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Cherilyn

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Posts posted by Cherilyn

  1. Hi Everyone. Although an unfortunate topic, it is a real one. I have created this page on The Traveling Ballerina dedicated to how coronavirus is affecting the ballet industry. Considering the wide reach of this forum, I am hoping that any of you that have relevant information to add will fill out the form on the article's page so that I can keep it as updated as possible. Thank you so much!

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  2. 8 hours ago, Douglas Allen said:

    Thank you for the review, they are all welcome and informative for those of us who can't attend all of the performances across the United States - please keep them coming.

     

    Thank you for your support, @Douglas Allen!

     

    7 hours ago, Sim said:

    I second that;  thanks so much for your continuing reports on what's happening Stateside.  I read this one with particular interest as I have never seen this ballet live. 

     

    I am so happy to hear this, @Sim - thank you!

     

    5 hours ago, maryrosesatonapin said:

    From the review, some of the problems seem to have been due to the venue rather than the company, I think?  The pictures certainly look absolutely gorgeous.  Thank you for the report.

     

    You're very welcome, @maryrosesatonapin. Perhaps the gypsy traveling scene traffic is a venue compatibility issue. The hearing stage crew speaking...absolutely not; to me, this was a gross slip of professionalism. The scenery and costumes are absolutely glorious and spectacular, as one has come to anticipate in a Mariinsky production!  

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  3. You're welcome, Bruce - I appreciate the feedback.

     

    No, I haven't seen Mayerling. It's a ballet that carries a mysterious shroud for me as it's not one seen often - or well-known - here in the States. I look forward to having the opportunity one day, although I may have to make my way across the Atlantic in order to do so.

     

    And you bring up an interesting question about Lopez choosing MacMillan's version of Carousel over Wheeldon's (which, I believe was choreographed on Alexandra Ansanelli not Tiler Peck), especially since the ballet was only recently added to MCB's repertoire (January 2017). Curious.

     

    It really was so wonderful seeing a Peck pointe-shoe ballet, especially on the company for which it was created; it was lovely. I saw Hurry Up, We're Dreaming here at The Kennedy Center last fall (along with many of the other ballets from Unbound that SFB is performing in London), and it wasn't quite my cup of tea. I'd love to hear your thoughts about the ballets I wrote about - they're linked on this page. I hope the theatre fills up for the rest of the run.

  4. I'm so excited that the Kennedy Center's Ballet Across America series this year includes two iconic companies; it opened last night with Dance Theatre of Harlem, closes with Miami City Ballet, and includes a collaborative one-night-only show sandwiched in between. I definitely experienced highs and lows throughout the performance and share my thoughts here. Anyone out there have insights that corroborate or conflict with mine? Would love to hear them as this is the first time I have seen DTH live.

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