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John Mallinson

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  1. Thursday's Links - 19 January 2012

     

    REVIEW: New York City Ballet

    Curtain Rises on a Season Aloft

    The Steadfast Tin Soldier, Tchaikovsky Pas de Deux, Who Cares, Le Tombeau de Couperin

    USA, New York, David H. Koch Theater

    Dancers: Bouder, Fairchild M, Peck, Ulbricht, Veyette

    by Claudia La Rocco

    "opening night ... was an oddly low-energy and at times ragged affair. It had its highlights, to be sure, but the overall feel was dispiriting, in stark contrast to the generally marvelous onstage spirits that the dancers have exhibited in recent seasons."

    New York Times

     

    REVIEW: Mariinsky Ballet

    Mariinsky Ballet shines in Fokine program

    Russian Seasons: Chopiniana, The Firebird, Scheherazade

    USA, Washington, Kennedy Center

    Dancers: Kondaurova, Korsuntsev, Lopatkina, Ostreikovskaya

    by Sarah Kaufman

    "several of the performances were quite wonderful, particularly Xenia Ostreykovskaya in the tender Prelude role in Chopiniana. There was suppleness and breath in her dancing, and great delicacy. And, a sense of the body harmonizing with the Chopin, and with its candlelight mood."

    Washington Post

     

    REVIEW: Russian State Ballet of Siberia

    Giselle

    UK, Oxford, New Theatre

    Dancers: Kuimova, Litvinenko

    by David Bellan

    "I have admired Maria Kuimova ... for some years now, but had never seen her Giselle. She did not disappoint."

    Oxford Times

     

    Preview: Story/Time, Jones channels Cage?

    Bill T. Jones Takes a Turn on the Stage in New Work

    by Felicia R. Lee

    "Story/Time, a co-commission of Peak Performances and the Walker Art Center in Minneapolis was inspired by the composer John Cage’s Indeterminacy, first performed in 1958, a series of one-minute spoken-word stories that was different each time it was performed and was eventually recorded as an album."

    New York Times

     

    Preview: Stanton Welch's Cinderella for Houston Ballet

    Cinderella: She’s No Disney Princess, But She’s a Real Role Model

    by Marene Gustin

    "It’s a very feminist ballet," Welch says. "What do you want to tell your daughter today? That someday someone will come along and save you, or that someday you’ll have a wonderful life of your own?"

    Playbill Arts

     

    Company C Contemporary Ballet turns 10, flying high

    by Claudia Bauer

    "First there were the all-ballerina shows, because Company C didn't have any male dancers yet. Then came the all-leotard performances, because that's what the costume budget allowed. And always, there was the multitasking."

    San Francisco Chronicle

     

    Tony Nominee Adam Cooper on His Leap from Ballet to Musicals in London's Singin' in the Rain

    by Matt Wolf

    "Cooper is set to returen to the West End’s Palace Theatre on February 4 as the above-the-title star of the latest stage production of Singin’ in the Rain, first seen last summer at the Chichester Festival Theatre."

    Broadway.com

     

    Preview: Edouard Lock's New Work

    La La La Hman Steps embarks on a labyrinth of memory and myth

    by Kevin Griffin

    "Ballet technique is amply able to carry contemporary themes. If the technique is to survive, it has to be a living technique. It has to somehow correspond to the contemporary world and not just reference older work."

    Vancouver Sun

     

    Wim Wenders films Pina Bausch

    by Marcia B. Siegel

    "Shot in breathtaking 3D, Pina treats dance with an expansiveness never seen before on screen."

    Boston Phoenix. Also reviewed in Bay Area Reporter and Huffington Post

     

    DVD review: Three Ballets by Kenneth MacMillan

    by Steven Ritter

    "The Royal Ballet, with its close association with Macmillan, renders a superb tribute to its former director on a highly-desirable disc recorded wonderfully and in resplendent high-def video, nicely captured by sensitive and appropriate camerawork."

