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Scheherezade

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  1. Yes, but I do feel that more nuanced performances from the main characters - and, given his prominence in the Scarlett SL, I count Benno as one of them - adds to the overall satisfaction factor.
  2. In a way, yes. Had he been part of the entertainment at the ball, his joyousness would have seemed more appropriate but he was portraying a character and the nuances that come with characterisation were missing. As I mentioned earlier, he is young, dramatic skills generally take time to acquire and his dancing was certainly impressive but currently of a one note quality, which was perhaps more evident than usual given that he was dancing alongside Matthew Ball.
  3. I haven’t seen Yasmine and Matthew’s earlier performances so can’t give comparisons here’s what I thought of last night (theatre not cinema). First off, to negate the negatives, I didn’t find Yasmine chilly and nor was I underwhelmed by Matthew. Having seen Sarah Lamb the other night - someone I used to find chilly but didn’t on Saturday - they were very different. Sarah’s was an Odette whose vulnerability carried a discernible hope that the enchantment could be broken; Yasmine’s was a heavy-hearted Odette who seemed to know her fate from the start. Yasmine was, of course, technically sublime and beyond that, I did feel that her dancing conveyed the overarching sadness of her Odette. Yes, Matthew’s passion gave her a temporary respite, a glimmer of hope broke through, but deep down she always knew that it couldn’t last. So on to Matthew, whose performance, for me, had all the dramatic heft that we have come to expect from him, and apart from the slight slip that has been mentioned in earlier posts I couldn’t find anything to criticise technically either. A heartbreaking, totally convincing Siegfried, who made total sense of all the inbuilt negatives in that particular role. Staying with technique, I agree that Joonhyuk Jun made a spectacular impression as Benno but would add a caveat since I do feel that at present he lacks the skill to add characterisation to his virtuosity. Someone commented above that he is very joyful and indeed he is but that joyousness is where, for me, his Benno falls down. He is still young and his portrayal will obviously develop over time but at present it is too one dimensional to convince, particularly when pitched against Matthew’s dramatic skills. And again, a big shout out for the wonderful corps. And for the four cygnets. I did not find them heavy in any sense last night.
  4. You are obviously a glass half full person @MAB I thought was too but obviously not since my reaction tends more towards I’m not holding my breath than my fingers are crossed.
  5. I have no musical background @Geoffbut I generally find dramatic Interpolations that have no connection to the music irritating in the extreme. I also find them patronising since they tend to imply that the audience lacks the imagination to join up the dots in the plot.
  6. Did you have someone in particular in mind? ( … the chances of my ever watching him conduct again …)
  7. Sorry, Alison, not sure who you mean. Did I miss something earlier?
  8. I think that most of us probably choose not to comment rather than posting unequivocally negative views. Personally I have to really dislike something before sharing my negative impressions but I am very happy to read the less than positive views of others. As well as giving a balanced spectrum of opinion, it makes me feel less of a grinch when I do so.
  9. I think that Reece Clarke answered this potentially thorny little matter rather effectively last night by visibly starting at Von Rothbart’s prostrate form draped over the rock, inducing him to check the area behind.
  10. I totally agree with @bridiem and @Rachelm. Please let us have your true thoughts, @Buru.
  11. It didn’t occur to me that the post in question might be referring to the weight of the cygnets. I automatically assumed that the poster felt that they were heavy on their feet.
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