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Geoff

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  1. Any more info you can share on the booking process this time round? For example, how broken down are the sections of say the Amphi and the Balcony (the video only gives us a glimpse of the booking sections in the Grand Tier)?
  2. The comments which follow this article present a variety of opinions and some information I didn’t know: https://slippedisc.com/2021/03/was-pappano-a-panic-measure/
  3. Given the discussion Polunin’s career has provoked here in the past, might I draw attention to some reviews of his latest feature film, posted here in Links (under Friday 5th February):
  4. Just to second the comment that trade mark issues can get expensive (for whatever reason these legal specialists charge, in my experience, even more than regular lawyers). That's not to discourage the poor teacher from ringing round to find someone who will help out: the case seems potentially winnable to me so I hope she finds a pro bono adviser. To see this from the other point of view, it may not be the RAD that is being heavy-handed but whichever outsourced company they use. That office has maybe spotted an opportunity to bill for doing some work. But that's probably me being c
  5. As I understand it, streamed operas from Vienna are currently free: https://play.wiener-staatsoper.at These casts suggest there are some good shows coming up shortly: https://www.wiener-staatsoper.at/en/staatsoper/media/detail/news/the-vienna-state-opera-opens-its-digital-archive-during-lockdown/
  6. Some of us may remember this discussion: A professor from Royal Holloway has just reviewed an academic article about this sort of cultural activity. Here is a link in case of interest (to the review, not to the article itself, which is sadly only free to those with academic access): https://issforum.org/reviews/PDF/AR989.pdf
  7. For those who haven’t seen the news: https://slippedisc.com/2020/09/breaking-anna-netrebko-is-in-hospital-with-covid-pneumonia/ Wishing her her all the very best.
  8. The usually well-informed online gossip site Popbitch had this story this week: Earlier this month, the government pledged £1.6bn to save Britain's cultural industries as they face an uncertain future under the coronavirus. At the front of this effort was theatre and film director, Sam Mendes. As part of his consultation with the government, Mendes was required to ring 10 Downing Street, where he was told to hold for the Prime Minister. But there was no hold-tone or background music. The PM's phone was simply left upended. Whether or not Mendes heard the ins and outs of the
  9. You are quite right Fonty: the film was cranked at one speed but played back at another, creating the effect of the dancers going too fast. This is either lazy or underfunded television production, or perhaps the programme was made before variable speed mechanisms were available (do you happen to know what these two extracts come from and who made this?) By the time of Kevin Brownlow’s various wonderful series about the early days of cinema - made from 1980 onwards for Thames TV - there was more than enough technical expertise around to sort out these sorts of issues.
  10. Not ballet, but this useful link probably belongs here (rather than in “Not ballet”) as it is unlikely to interest those who don't speak German: https://www.nachtkritik.de/index.php?option=com_content&view=article&id=17785:sammlung-corona-theater-online&catid=1767&Itemid=100089
  11. Many thanks Stucha, I would have missed this otherwise. Just to add that the production goes back to 1952 but the recording is (I think, corrections welcome) from 2015.
  12. The list is something of a nonsense Fonty, you are right to query it. As I have received similar (maybe identical) attempts at social science polling from different Arts Council-supported organisations I can only imagine that the ROH is required to gather this non-data as part of the Maoist requirements that lie behind receiving ACE support.
  13. So let LS have the rights to his inept fiddling. Then let someone else with a better grasp of stagecraft do a new production, using Petipa/Ivanov and MacFarlane’s magnificent designs. What a show that could be. But no doubt too simple and straightforward a solution.
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