    Audiophile Audition

     

    ABT dancers talk about dancing, what they wear - stuff like that

    (Video)

    Stylelikeu

  2. Wednesday's Links - 18 January 2012

     

    Obituary: Niles Ford, Dancer and Choreographer

    by Jennifer Dunning

    "With a long-boned body seemingly as pliant as warm taffy, Mr. Ford was a dancer of quiet intelligence, understated sweetness and intense focus."

    New York Times

     

    NYCB's Megan Fairchild overcomes her reservations

    Blooming in the Bright Lights

    by Pia Catton

    "I lost myself completely - getting promoted and feeling not ready, wishing I had more time behind the scenes, then being shot out in front and being critiqued while I'm figuring it out."

    Wall Street Journal

     

    REVIEW: Hiroaki Umeda

    2 stars

    Haptic, Holistic Strata

    UK, London, Linbury Studio Theatre

    Dancers: Umeda

    by Judith Mackrell

    "One man, a few wonderful lighting ideas and some very brutal noise can make for a very long evening."

    Guardian

     

    REVIEW: Hiroaki Umeda

    3 stars

    Haptic, Holistic Strata

    UK, London, Linbury Studio Theatre

    Dancers: Umeda

    by Zoe Anderson

    "Mixing dance, computer imagery and video projection, Umeda surrounds and transforms himself with shifting light, then stops. He refuses to develop the images or ideas: there they are, take it or leave it."

    Independent

     

    REVIEW: Young Jean Lee

    4 stars

    Untitled Feminist Show

    USA, New York, Baryshnikov Arts Center

    Dancers: BOB, Zirin-Brown

    by Apollinaire Scherr

    "Young Jean Lee has a reputation for sending issues that any self-respecting liberal assumes he has a handle on in squirm-inducing directions. But Untitled Feminist Show is less a thought-provoking trap than a taste of utopia."

    Financial Times

     

    REVIEW: Young Jean Lee

    Live, nude, funny women

    Untitled Feminist Show

    USA, New York, Baryshnikov Arts Center

    Dancers: Zirin-Brown, Clark

    by Elisabeth Vincentelli

    "The six women in Untitled Feminist Show are stark naked for the entire hour, during which they perform swoony pas de deux, energetic aerobics, comic pantomimes and assorted calisthenics in their birthday suits."

    New York Post

     

    REVIEW: Alvin Ailey American Dance Theater

    Up, Down and Sideways

    Arden Court

    USA, New York, City Center

    by Joel Lobenthal

    "It wasn’t always easy or comfortable for them to recreate Taylor’s overarching and paradoxical tone of balletic burliness, but they pulled it off - and with panache, I almost don’t have to add."

    City Arts

     

    REVIEW: Merce Cunningham Dance Company

    Up, Down and Sideways

    Park Avenue Armory Event

    USA, New York, Park Avenue Armory

    by Joel Lobenthal

    "There was a certain poignancy in not being able to totally apprehend all of the movement information being transmitted, particularly since this was our final opportunity to see this company."

    City Arts

     

    REVIEW: Daniel Linehan

    Zombies and Blackboards

    Zombie Aphoria

    USA, New York, Abrons Arts Center

    Dancers: Lac, Linehan, Rosengren

    by Susan Yung

    "Working with spoken and sung words as much as dance, at times they took directives from a laptop, or one another; recombining verses, moving in a naively appealing style."

    SundayArts

     

    REVIEW: Michael Klien

    Zombies and Blackboards

    Choreography for Blackboards

    USA, New York, Invisible Dog Art Center

    Dancers: Manwelyan

    by Susan Yung

    "The concept held far more potential than the experience, at least for the viewer."

    SundayArts

     

    REVIEW: Meg Stuart

    Surviving the Flood

    Blessed

    USA, New York, New York Live Arts

    Dancers: Camacho

    by Deborah Jowitt

    "Camacho, who had a hand in the creation of BLESSED, enacts this harrowing scenario magnificently. At times, you can hardly bear to watch him labor at constructing something out of total ruin."

