SPD444

I too thought it odd that the printed cast sheet showed the correct Clara and Peter but not the website.Left hand and right hand perhaps.

Back to this thread. Tonight we entered through the revolving doors on the piazza, no one there to check bags or tickets but walking through into the Bow Street entrance tickets had to be shown and bags checked, perhaps security have not copped on to the idea that a bomb carrier will simply go round the corner to the piazza.

That  canteen they have now created is the worst thing they have done.

I have sent you a PM Claire

Yes, it is Claire.

PM me your email address and I will send the ticket to you and give you my banking details.

Stuart

One ticket for the above performance. Cast :-

• Naghdi
• Hirano
• Maguire
• Acri
• Saunders

Stalls Circle Standing - D-50

E-Ticket so can email.

£10 Face Value.

Here is the post.

candacekuss

She does confirm in an answer to a question on Instagram that she is back for R&J.

Good luck to Frankie. Hope she is back for R&J.

2 hours ago, Bluebird said:

 

This reply still doesn’t address the issue.  The article wasn’t about reducing the number of regulars attending performances.  It was about reducing the number of performances attended by each individual regular.

My question was why the ROH want me to cut back on the number of times I attend in favour of all these young people who cannot get a ticket. The fact that the answer addressed a different question was not a surprise. Like politicians they answer the question they want to be asked not the question asked.

22 minutes ago, Bruce said:

Sorry, just catching up, but has anybody seen anything from ROH that seems to resolve all this or shut it down?

 

From what I can see nobody from ROH seems to have said that the statements made by their Director of Media and Audiences (in the artsprofessional piece) are wrong. The piece itself remains up which presumably means ROH agree with it.

Here is one, Bruce.

"

Goat is also used as an acronym for Greatest Of All Time. Not sure about the No though, maybe he/she can enlighten us?

More tomorrow but you are right Mary, Corrales looked the real deal.

5 minutes ago, loveclassics said:

Sorry I'm a bit out of touch with TLAs - what is BCF?

This forum - BalletCoForum.

Having just renewed my Friends+ membership and then reading this decision I have contacted the friends office and offered to help them out by requesting a refund and freeing up my blockage for all these new people.  I hope Ms Roco and the ENB will take pity on a couple who want to give a little support to an art form they love.

The service returns for a few hours on the Friday and then stops again until Saturday.

The new front page is, for me, change for the sake of change. Not an improvement as far as I can see.

Some, if not all, of the Linbury performances are included in the What's on link. No prices but the one's I have looked at appear to run for between 1 hour and 1-1/2 hours ( including interval ) Surprised about the interval, I am sure I can wait an hour before requiring refreshment. It seems "Friends" etc. will be receiving an email concerning booking dates. Very last minute.

Have to agree with you Serenade, Leaves are Falling/ Valse Trieste we’re excellent showing  great dancing and partnering with Natalia and Hallberg. “Six years later” was embarrassing to watch Natalia playing shoulder bumps for about 10 minutes ( or so it seemed ) total waste and then both dancers trembling in some sort of orgasmic passion was laughable. “Flutter” was ruined by the music, if that’s what it was, Mr. Muhly must have seen the McGregor at the RB ( Multiverse and please god I never have to sit through that again).

One lovely incident at the curtain calls, Natalia must have thought they were over as when the lights came on again there she was sitting on the stage. The boys started laughing which she joined in with.

well done Natalia.

1 hour ago, Richard LH said:

Lin this seems to apply to all Insights in the Clore at the moment. The red "Buy" button indicates that tickets are available; "Select an area"  then shows as "sold out" against the two options of Clore and Wheelchair spaces,  but you can click on "best seats available"  and let them choose. That must be a problem for wheelchair users, unless it can be sorted over the 'phone.

 

I don't know if this is all to do with the refurbishment  and the new seating in  the Clore studio;  how did things work for booking seats in the  Clore before, anyone - could you choose a specific seat?  

Yes, you could. Similar to the auditorium.

The site is in a pickle just now. Look at “Two Pigeons” using the What’s On link and It shows the performances with Asphodel Meadows but there is no mention of it being danced with the RBS performance, you have to go to the Winter Season to find it and where is the casting? That’s somewhere else, complete mess.

To find casting select winter 2018/19 - then calendar of events and you get both opera and ballet with casting.

9 minutes ago, alison said:

 

I thought that was only for performances, not insights, but I may be wrong.

You could be right, Alison.  Someone out their will know.

3 minutes ago, RuthE said:

 

They almost always sell out immediately (particularly the ones with performance content) and even as a Supporting Friend I rarely manage to get the ones I want on my priority booking day.  However, I have found that there are a substantial number held back by the house for whatever reasons, and with a little persistence I always manage to get something eventually, usually a lot nearer the date of the event.

I believe they have to keep a percentage available to the general public of every performance to maintain their lottery funding.

For anyone interested in the Insight on "The Unknown Soldier" on the 27th September the web site is strange. It is currently showing 6 tickets available but on clicking "Buy" it shows "Sold Out" however if you click on the "best available" option it will allocate you with tickets. Another oddity.

How long is Mr Campbell in Australia?

Thanks everyone who resolved this. So, two performances of "Two Pigeons" are not shown under "What's On"

15 minutes ago, bangorballetboy said:

Les Patineurs

Blue Boy only

18 Dec, 4 Jan Sambé

19, 20(e) Dec Corrales

20(m) Dec, 2 Jan Hay

Winter Dreams

Masha/Vershinin/Irina/Olga

18 Dec, 4 Jan Nuñez/Soares/Hayward/Mendizabal

19 Dec, 20(e) Lamb/Muntagirov/Naghdi/Heap

20(m) Dec, 2 Jan Morera/Hirano/Takada/Calvert

The Concert

Solo lady only

18, 20(e) Dec Cuthbertson

19, 20(m) Dec Hamilton

2, 4 Jan Lamb

 

Asphodel Meadows

18 Jan, 2(e), 13 Feb Nuñez/Hirano/Morera/Bracewell/Hinkis/Acri

19(m) Jan, 2(m), 5 Feb Kaneko/Richardson/Magri/Corrales/Maeda/Dyer

The Two Pigeons

Young Girl/Young Man/Gypsy Girl/Lover

18 Jan, 5 Feb Cuthbertson/Muntagirov/Morera/Mock

19(m) Jan Stix-Brunell/Clarke/Calvert/Bjørneboe Brændsrød

2(m), 14 Feb Choe/Campbell/Mendizabal/Edmonds

2(e), 13 Feb Takada/Hay/Magri/Montaño

12, 16(m) Feb Hayward/Bracewell/Kaneko/Zucchetti

 

Don Quixote

Kitri/Basilio

15, 20, 23 Feb Nuñez/Muntagirov

16, 19 Feb, 1 Mar Takada/McRae

22 Feb, 22 Mar, 1 Apr Cuthbertson/Ball

23(m), 27 Feb Kaneko/Corrales

2 Mar, 3 Apr Naghdi/Sambé

25, 30(e) Mar Osipova/Corrales

30(m) Mar, 4 Apr Magri/Campbell

I must be going a bit silly, but I am looking at the website and the last performance of Two Pigeons is the 13th February and there is no casting at all. Someone out their put me right please.

50 minutes ago, zxDaveM said:

I have discovered the rather wonderful 'ignore' option against another user's account. And have tried it - and it works! (see the section under About Balletcoforum, Problems, queries & feedback)

 

Normal blood pressure restored...

Thank you Dave, have followed your example. Hopefully that's the end of those odious opinions.