchard, Seen and Heard Feature - Jan Fabre, director of Belgian dance company Troubleyn, accused of bullying and sexual harassment: Alex Marshall, New York Times Feature - Queensland Ballet going to China: John Bailey, Sydney Morning Herald Review - Rural Touring Dance Initiative, Point of Echoes (Ben Wright), London: Sanjoy Roy, The Guardian Feature - Constantine’s hand and Jerome Kaplan’s designs for Australian Ballet’s Spartacus: Valerie Lawson, Dancelines
  14. Links – Sunday September 23, 2018 Review - New York City Ballet, Jewels, NY: Barnett Serchuk, Broadway World Review - English National Ballet, Lest We Forget, London: Stefan Kyriazis, Daily Express Reviews - Sarah Blanc, My Feminist Boner, London / David & Jacqui Morris, Nureyev (documentary film): Luke Jennings, The Observer Review - Akram Khan, Xenos, Leicester: Sally Jack, British Theatre Guide Review - Natalia Osipova, Pure Dance, London: David Dougill, Sunday Times TV review - Hofesh Shechter, Clowns, BBC: Mark Monahan, The Telegraph
  15. Links – Saturday September 22, 2018 Obituaries - Arthur Mitchell: Wendy Perron, The Guardian Adam Hetrick, Playbill Reviews - English National Ballet, Lest We Forget, London: Mark Monahan, The Telegraph Graham Watts, DanceTabs Louise Levene, Financial Times Rym Kechacha, Bachtrack Jim Pritchard, Seen and Heard Joy Sable, Jewish Chronicle Catherine Sedgwick, The Upcoming Review - New York City Ballet, Jewels, NY: Mary Cargill, Danceviewtimes Exhibition - Judson Dance Theater: The Work Is Never Done, MoMA NY: Apollinaire Scherr, Financial Times News - Alastair Macaulay retiring from the New York Times: NYT press release Feature - The Royal Opera House opens up: George Kafka, Metropolis Review - Natalia Osipova, Pure Dance, London: Sara Veale, Fjord Review Review - Dutch National Ballet, season opener, Amsterdam: Maggie Foyer, SeeingDance Feature - Akram Khan on his life: The Telegraph Feature - Rudolph Nureyev, superstar: Zoë Anderson, The Independent Review - Black Grace, Crying Men, Porirua NZ: Jennifer Shennan, …on dancing Review - Les Ballets Jazz de Montreal, Dance Me, Calgary: Louis B. Hobson, National Post Review - Richard Alston Dance Company, Mid Century Modern, Edinburgh: Kelly Apter, The Scotsman Feature & video - Misty Copeland: Sean Gregory, Time Feature - Kyle Abraham creating a piece for New York City Ballet: Siobhan Burke, New York Times Review - Dancespace Project at Times Square, NY: Siobyan Burke, New York Times Diary - 3 dance shows, UK: Lindsey Winship, The Guardian
  16. Links – Friday September 21, 2018 Remembering Arthur Mitchell The man who built Dance Theatre of Harlem: Dale Harris, The Guardian A life in pictures: The Guardian A compendium: Peter Libbey, New York Times Review - The Royal Swedish Ballet, The Sleeping Beauty, Stockholm: Maggie Foyer, SeeingDance Review - The Trocks, second programme, London: Lynette Halewood, DanceTabs Exhibition - Judson Dance Theater: The Work Is Never Done, MoMA NY: Gia Kourlas, New York Times Feature - Ballet in Puerto Rico in the aftermath of Hurricane Maria: Marina Harss, Pointe Magazine Film reviews - Nureyev: Leslie Felperin, The Guardian Kevin Maher, The Times Interview - Christopher Wheeldon on An American in Paris: David Clarke, Broadway World News - Natalia Osipova & Jonathan Goddard to star in Arthur Pita’s The Mother: Broadway World Preview - Mark Morris’s Pepperland, and its look: Tony Bravo, San Francisco Chronicle #speakingindance - Indiana Woodward of NYCB on Symphony in C: Gia Kourlas, New York Times TV preview - CBC’s In the Making looks at Crystal Pite’s Betroffenheit: Janet Smith, The Georgia Straight Review - Circa, En Masse, Brisbane: Angus McPherson, Limelight Diary - 9 dance performances in NYC: Gia Kourlas, New York Times
  17. Links – Thursday September 20, 2018 Obituaries - Arthur Mitchell: Jennifer Dunning, New York Times Associated Press via The Guardian Sarah Halzack, Boston Globe Review - New York City Ballet, Jewels, NY: Alastair Macaulay, New York Times Reviews - Australian Ballet, Spartacus (Lucas Gervies), Melbourne: Jennifer Dunning, Sydney Morning Herald Rhys Ryan, Limelight Melinda Oliver, Daily Review Maxim Boon, the music Tim Byrne, TimeOut Melbourne Review - Dutch National Ballet, Dances at a Gathering, Serenade After Plato’s Symposium (Ratmansky), Chroma, Amsterdam: Maggie Foyer, SeeingDance Review - Natalia Osipova, Pure Dance, London: Rosemary Waugh, Exeunt News features - The Royal Opera House refurbishment: Oliver Wainwright, The Guardian Alex Marshall, New York Times George Hall, The Stage Teresa Guerreiro, Culture Whisper Robert Dex, Evening Standard Gary Naylor, Broadway World discusses the changes with ROH’s Sarah Crabtree & Emma Southworth …and details of the Linbury Studio Theatre’s programme: Broadway World Preview - Pacific Northwest Ballet, Jerome Robbins Festival: Sandra Kurtz, Seattle Weekly Interview - Michael Clark: Mark Holgate, Vogue Review - Trajal Harrell, Caen Amour, NY: Gia Kourlas, New York Times Review - Atlanta Ballet, Return to Fall, Atlanta: Cynthia Bond Perry, ArtsATL Feature - Agnes de Mille’s dance world mystery: Roslyn Sulcas, New York Times Feature - Precious Adams, English National Ballet: Emma Byrne, Evening Standard Review - Satellite Collective, Echo & Narcissus, NY: Rick Perdian, Seen and Heard Interview - Monica Mirabile, choreographer, movement director: Rachel Stone, Fjord Review
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