    Arts Journal

     

    REVIEW: Cardell Dance Theater

    Grace and improvisation at Falls Bridge dance festival

    Falls Bridge dance festival: NOW!

    USA, Philadelphia, Mt Vernon Dance Space

    Dancers: Cardell

    by Merilyn Jackson

    "She and her five dancers blocked and challenged, held and climbed over one another, as artist Jennifer Baker drew life-size impressions of them ..."

    Philadelphia Inquirer

     

    REVIEW: Green Chair Dance Group

    Grace and improvisation at Falls Bridge dance festival

    Falls Bridge dance festival: Unnamed

    USA, Philadelphia, Mt Vernon Dance Space

    Dancers: Holt, Camp

    by Merilyn Jackson

    "Another wonderfully playful improvisation ..."

    Philadelphia Inquirer

     

    REVIEW: Michelle Stortz

    Grace and improvisation at Falls Bridge dance festival

    Falls Bridge dance festival: Open Wide

    USA, Philadelphia, Mt Vernon Dance Space

    Dancers: Stein, Stortz

    by Merilyn Jackson

    "a witty improvisation ..."

    Philadelphia Inquirer

     

    REVIEW: Lela Aisha Jones

    Grace and improvisation at Falls Bridge dance festival

    Falls Bridge dance festival: Street Grace

    USA, Philadelphia, Mt Vernon Dance Space

    Dancers: Jones

    by Merilyn Jackson

    "Often just standing in place, she languidly led us through an evocation of many emotions, from hunger for beauty to acceptance of self."

    Philadelphia Inquirer

     

    REVIEW: Merian Soto Dance and Performance

    Grace and improvisation at Falls Bridge dance festival

    Falls Bridge dance festival: Circulations

    USA, Philadelphia, Mt Vernon Dance Space

    Dancers: Ramirez, Soto

    by Merilyn Jackson

    "In total silence, Ramirez, a beautiful mover, paced the space with increasing speed, spiraling her circles smaller until she reached center."

    Philadelphia Inquirer

     

    Tsiskaridze reprieved

    Bolshoi Star Keeps Teacher Job

    "I never requested anything from Bolshoi Theater management. I just explained my point-of-view and said I would be complaining to appropriate authorities in case the contract’s terminated."

    RIA Novosti

     

    Necessarily So: Porgy and Bess May Not Be Known as a Dance Show but Its Choreography Can Make a Difference

    by Robert Gottlieb

    "Porgy and Bess has never been thought of as a dance show, and yet it’s filled with dance. It uses dance to punctuate the action, or as background, or as atmosphere; even when it’s front and center it isn’t crucial."

    New York Observer

     

    Film review: Crazy Horse by Frederick Wiseman

    The Agony Behind an Erotic Club’s Ecstasy

    by A.O. Scott

    "Ali Mahdavi ... declares that the French government should make attendance at Crazy Horse mandatory for all citizens as an educational experience and an acknowledgment of the institution’s place in the nation’s cultural patrimony."

    New York Times

     

    Film review: Butt Seriously - Life is an Erotic Cabaret in Crazy Horse

    by Melissa Anderson

    "the filmmaker's exceptional artistry restores the faith of those wearied by the glut of cruddy-looking and poorly structured documentaries from the past decade - vapid celebrity profiles, "journeys" of one kind or another, half-thought-out polemics."

    Village Voice

     

    Preview: Keely Garfield brings her surreal autobiography style to Twin Pines

    by Susan Reiter

    "A highly regarded, thoughtful and instinctive choreographer whose pieces delve deeply while integrating flashes of wit, she notes that her ongoing work with yoga and Zen practices is closely connected to her work in dance."

    City Arts

     

    The RA's David Hockney exhibition with a little tap at the end

    by Richard Godwin

    "A group of dancers choreographed by Hockney's old friend Wayne Sleep move around to a piano. In the penultimate dance, the Royal Ballet dancer Steven McRae steps onto a blue rectangle and begins to tap dance. Hockney and Sleep watched the performance together, both rhapsodising the particular shade of blue."

