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alison

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Everything posted by alison

  1. They have "work coaches" now? I'm not sure I was ever seen by the same person twice when I attended, because I had to keep explaining my personal circumstances all the time. I'd agree with that: in my day (early on in the recession) I got the impression they'd taken on a lot of new people to cope with the extra numbers, and they weren't always completely up to speed - either that or they'd been told different things from the longer-term people. I kept getting conflicting information about my (admittedly non-standard) case, which the system really wasn't built to cope with, so in the end I dumped them - it was just too much hassle being forced to jump through useless hoops which weren't doing a thing to get me off the unemployment figures.
  2. Where did you find that, Katherine? (And why Hirano as Romeo?)
  3. I'd have thought most coach services have Wi-Fi nowadays (although I know from experience on the Oxford Tube that it can be patchy). Whether the T&Cs allow watching videos may be another matter, of course: it may be that they don't have the capacity.
  4. Total guesswork would suggest Romeo & Juliet, if there's no insight event for it. However, they're also in rehearsals for the Raven Girl bill and I think also the Ashton one, so you never know.
  5. Hi Julie. A bit of educated guesswork from me, since it's a few years since I was last on JSA. - You should certainly be able to change your appointment time, in the same way that you can do so if you have an interview which clashes with your signing-on time. (I'm not even sure that you're not entitled to sign on when you like, but I don't think it goes down very well if you do!) - I'm not sure where we stand now on the 16-hour rule. It used to be, many moons ago, that you would lose out proportionately if you went over the 16 hours, but I now suspect you might lose it all. I was always careful not to work more than 16 hours per week. I know they had great fun trying to work out what to do with me when I submitted amounts billed, because the system just doesn't cater for people doing intermittent freelance work, with unpredictable payment periods (if at all) at all. And of course Income Support is means-tested only ...
  6. They did last year, so I expect it'll be the same this year. Don't suppose you're going on a train with Wi-Fi?
  7. For one day only (tomorrow), full access to FT.com. So you can go and catch up with all those reviews by Crisp and Levene that you've missed FINANCIAL TIMES In a complex world, the FT helps cut through the noise to bring you clarity on the things that matter to you the most, every day of the week. Tomorrow (9th September), staying ahead of the game is even easier, with free FT.com content all day. So linger over the latest insightful articles, immerse yourself in thought-provoking comment and enjoy. See what FT.com could do for you – and why over half a million of your peers subscribe. Sorry about the formatting: I don't seem to be able to do much about it!
  8. I can give some input on the Coliseum: The balcony is probably better for sound than the back of the dress circle. If you sit at the front, you're fairly close to the stage, more so than at Covent Garden. However, the seats are only padded benches with armrests and backrests, and the legroom is poor. If you're short, I would also guess that you'll have a satefy rail in your line of sight, partly somewhere really inconvenient, no doubt. Rows A-C, I think, are sold as restricted view, but the rail still gets in the way from much higher. The seats are much better in the dress circle, and it's really nice and low down, but I guess you'd be further back from the stage if you were at the back than in front balcony.
  9. It is - at least as far as the UK is concerned. "Not available in your country for copyright reasons". Is this Germany getting its own back?
  10. Oh, Acosta's still a draw all right. Is he in something in the Linbury? Don't forget that has a limited number of seats.
  11. Yes, when I was looking to change ours last year I noted that many policies automatically covered students belongings, e.g. during term time or whatever. I agree: ask your insurer.
  12. Thank you, Angela. Talking of which, and getting a bit off-topic, how is NDT3 doing these days? I don't seem to have heard much of them recently.
  13. Well, for someone who never has been, and is never likely to go, on pointe, this thread has been a real eye-opener! I knew it was difficult getting pointe shoes fitted, but really didn't think it was quite this difficult! Jane's suggestion immediately above sounds very sensible. I imagine that half-term would be very busy, so in my inexperience it sounds to me that the sooner you get those appointments made the better - and I would think leave yourself plenty of time, because you really don't want to be rushed about this. Ladies, is there anything else beckyl needs to do in advance - things she needs to note down, things to bring with her (I see the unsuccessful shoes have already been mentioned)? Does she need, for example, to warn either shop if she's expecting something distinctly out of the ordinary, or do they always carry everything, in every conceivable size?
  14. 20??? My goodness. I could understand how that might have led to those suicides we read about recently in the press. Can't your friend get her mother on the Telephone Preference Service, or won't that help? Poor woman. I am, however, concerned that, as we digress from the original topic, it be clear that nobody is suggesting that BRB, or for that matter any other dance company, is using such tactics.
  15. Before we lose it, I thought I'd better copy this article from today's links in somewhere: http://www.nytimes.com/2015/09/04/arts/dance/bounding-across-space-and-time-via-dvd.html?_r=1#
  16. Ah. I wonder whether that is in any way linked to the fact that there were a load of red balloons and people in red T-shirts with, perhaps, leaflets standing outside my local Red Cross charity shop this morning when I went past? I was on the other side of the road, so didn't get any further information.
  17. Okay, computer thinks it knows better than I do what seats I want. Guess I'll have to pop in sometime, speak to a human being and buy something. If I remember, which is debatable.
  18. Oh heck, when *is* the Thurs matinee? I'd forgotten I needed to take that into consideration. I've assumed that, recently at least, it's been because of the situation with knowing about availability of the ballerinas. I quite agree. It's also a good point that people who have already given may not appreciate being pressurised to give more. I'm trying to remember whether I have in fact technically donated specifically to BRB in the past. If not, then we're back to the situation of my data being used for purposes I would probably never have accepted had I known.
  19. Just received this in my inbox: DANCE POWER: SUNDAY 11 OCTOBER 2015 Why we’ll be lacing up our best shoes to see Dance Power at Theatre Royal Drury Lane… • It’s for a worthy cause. By buying a ticket YOU get to help the Red Cross with all their amazing work here in the UK and across the world. You are the best. • It’s diverse. There are different styles of dance throughout the show- from Bollywood to Flamenco to Ballet- so whatever your mood, it is sure to be catered for. It’s star-studded. Too many to mention all BUT….Strictly Come Dancing Stars Alijaz and Janette and Ian Waite and Natalie Lowe. Plus, Dame Beryl Grey and Babs Powell to name but a few… And, if you indeed know your flamenco music, the one and only Paco Pena will be performing. If you don’t know him yet you are missing out and you, more than anyone, should be there. • There are bagpipes. A whole band of them. Covering famous songs, with their own special ingredient. The Red Hot Chilli Pipers are so hot they come with their own health warning. • It’s theatrical. Elaine Paige will be providing the score for the Rambert Dance Company and will no doubt pull at your heart-strings with memories of musicals past. • It’s Iconic. Drury Lane theatre first opened in 1663, so it is the perfect setting for classical and contemporary music and dance. You are going to be surrounded by beauty from the stage stretching all the way to the architecture. So come on, be iconic. • Its Location. You will be in the heart of the vibrant Covent Garden, so after the show you can put your own dancing shoes on and put what you’ve seen into practice. TICKETS FROM £22.00 Book Now Terms and Conditions apply.
  20. https://uk-offers.timeout.com/deals/entertainment-the-trocks?cid=TOL~NL~1400685145~entertainment-the-trocks~~CTA~2015-09-02
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