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daisydance

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  1. Alas, I can't use these lovely tickets for Naghdi/Ball. Any takers? Item Quantity Total Romeo and Juliet 2 £248.00 Tuesday 11 June 2019, 7.30pm Main Stage LEVEL 1 Stalls Circle 1B, B-43 | Full Price £124.00 LEVEL 1 Stalls Circle 1B, B-44 | Full Price £124.00
  2. If anyone would like these please make me an offer. I'd just hate for them to be not used (but I can't be there & with my children and grandchildren alas). Any offers accepted. Coliseum system won't let me put them back on as returns.
  3. I know. But my offspring had arranged something else. Hey ho.
  4. Two dress circle tickets for tomorrow evening's Russian Icons gala; £75 each – any takers? (I'd completely forgotten it's mothers day and so can't use them, alas.) Lovely seats. They're e-tickets which I could forward.
  5. Stalls row C - 2 e-tickets for sale - Osipova & Muntagirov - any takers before I ask box office to re-sell? £110 each.
  6. Sadly, those links now take me (on Safari on MacBook Air) to the new, virtually unusable, version of the site.
  7. You don't have to be a member to go there or buy a ticket (but I think the advantage of being a member is that you get a discount on ticket prices). It's very "opened up" in terms of its bars and restaurants, and there are very comfy sofas.
  8. Great summary, thank you – in the birthday scene Justine is also scolded by her mother for having a flower in her hair; she makes her remove it and as far as I recall that's what is the last straw for poor Justine. I kept thinking that Frankenstein and the creature were really one and the same, particularly in Act 3 where no one apart from Frankenstein sees the creature when they're all dancing and the creature is dancing in amongst them (a bit like the ghost of Banquo at the Macbeth's dinner). I thought Wei Wang was terrific, a very different interpretation from any I've seen before.
  9. From everything I can gather young people as well as old are using Facebook less and less, feeling increasingly annoyed by all the sponsored posts and ads, combined with constant interventions reminding them how much Facebook cares about them and their memories, and suggesting posts. I don't see why it'd be so hard for the Royal Opera House to post updates on the website, including casting changes, award nominations, company news etc.
  10. I had a similar experience on Friday evening – it's so disrespectful of the cast (and of the audience). Terrible attitude. On Friday I was told there weren't any important cast changes and no cast change sheets.
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