    Evening Standard

     

    Book review: The Pursuit of Perfection: A Life of Celia Franca

    by John Fraser

    "Amongst those who knew her well enough, the book will arouse both remembered dread and renewed respect."

    Macleans.ca

  3. Royal Ballet 2011/2012 Period 4 casting

    (m = matinée)

     

    Ballo della regina / La Sylphide May 21 - Jun 15

     

    Ballo della regina

    Nuñez, Polunin (May 21, 24, 26; June 12)

    Cuthbertson, Bonelli (May 22, 26m; June 7, 15)

     

    La Sylphide

    Cojocaru, McRae (May 21)

    Marquez, McRae (May 24, 26)

    Rojo, Pennefather (May 22, 26m)

    Lamb, Polunin (June 7, 15)

    Cojocaru, Kobborg (June 12)

     

     

    The Prince of the Pagodas June 2-29

     

    Nuñez*, Rojo*, Kish* (June 2, 6, 18)

    Cuthbertson*, Yanowsky*, Pennefather* (June 9, 21, 27)

    Lamb*, Morera*, Bonelli* (June 13, 29)

     

     

    Birthday Offering / A Month in the Country / Les Noces June 30 - July 9

     

    Birthday Offering

    Rojo*,Bonelli* (June 30; July 4, 7)

    Nuñez*, Soares (July 3, 6)

     

    A Month in the Country

    Yanowsky, Pennefather (June 30; July 4, 7)

    Cojocaru*, Polunin* (July 3, 6)

     

    Les Noces

    Arestis, Hirano* (June 30; July 4, 7)

    McNally*, Hristov (July 3, 6)

     

     

    Titian 2012 July 14-20

    (casting to be announced)

     

    *denotes a debut in the role

  4. Thursday's Links - 5 January 2012

     

    REVIEW: Merce Cunningham Dance Company

    Hail and Farewell

    Park Avenue Armory Event

    USA, New York, Park Avenue Armory

    Dancers: Collwes, Crossman, Desjardins, Goggans, Hinrichs, Madoff, Mitchell, Nelson, Riener, Scott, Toogood, Weber

    by Deborah Jowitt

    "Considering that for many years, he and his company performed under difficult conditions before an uncomprehending public, he was, I’m sure, tickled by the adulation that his dancers have been receiving in recent years. And he might might have been amazed by the rapt response at this final Event."

    Arts Journal

     

    Preview: Come Fly Away, Chicago

    by Hedy Weiss

    "Frank DID come to a performance of Nine Sinatra Songs at the Uris Theatre in New York once, and it was fantastic,” Tharp recalled. “He took a huge freight elevator, walked out on stage to take a bow with the dancers, and the audience almost died."

    Chicago Sun-Times

     

    Come Fly Away - a work in progress

    Sinatra - filtered by Twyla, Vegas

    by Chris Jones

    "When Come Fly Away opens Jan. 10 in Chicago at the very suitable Bank of America Theatre, it will be fundamentally different from the show I saw on Broadway nine months ago."

    Chicago Tribune

     

    Preview: Elizabeth Streb, NY

    Occupy The Armory!

    by Brian McCormick

    "It is the greatest feeling in the world to actually do something your mind tells you is impossible. We do this every day, all the dancers. Our rehearsals are electrifying."

    Gay City News

     

    The Globe and Mail's 2012 dance preview (Canada)

    by Paula Citron

    "What I’m least excited to see

    The late choreographer Alvin Ailey created 79 works, but you wouldn’t know it given the tendency of the company he founded ... to include his 1960 signature Revelations at every performance."

    Globe and Mail

     

    Dance Stars of 2011

    Graf was still off the charts when ranking dance stars

    by Carolyn Kelemen

    "Still, my fondest remembrance of Alicia's dancing came in late spring at the Ballet Royale studio on Red Branch Road, where she danced a solo for friends, families and, especially, for mentor Donna Pidel. Indeed, the Columbia native is the shiniest star in this planet's dance galaxy, and ranks first in our list of best dance performances of 2011."

