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Northern Ballet 50th Anniversary Celebration Gala - Leeds Grand Theatre, 4th January


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Wonderful night tonight at the Grand Theatre, Leeds with Northern Ballet's 50th Anniversary Gala.  Not a single tutu in sight and just for once at a gala a Petipa, Ashton, Macmillan and Balanchine-free zone, and none the worse for that!  The dancers were a mixture of current and former Northern Ballet dancers and some well chosen guests from ENB, RB, BRB, SB, Phoenix Dance and Joffrey Ballet.I'll let those more familiar with NB's history comment on how well they covered the breadth of their work, but I particularly liked the excerpts from 1984 (with Laura Morera replacing the originally advertised Lauren Cuthbertson), Jane Eyre, The Boy with the Striped Pyjamas and Casanova, and the two outside excerpts, Darrell's Ruckert Songs from Scottish Ballet and Windrush from Phoenix Dance Company.  For those interested here's the complete list of what was done and who by.

 

WORK

SECTION

CHOREOGRAPHER

DANCER

ROLE

COMPANY

The Great Gatsby

Charleston

David Nixon

Artists of the Northern Ballet

 

Northern Ballet

Five Rückert Songs

Solo

Peter Darrell

Marge Hendricks

 

Scottish Ballet

Cinderella

Fireside Duet

Christopher Gable

Ellise de Andrade

Cinderella

Central School of Ballet

 

 

 

Matteo Zecca

Prince

Central School of Ballet

A Simple Man

The Golden Room

Gillian Lynne

Tamara Rojo

Mrs Lowry

English National Ballet

 

 

 

Jeremy Kerridge

Lowry

Northern Ballet

A Christmas Carol

Belle & Young Scrooge Duet

Massimo Moricone

Antoinette Brooks-Daw

Belle

Northern Ballet

 

 

 

Jonathan Hanks

Young Scrooge

Northern Ballet

Romeo and Juliet

Balcony Duet

Massimo Moricone

Federico Bonelli

Romeo

Royal Ballet

 

 

 

Abigail Prudames

Juliet

Northern Ballet

Dracula

Dracula & Harker Duet

Michael Pink / Christopher Gable

Sean Bates

Harker

Northern Ballet

 

 

 

Mlindi Kulashe

Dracula

Northern Ballet

Carmen

Bedroom Duet

Didy Veldman

Minju Kang

Carmen

Northern Ballet

 

 

 

Lorenzo Trossello

José

Northern Ballet

Madame Butterfly

Wedding Night Duet

David Nixon

Momoko Hirata

Butterfly

Birmingham Royal Ballet

 

 

 

César Morales

Pinkerton

Birmingham Royal Ballet

Casanova

Masquerade

Kenneth Tindall

Steven Wheeler

Casanova

Northern Ballet

 

 

 

Artists of the Northern Ballet

 

Northern Ballet

Windrush: Movement of the People

Duet

Sharon Watson

Aaron Chaplin

 

Phoenix Dance Theatre

 

 

 

Vanessa Vince-Pang

 

Phoenix Dance Theatre

1984

Countryside Duet

Jonathan Watkins

Laura Morera

Julia

Royal Ballet

 

 

 

Ryoichi Hirano

Winston

Royal Ballet

Jane Eyre

Proposal Duet

Cathy Marston

Amanda Assucena

Jane Eyre

Joffrey Ballet

 

 

 

Greig Matthews

Mr Rochester

Joffrey Ballet

The Boy in the Striped Pyjamas

Twin Souls Duet

Daniel de Andrade

Filippo Di Vilio

Shmuel

Northern Ballet

 

 

 

Matthew Koon

Bruno

Northern Ballet

Casanova

Casanova & Bellino Duet

Kenneth Tindall

Dreda Blow

Bellino

Northern Ballet

 

 

 

Giuliano Contadini

Casanova

Northern Ballet

Wuthering Heights

On the Moors

David Nixon

Tobias Batley

Heathcliff

Northern Ballet

 

 

 

Harris Beattie

Young Heathcliff

Northern Ballet

 

 

 

Martha Leebolt

Cathy

Northern Ballet

 

 

 

Rachael Gillespie

Young Cathy

Northern Ballet

Cleopatra

Cup Duet

David Nixon

Abigail Prudames

Cleopatra

Northern Ballet

 

 

 

Joseph Taylor

Mark Anthony

Northern Ballet

A Midsummer Night's Dream

Jive

David Nixon

Artists of the Northern Ballet

 

Northern Ballet

 

 

 

 

 

 

Edited by ChrisG
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Thanks so for this, Chris.  A fittingly festive treat:  Just so many compelling dishes to seduce the senses; just so many bewitching provocateurs to grip, intrigue and enchant the palat.   So wish I could have been there to taste the reality of these exhilarating delights but ever grateful to have been able to live to see the origins of so much of this 'eventful history' unfold.  

 

Edited by Bruce Wall
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WHAT A NIGHT!!!

 

Fans of Northern Ballet were jam-packed into the Grand Theatre in Leeds last night for a celebratory trip down memory lane and it was just wonderful!

 

The evening opened with the Charleston scene from Gatsby.  This scene always makes me want to be at that party and last night was no exception - the dancers looked as though they were having a ball and it was a great way to start the celebration.

