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John Mallinson

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  1. The latest programme schedule from Sadler's Wells:

     

    Programme A

    Friday 14 & Tuesday 18 September at 7.30pm, Sunday 23 September at 4pm

    Divertimento No. 15 (Mozart / Balanchine)

    Symphonic Dances (Rachmaninov / Liang)

    Number Nine (Torke / Wheeldon)

     

    Programme B

    Saturday 15 & Friday 21 September at 7.30pm, Sunday 16 September at 4pm

    Trio (Tchaikovsky / Tomasson)

    Ghosts (Winger / Wheeldon)

    Guide to Strange Places (Adams / Page)

     

    Programme C

    Wednesday 19, Thursday 20 & Saturday 22 September at 7.30pm

    Beaux (Martinu / Morris)

    Classical Symphony (Prokofiev / Possokhov)

    RAkU (Eshima / Possokhov)

    Within the Golden Hour (Bosso / Vivaldi / Wheeldon)

  2. Links – Wednesday March 21, 2012

     

    Review - The Royal Ballet, Alice’s Adventures in Wonderland: 2 stars, Clement Crisp, Financial Times

     

    Review - Martha Graham Dance Company (+ Diana Vishneva), mixed bill, NY:

    Robert Gottlieb,
    New York Observer

    Robert Gresckovic,
    Wall Street Journal

     

    Review - Pacific Northwest Ballet, New Works, Seattle: Moira Macdonald, Seattle Times

     

    Review - Metropolitan Opera, Benjamin Millepied’s choreography for Khovanschchina: Robert Gottlieb, New York Observer

     

    Review - Wayne McGregor | Random Dance, FAR, London: Sarah Crompton, The Telegraph

     

    Review - Richard Alston Dance Company, mixed bill, London: Sarah Crompton, The Telegraph

     

    Review - Les Ballets C de la B, Gardenia, Montclair: Claudia La Rocco, New York Times

     

    Review - Alvin Ailey American Dance Theater, mixed bill, SF: Rita Felciano, San Francisco Bay Guardian

     

    Review - Nora Chipaumire and Okwui Okpokwasili, mixed bill, NY: Claudia La Rocco, New York Times

     

    Irek Mukhamedov returns to the stage with Schaufuss Ballet: DanceTabs

     

    San Francisco 2012 Dance Film Festival: Rita Felciano, DanceviewTimes

     

    Review - Northern Ballet, Beauty and the Beast, Edinburgh: The Scotsman

     

    Basil Twist’s Petrushka: Rebecca J. Ritzel, Washington City Paper

     

    Review - Boris Eifman, Rodin, NY: Tobi Tobias, ArtsJournal

     

    Review - Susan Marshall, Sawdust Palace, NY: Tobi Tobias, ArtsJournal

     

    Preview - Mariinsky Ballet Festival: Galina Stolyarova, St Petersburg Times

     

    Review - Fuzión Dance Artists, Red Tent: Carrie Seidman, Sarasota Herald-Tribune

     

    Preview - Alberta Ballet, Swan Lake: Salena Kitteringham, Edmonton Journal

  3. Links – Tuesday March 20, 2012

     

    Review - The Royal Ballet, Alice’s Adventures in Wonderland:

    Lynette Halewood,
    DanceTabs
    ,
    Photo gallery

    3 stars, Zoë Anderson,
    The Independent

    Lise Smith,
    Londondance

     

    Interview - Kevin McKenzie, Artistic Director of ABT: Zachary Whittenburg, Time Out Chicago

     

    Interview - Diana Vishneva: James Tammy, Bloomberg

     

    Review - Wayne McGregor | Random Dance, FAR, London: Ismene Brown, The Arts Desk

     

    Review - Paul Taylor, mixed bill, NY: Alastair Macaulay, New York Times, Slideshow

     

    Review - The National Ballet of China, The Peony Pavilion, Melbourne: Heather Bloom, Australian Stage

     

    Review - Martha Graham Dance Company, mixed bill, NY: Claudia La Rocco, New York Times

     

    Review - Ballet Preljocaj, Blanche Neige, Davis, California: Harmony Wheeler, LA Broadway World

     

    Review - Hubbard Street Dance, mixed bill, Chicago: Zachary Whittenburg, Time Out Chicago

     

    Interview - Nina Goldman (stars in Matthew Bourne’s Swan Lake in 3D): Pat Cerasaro, Broadway World

     

    Review - ODC/Dance, mixed bill, San Francisco: Toba Singer, California Literary Review

     

    Review - Riverdance, Chicago: Sid Smith, Chicago Tribune

  4. As some of you will be aware, this forum has been being overseen by an interim committee (details here) appointed by Bruce Marriott when he decided to archive ballet.co.uk. In light of the huge amount of disappointment many people expressed at the thought of life without Balletco, Bruce created a new forum which was named BalletcoForum so that there would be some continuity from the previous site. The committee’s mandate comes to an end on March 20th 2012, when the permanent committee takes over the day to day running of the site in all of its aspects.