    Baltimore Sun

     

    Alvin Ailey, LC Sims and the posters

    Leaping Into History

    by Urban Gardiner

    "I'm thinking of one poster in particular: It was last season's, and it starred company member Linda Celeste Sims looking like an airborne citizen of Avatar's Pandora. She's dressed in not much more than strategically placed streamers of turquoise body paint."

    Wall Street Journal

     

    DESH performances cancelled

    by Natalie Woolman

    "Akram Khan has had to cancel future performances of his one-man show DESH due to an injury."

    The Stage

  5. Wednesday's Links - 4 January 2012

     

    REVIEW: Merce Cunningham Dance Company

    5 stars

    Park Avenue Armory Event

    USA, New York, Park Avenue Armory

    Dancers: Collwes, Desjardins, Goggans, Hinrichs, Mitchell, Nelson

    by Apollinaire Scherr

    "... we clapped and wept and roared for the Merce Cunningham dancers to come back, to stay. They did return to the stage again and again for bows, looking more overwhelmed each time. But they could not stay forever."

    Financial Times

     

    REVIEW: Alvin Ailey American Dance Theater

    Trying Always to Please, Rarely to Challenge

    Revelations, Journey, Arden Court, Home, Minus 16, Streams

    USA, New York, City Center

    Dancers: Mack, Sims LC

    by Alastair Macaulay

    "Strangely, the difference between good and bad choreography counts for less at Ailey than at anywhere else. The lure is neither the individuals nor the material they perform so much as a more generalized feeling of large-spiritedness that the Ailey company always delivers."

    New York Times

     

    REVIEW: Alvin Ailey American Dance Theater

    Robert Battle, Alvin Ailey Dance Theater Artistic Director Involves Audience In Show

    Minus 16, Home, Revelations

    USA, New York, City Center

    Dancers: Mack, Rushing

    by Jocelyn Noveck

    "Later, these dancers suddenly appear in the audience, looking around in a rather sinister way for partners to bring up onstage. At a recent performance, some of those recruited looked like deer in the headlights, but most of the amateur dancers were footloose and uninhibited, including one elderly woman who truly brought down the house ..."

    Huffington Post

     

    Dancing Diplomacy: American Troupes to Tour Again for State Department

    by Juie Bloom

    "American dance companies are once again heading overseas to practice a kind of choreographed diplomacy as part of the second season of DanceMotion USA."

    New York Times

     

    Dance Flash: Reflection and Anticipation Abound

    by Becca Klarin

    "Strangely, over the past few weeks, my brain keeps rolling over the past year like a silent black and white film, as I remember fun-filled flashbacks like watching RAWdance swoop through the dining area at Orson (never ever try to eat gnocchi while watching a duet! Your fork will miss your mouth every time)."

    SF Appeal

     

    Le martyre de Saint Sebastien

    by Sue Gilmore

    "Next week, Michael Tilson Thomas dials the wayback machine on his long tenure with the San Francisco Symphony and returns to the highly unusual, overtly theatrical work by Claude Debussy that the conductor introduced to the Bay Area in its full form for the first time in his inaugural season in November of 1995."

    Contra Costa Times

     

    New costumes for MacMillan's Rite of Spring

    Kinder Aggugini teams up with the English National Ballet

    by Alicia Waite

    "As part of the Beyond Ballet Russes season, which will celebrate the legacy of Russian choreographer Diaghilev's legendary dance company, Kinder Aggugini will be creating the outfits for an English National Ballet production of The Rite of Spring ..."

    Telegraph

  6. Tuesday's Links - 3 January 2012

     

    REVIEW: Merce Cunningham Dance Company

    Will Cunningham's Works Survive?

    Park Avenue Armory Event

    USA, New York, Park Avenue Armory

    Dancers: Crossman, Goggans, Mitchell, Scott, Swinston

    by Robert Greskovic

    "As sell-out crowds at the Armory milled around the venue's vast Drill Hall for these final MCDC appearances - which took shape as sampler presentations of Cunningham's dances - the event, with dancers appearing on three separate raised stages, had the air of a fashion designers' runway show."

