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ajf

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Everything posted by ajf

  1. I have two tickets for sale for the Mayerling insight evening in the Clore Studio at the opera house on Thu 25 Sep at 7.30pm. Please PM me if you would like one or both of them.
  2. I have a ticket I can no longer use for the Royal Ballet School summer performance at the opera house on Sunday 8 July at 3pm. It is Stalls Circle Standing D34 priced at £6. Please PM me if interested.
  3. I gave a standing ticket scs d27 back to the box office about an hour ago, so it will be on sale shortly if you haunt the website you may be lucky enough to get it. good luck!
  4. I have seen this company perform a number of times in the past few years and would highly recommend attending one of their performances in September. They tend to have younger choreographers make pieces for them. In addition to others, a number of current and ex RB dancers have made pieces for them. Their performance standards are very high, albeit productions are done on a budget, and it is interesting seeing new work danced by, typically, younger dancers. I am seeing them at the Peacock Theatre.
  5. I have two tickets for sale, that I can sadly no longer use, for the ROH Spring Gala on Wednesday 30 May at 7.30pm. The tickets are central Stalls Central Standing, D 25 and 26 and cost £16 each. As far as I remember, the programme is ballet and opera and the ballet component includes a snippet of the autumn season's new Marriott ballet. They are physical tickets. Please PM me if you would like them.
  6. Susan, the theatre is quite flat, rather than being curved or horse-shoe shaped, and thus there is generally a very good view from the side seats in the stalls. I would recommend them as value for money. I am not so familiar with the circle.
  7. The cost of the day is £60 and can be booked through ashtonfoundation@roh.org.uk The programme currently is Sunday 22 September 2013 at The Royal Ballet School, 46 Floral Street, Covent Garden, London WC2. 0845 - 0930 Arrival and registration Tea/coffee available 0930 – 0935 Welcome and Introduction 0935 - 10000 Session 1: The continuing power and ambition of Ashton’s work with Q&A 1000 - 1130 Session 2: What makes an Ashton work an Ashton work with Q&A 1130 - 1200 Tea/coffee break 1200 - 1300 Session 3: The changing training and perceptions of dancers with Q&A 1300 - 1415 Lunch break 1415 - 1515 Session 4: Masterclass: The Dream 1515 - 1630 Session 5: Staging an Ashton ballet with Q&A 1630 - 1700 Tea/coffee break 1700 - 1755 Session 6: Conclusion: securing Ashton’s legacy for the future. Panel discussion with Q&A 1755 - 1800 Close 1800 - 1900 Drinks reception and departure Participants include Richard Alston, Ricardo Cervera, Lesley Collier, Christopher Cook, Liz Cunliffe, Anthony Dowell, Wendy Ellis-Somes, Stephanie Jordan, Jeanetta Laurence, Alastair Macaulay, Geraldine Morris, Kevin O’Hare, Jane Pritchard, Antoinette Sibley Information correct at 30.6.13
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