 

The first half of the evening, as well as the danced excerpts had some filmed speeches from Robert de Warren, Ursula Hageli, Michael Pink and Carole Gable as well as a couple of filmed excerpts.  The filmed speeches and David Nixon's compering of the evening gave us a real flavour of the history of the company.  It was also lovely that Christopher Hampson gave a speech about his (very) early association with Northern Ballet and explaining the joint beginnings of Scottish Ballet and Northern Ballet within the environs of Western Ballet Theatre.  A fabulous surprise was Jayne Regan being present to take a bow and her being carried off by David Nixon!

 

Apart from the opening Gatsby Charleston and the love duet from Madame Butterfly the danced excerpts were all from the pre-Nixon period.  In a way it's a bit hard to think logically about these works as they all hold memories and were all wonderfully performed.

 

Act 2 covered the Nixon era ... quite rightly as he is the longest serving Artistic Director of the company by a long way.

 

Throughout the evening we could hear people whispering "oh we need to see that again" (and we were just as guilty!).  As gala presentations go I thought it was a great idea to have the guests dancing items from the company's back catalogue ... it made it a very personal evening for both the company and the assembled fans.  The guests did the rep proud!

 

As ChrisG has put the programme in his first post I won't bother going through everything.  Inevitably, and probably unfairly given the quality of performances throughout, I had some personal highlights:

 

  • Abigail Prudames and Federico Bonnelli (Royal Ballet) in the balcony duet from the Gable/Moricone Romeo and Juliet.
  • Antoinette Brooks-Daw and Jonathan Hanks in the Young Scrooge duet from A Christmas Carol
  • Momoko Hirata and Cesar Morales of BRB closing act 1 with an utterly sublime performance of the love duet from Madame Butterfly
  • The masques ball from Casanova (thank you for the ear worms!) with Steven Wheeler (ex NB stalwart) just perfect as Bragadin
  • Laura Morera and Ryo Hirano so powerful in the forest duet from 1984.
  • Ex-dancers Dreda Blow and Giuliano Contadini as Bellino and Casanove
  • Abigail Prudames and Joseph Taylor as Cleopatra and Mark Antony

 

Of course my main highlight was Martha Leebolt and Toby Batley as Cathy and Heathcliff.  It was sheer magic to see them on the stage at Leeds again.

 

The evening ended with the jive section from the end of A Midsummer Night's Dream, which was danced with gusto and huge fun by company members and Keiko Amemori, Hiro Takahashi, Pippa Moore, Kenny Tindall and Vicky Sibson.  At the end when, in performance, Puck speaks his final speech (If we shadows have offended...) Puck's cane was handed to David Nixon who made that final speech most beautifully as all the dancers came on stage and held hands.  A most wonderful end to a most wonderful evening.

 

Dance Europe captured the final moments and posted on Instagram:

 

 

 

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We were there last night.....front row...with my 11 year old daughter who is on the Northern Ballet CAT scheme. She loved seeing all the company dancers on stage, and seeing Mr Nixon on stage too. She particularly loved Mlindi as Dracula and the jive scene from Casanova. As well as seeing Tamaro Rojo as she had watched her in Giselle on TV. And finally seeing Jeremy Kerridge dancing as he has taught her on a couple of occasions. We loved it!!! 

 

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While I enjoyed the whole show, my personal highlights were Five Rückert Songs danced by Marge Hendrick and A Simple Man with Jeremy Kerridge as the painter and his mother.

 

The reason why the first of those works was a personal highlight is that Western Theatre Ballet moved to Glasgow in my second year at St Andrews. John Steer who later chaired the company was our Professor of Fine Arts. He had got to know them at Bristol and he may well have been instrumental in their move to Glasgow. He introduced me and other members of the St Andrews Dance Society to their director Peter Darrell and the dancers.  They toured Scotland quite a lot in those days and we watched them whenever they came anywhere near St Andrews. On the day the 15 Feb 1971 the day the UK adopted decimal currency they actually performed in our Buchanan Theatre.  To see Marge Hendrick dance a work that Darrell had created for Elaine McDonald who was one of my favourite ballerinas many decades later brought tears to my eyes.  Scottish Theatre Ballet was the first company that I got to know and love and Scottish Ballet still has a special place in my affection.   Northern Ballet, like Scottish Ballet, traced its roots to Bristol and Christopher Hampson who followed David Nixon at the start of the show reminded the audience of the two companies' shared heritage.

The reason why A Simple Man is special is that it was the first work by Northern Ballet that I ever saw.  Christopher Gable and Moira Shearer were in the leading roles and it was the last time I ever saw them.   I saw the show shortly after I had accepted a tenancy at a good set of Chancery chambers in Manchester.  I was born in Manchester though I had attended school in London, university in Scotland and graduate school in Los Angeles and was happy to come home but my late spouse was a Londoner and had serious misgivings about living in the North.  We were both keen regular ballet goers and feared that remoteness from the House and the Wells would be unbearable.   There was of course the Halle and Nick Hytner's Royal Exchange but that hardly made up for it.   Watching Lynne's brilliant choreography performed by two of our favourite artists reassured us that there was a dance company in Manchester that was every bit as good in ballet as the Halle was in music and the Royal Exchange in plays.  I have followed and supported all three institutions ever since.

Edited by Terpsichore
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Thanks very much. Darlex.

Marge's performance was a shortcut to a very special part of my youth.   I took my first ballet lessons when I was an undergraduate and I developed a love and appreciation of dance that has never diminished.   

 

It was while I was at St Andrews that I read with pride in Dance and Dancers about a new company called Northern Dance Theatre which had performed three short ballets at the university theatre in my birthplace. on 26 Nov 1969.   One of those dancers was Terence Etheridge who created the first ballet for Powerhouse Ballet, an amateur company that I founded in the North of England just under 2 years ago.

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