    In this regard, we thought we’d give you some information as to how it will be run for the time being; however it is very much a work in progress and we will be looking to improve and enhance the site as time goes on. We would very much appreciate your thoughts, comments and suggestions at any time, so please do contact us if you have anything you’d like to put forward. Similarly, if you have any questions please contact us. The members of the new committee are:
     

    Annabel Cowdrey – Moderator

    Simonetta (Sim) Dixon – Chair and Forum Relations Moderator

    Ian MacMillan – Moderator and Secretary

    John Mallinson – Site Administrator

    Bruce Marriott – Site Administrator (resigned 15 January 2014)

    Lee McLernon – Moderator and Treasurer

    Janet McNulty – Moderator

    Dave Morgan – Committee member

    Alison Penfold – Moderator

    Julie Woodhams – Moderator

    Trog Woolley – Site Administrator

     

    Big thanks go to Anna Merrick, who was a member of the interim committee and whose contribution has been most valuable in enabling us to be ready to take BalletcoForum into the future.

    Use of the Site
    In About BalletcoForum you will find some instructions and help on how to use this site. You will also find the Acceptable Use Policy which we have changed slightly from that of Balletco. Anybody registering to use the site agrees that they will abide by this policy.

    Financing of the Site
    The interim committee has agreed to finance the site for three months whilst proper arrangements and governance are put in place. The plan is to ask members to make a voluntary annual donation and we hope that all who value the site will do this. The level has yet to be set, but we think it will be in the range of £10-£15 per year. The more who contribute the less it will be of course. It is one of the priorities of all involved to get this in place soonest.

    The financial side of things (including the setting up of a bank account and accounting) will be administered by the BalletcoForum Trust, which will be comprised of the following BalletcoForum committee members:
     

     

    Simonetta (Sim) Dixon (Chair)

    Lee McLernon (Treasurer)

    Ian MacMillan (Secretary)

    John Mallinson (Member)

    Bruce Marriott (Member) (resigned 15 January 2014)

     

    Technical Administration of the Site
    The day-to-day administration of the site will be overseen by John Mallinson, ably assisted by Trog Woolley. We will be reviewing the look of the site and coming up with some improvements to its appearance.

    Site Members
    Anybody who registers to use the site automatically becomes a member. We heartily encourage you all to contribute to the discussions, and indeed start them too! It will be up to all of you to make this site a success, so please do use it! We would love to hear from all of you lurkers out there, don’t be shy… everybody’s views and opinions are of interest. We especially welcome reviews and news from members who are outside the UK as it is a great way to keep everyone informed of what is going on in dance in places that we don’t necessarily hear about on a regular basis.

    Daily Links
    The daily links on balletco were always a big undertaking for anyone who volunteered to do them, sometimes taking two or three hours. We are very lucky that Ian MacMillan, Janet McNulty and John Mallinson are continuing to do a sterling job of the links every day, but again, we would welcome contributions from all of our members: if you see anything that would be of interest and is appropriate to the site please add it to the relevant (or new) postings in the Performances, News or Doing Dance forums.

    The Future
    The committee is very keen to start increasing membership, and usage, of the site, so please do spread the word. We look forward to a creating, with our members, an active, harmonious, fun and interesting site for dance lovers all over the world, so… let’s get to it!

    Finally…
    …and most importantly, the committee wishes to extend its heartfelt thanks and deep appreciation to Bruce Marriott for the 16 years of hard work, love and commitment that he gave to ballet.co.uk. Balletco was one of the first online dance forums, and it is thanks to Bruce's vision and continuing dedication (and financing!) that the site grew into a successful, worldwide community. It was respected by both dance lovers and those within the dance world, and has given rise to all kinds of friendships and online groups.

    We all owe him a deep debt of gratitude, and are very grateful that he has agreed to continue as a member of BalletcoForum. His knowledge and experience will be a great asset in helping the new committee go forward. We wish him great success with his new venture, DanceTabs.

