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Stitch

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  • Website URL
    http://www.designer4dance.com

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  • Gender
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  • Location:
    Phoenix Arizona USA
  • Interests
    Ballet - especially training and rehearsal, Figurative Artwork, Sketching, Painting, Sewing, Psychology (Bachelor of Science, Psychology, Arizona State University 1973).
  1. First of all, you write very fluently. As I read your post, I felt like I was right there with you every step of the way. Secondly, ... let's start counting all the things to be thankful for then go from there. 1. Good health. 2. Good parents. O.K. stop counting right there - you can do anything now. A part time job would help lots. Almost all of us worked while we were going to school and here in the States, employers are currently favoring part-time workers. I'm sure that an articulate young person looking for part-time hours would float to the top of their list. I think, you have some time to look ahead and try to scout for a job that would be the right fit. Then, as soon as you turn 16, begin trying to get that job. You'll meet people and probably have a great time at your first job. Also, and this is just my opinion, I think many of us try to rush through college. College classes will be available to you for the rest of your life - but your youth will pass. And keep in mind that most of the dance world doesn't require a college degree (except for academia itself). Since you listed commute/time as your second concern, I think you might go slow on the college part of your life.
  2. Stitch

    Giving up

    It's been my experience over the years that there is a "drop out" age with young trained dancers - particularly females. It seems to happen at around age 16. My guess is that it coincides with other changes that occur at that point in life such as: boys, drivers licenses, high school/college, What a tumultuous time the teen years are for us all!
  3. I must agree with the teacher's advice. You stated that you thought it would "clear up rapidly", but I didn't see in your post where you mentioned how long it has been going on.
  4. An excellent piece. If you hadn't posted it, I don't think I would have stumbled upon it. Thanks!
  5. I agree with all of the above said so far. I would also add that the ultimate of being successful in dance is being able to support oneself through dance. There are many ways of doing that, and I think that young people investing their time and money at a university (regardless of the field) should be mindful of the realities of life after college.
  6. Good. Until then, can you stop everything? I agree with seeking medical advice - as a second step (in the case you described). The first step, especially with young bodies in the throes of puberty, should be rest. See what happens, then go from there.
  7. I agree with all of the above cautions that should be observed for those with hyper-extendable knees. That said, however, I think that this condition can actually be aesthetically pleasing as the knee joint tends to "disappear" at extension. In contrast to your condition, some dancers can't fully straighten their knee and their line appears weak. Treat your anomaly like a gift - but be careful with it. Beauty is rare and delicate - it's supposed to be.
  8. Now that you mention it … maybe. Perhaps force sensors of some kind could be incorporated under the ball and heel of the shoe to see if a dancer is using her feet properly. It's an interesting thought.
  9. How fast technology runs! I hope you saw and liked.
  10. Wearable electronics is an emerging new field. I'm pretty sure that soon we'll see costumes enhanced with colorful electronically pulsated led lights flashing on and off - for better or for worse.
  11. I read through Julia's posts with a critical eye, and found her writing style to be very fluid and expressive. Most importantly, she conveys her passion and enthusiasm for the subject. I also sense the presence of a behind-the-scenes editor with a keen eye. However you are doing it, it seems like a very good start to me. Keep writing, Julia.
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