    Wall Street Journal

     

    REVIEW: Merce Cunningham Dance Company

    One Last Time

    Park Avenue Armory Event

    USA, New York, Park Avenue Armory

    Dancers: Collwes, Crossman, Desjardins, Goggins, Hinrichs, Madoff, Mitchell, Munnerlyn, Nelson, Riener, Scott, Swinston, Toogood, Weber

    by Tobi Tobias

    "The curtain calls were many, with the dancers lining all four sides of the central platform and then reforming as a tight hand-in-hand circle again and again."

    Arts Journal

     

    REVIEW: Merce Cunningham Dance Company

    The Merce Cunningham Dance Company takes its last bow

    Park Avenue Armory Event

    USA, New York, Park Avenue Armory

    by Robert Johnson

    "Ironically this fiercely independent choreography, the thing Cunningham valued most, cannot survive without a company trained to perform it. The claim his troupe was euthanized to save the repertoire from decay makes no sense, since closing the company abruptly hastens this decline."

    Newark Star Ledger

     

    REVIEW: Merce Cunningham Dance Company

    After The End Of Merce

    Park Avenue Armory Event

    USA, New York, Park Avenue Armory

    by Michael H Miller

    "Dancers cycled onto and off of the stage, moving with such ease and subtlety that it was hard to tell when an entrance or exit had been made until after it happened."

    GalleristNY

     

    Roslyn Sulcas's four London Nutcrackers:

     

    REVIEW: Matthew Bourne

    London Succumbs to the Spell of The Nutcracker

    Nutcracker!

    UK, London, Sadler's Wells

    Dancers: Brennan, North, Shaw, Trenfield, Vassallo, Westmoreland

    by Roslyn Sulcas

    "the creation of steps has never been Mr. Bourne’s strength. His gifts lie in his sense of theater, his wit and timing and his understanding of the dramatic essentials of the stories he has transformed through contemporary, almost allegorical settings."

    New York Times

     

    REVIEW: Royal Ballet

    London Succumbs to the Spell of The Nutcracker

    The Nutcracker

    UK, London, Covent Garden

    Dancers: Hamilton, Ondiviela, Polunin, Hinkis

    by Roslyn Sulcas

    "More interesting were two junior leads, Meaghan Grace Hinkis as Clara and Ludovic Ondiviela in the Nutcracker/Nephew role, both notable for their lively, articulate musical phrasing and confident grace."

    New York Times

     

    REVIEW: Birmingham Royal Ballet

    London Succumbs to the Spell of The Nutcracker

    Nutcracker

    UK, London, O2 Arena

    Dancers: Millar, Willis

    by Roslyn Sulcas

    "For the first half (I moved for the second act), this screen was the only way to see anything at all from where I was seated at orchestra level, which meant I had no sense of the transformation scene in which the drawing room and tree swell to immense proportions, nor of the oft-praised snowflake dance ..."

    New York Times

     

    REVIEW: English National Ballet

    London Succumbs to the Spell of The Nutcracker

    The Nutcracker

    UK, London, Coliseum

    Dancers: Acosta Y, Kase

    by Roslyn Sulcas

    "Shiori Kase metamorphosed from a perfectly pleasant young Clara into a radiant Sugar Plum Fairy, whose transformation into a fluid, precise, enchantingly musical and technically assured ballerina was made more touching by Yonah Acosta’s tender, courteous partnering."

    New York Times

     

     

    Top artists reveal how to find creative inspiration

    with contributions from Tamara Rojo and Wayne McGregor

    "Do

    Empty

    Panic

    Forage

    Generate ..."

    The Guardian

     

    Birmingham's 3rd International Dance Festival

    The world comes to Birmingham to dance

    by Diane Parkes

    "Due to hit the streets and venues of the city in April, the month-long festival will see leading companies from across the world descend on Birmingham. Included in the line-up, which was announced recently, are Sylvie Guillem together with Russell Maliphant, Royal Ballet of Flanders ..."

    Birmingham Mail

     

    Review of 2011, Melbourne

    Staging a year in slow motion

    by Chloe Smethurst

    "There were quite a few interesting new works presented, and some very welcome remounts of existing work. Yet, on the whole, there was less dance on offer, and more of it was passable than brilliant."

    The Age

     

    Taipei Gala

    Starry, starry night

    by Diane Baker

    "Next weekend will see a virtual UN of dancers (five Russians, two Canadians, two French, two Americans, two South Koreans, a Spaniard and a Czech) on stage at the National Theater for the Sixth International Ballet Star Gala."

    Taipei Times

  7. Monday's Links - 2 January 2012

     

    REVIEW: American Ballet Theatre

    A Fairy Tale Stoked by Childhood Dreams

    The Nutcracker

    USA, New York, Brooklyn Academy of Music

    Dancers: Cornejo H, Gomes, Gorak, Hallberg, Herrera, Kajiya, Lane, Murphy, Part, Reyes, Riccetto, Simkin, Stearns, Tamm

    by Alastair Macaulay

    "How can we add up the positive and negative aspects of this Nutcracker? I changed my mind at every performance. And I keep changing my mind about Mr. Ratmansky. When I say he is the finest artist choreographing in ballet today, I say so with mixed feelings about ballet itself."

    New York Times

     

    REVIEW: Merce Cunningham Dance Company

    Merce Cunningham Dance Company concludes

    Park Avenue Armory Event

    USA, New York, Park Avenue Armory

    Dancers: Mitchell, Weber

    by Susan Reiter

    "The dancers bowed on each stage, then collected and held hands on the central stage for repeated bows. Ultimately, they had to leave us, and with their final exit, a powerfully significant and influential era in contemporary dance had come to a close."

    Los Angeles Times

     

    Après Merce

    by Alma Guillermoprieto

    "Followers like myself also loved his senseless determination to make every piece new, even if it meant losing audience members unwilling to work that hard for the payoff: in a favorite story, his brother once asked, 'Merce, when are you going to make something people like?'"

    New York Review of Books

     

    REVIEW: Mariinsky Ballet

    Gala show brings curtains on 2011 in Oman

    New Year's Eve Gala: Chopiniana, Simple Things, Carmen

    Oman, Muscat, Royal Opera House

    Dancers: Golub, Kondaurova

    by Sarah MacDonald

    "ROHM’s New Years Eve Gala with the Mariinsky Ballet was really the perfect end to 2011 and a splendid way to start 2012."

    Times of Oman

     

    REVIEW: Les Ballets de Monte Carlo

    Lac

    Monaco, Monaco, Grimaldi Forum

    Dancers: Coppieters

    by Ora Brafman

    "The ballet was intense and Swan Lake will never be the same after the tempestuous Lac."

    Jerusalem Post

     

    REVIEW: Aletta Collins

    Reviving a Long-Lost Tale From Kurt Weill’s Archive

    Magical Night

    UK, London, Linbury Studio Theatre

    Dancers: Cooke, Gulgec, Randi, Ridley-DeMonick, Ruggeri, Adams-Camacho, Comerford-McDonald, Luo

    by Roslyn Sulcas

    "The happy ending, however, like much of the opening section, feels slightly formulaic, the choreography is often repetitive, and the show as a whole has - at least from an adult point of view - little of the sophistication and captivating magic of William Tuckett’s Faeries, last year’s Christmas production at the Linbury."

    New York Times

     

    Daniil Simkin - Man of the moment

    by Diane Baker

    "In addition to working for the American Ballet Theater, Daniil Simkin travels the world appearing in galas and as a guest artist. Tracking his travels on Twitter gives one a whole new appreciation of the term jet-setter; the man is always on the move."

    Taipei Times

     

    Swinging Parties

    New York City's swing-dance demimonde.

    Slideshow by Piotr Redlinski

    New York Times

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