     

    • Like 13
  5. Links – Monday March 19, 2012

     

    Review - Royal Ballet, Alice’s Adventures in Wonderland: Mark Monahan, Telegraph

     

    Preview - Liam Scarlett’s new ballet, Walter Sickert and the dance of death: Judith Mackrell, The Guardian

     

    Review - Birmingham Royal Ballet, Coppélia, London: 4 stars, Clement Crisp, Financial Times

     

    Review - Birmingham Royal Ballet, Spring Passions, London:

    4 stars, Zoe Anderson,
    The Independent

    Jane Simpson,
    DanceTabs

     

    Review - Diana Vishneva, Dialogues: Alastair Macaulay, New York Times

     

    Review - Martha Graham Dance Company, mixed bill, NY: Marina Harss, The Faster Times

     

    Preview - Ballet Preljocaj, Snow White, LA: Adam Tschorn, Los Angeles Times

     

    Review - National Ballet of China, The Peony Pavilion, Melbourne: Deborah Jones, The Australian

     

    Book review - Two books on Fred (and Adele) Astaire: Arlene Croce, New York Review of Books

     

    Spring Dance Preview, NY: New Yorker

  6. The following whose names (or nicknames) should be familiar are involved in the smooth running and development of BalletcoForum.

    Administrators
    John Mallinson (John Mallinson)

    Trog Woolley (Trog)

    Bruce Marriott (Bruce) (resigned 15 January 2014)

     

    Moderators

    Annabel Cowdrey (Anna C)

    Sim Dixon (Sim)

    Ian Macmillan (Ian Macmillan)

    Lee McLernon (bangorballetboy)

    Janet McNulty (Janet McNulty)

    Alison Penfold (alison)

     

    If you wish to contact any of the above you can do so by clicking this link which will take you to a complete listing. Click the envelope icon against each person's name to send a private message.

    See also…

  7. Links – Sunday March 18, 2012

     

    Obituary - Ethel Winter, dancer with Martha Graham: Anna Kisselgoff, New York Times

     

    Review - Royal Ballet, Alice’s Adventures in Wonderland: Judith Flanders, The Arts Desk

     

    Review - Royal Ballet, Romeo and Juliet: Luke Jennings, Observer

     

    Review - Martha Graham Dance Company, gala performance: Brian Seibert, New York Times

     

    Review - Reggie Wilson, theRevisitation: Claudia La Rocco, New York Times

     

    Review - DV8, Can We Talk About This?, London: Jenny Gilbert, Independent on Sunday

     

    Review - Shobana Jeyasingh, Classic Cut, London:

    Jenny Gilbert,
    Independent on Sunday

    Lise Smith,
    Londondance

     

    Letter from India - Alastair Macaulay in Nrityagram: New York Times, Slideshow

     

    Film preview - Matthew Bourne, Swan Lake in 3D, USA: Jocelyn Noveck, Boston Globe

     

    Heads up - Royal Ballet triple bill: Holly Williams, Independent on Sunday

     

    Review - Men in Motion, London: Luke Jennings, Observer

     

    Review - Cincinnati Ballet, mixed bill: David Lyman, Cincinnati.com

     

    Yonah Acosta, ENB dancer and famous nephew: Stephanie Merritt, Observer

     

    Drew Lovejoy, all-American stepdancer: Sabrina Tavernise, New York Times

     

    Denise Vale, rehearsal director of Martha Graham Dance Company: Corey Kilgannon, New York Times

     

    Hochhauser sues O2: Tim Walker, Telegraph

  8. Yes, there are various features here (Galleries, Blogs, Chat) which are part of the default package but which may not be relevant to our current wants and needs and which maybe should be disabled or banished.

     

    We will not have the rich collection of photos here that there was on the old Ballet.co site (and is still accessible via DanceTabs where new galleries can also be accessed) but we will have some photos related to current productions.

     

    Ad hominem attacks will not be tolerated here in future as they have not been here or on Ballet.co in the past. The new moderation team that takes over in the next few days will keep an eye on that.

    • Like 1
  9. This is the policy with which members have to agree before signing up to BalletcoForum:

    The site administrator reserves the right to change the terms and conditions of the user agreement without prior notice to the user. It is the responsibility of the user to regularly review the terms of this agreement.

    These terms and conditions superseded the previous agreement on March 12, 2019.
     

    * * * * * * * * * *


    BalletcoForum is a place for ordinary dance lovers to exchange thoughts and information in good faith.

    We are not responsible for any messages posted. We do not vouch for or warrant the accuracy, completeness or usefulness of any message, and are not responsible for the contents. The messages express the views of the author of the message, not necessarily the views of this bulletin board. Any user who feels that a posted message is objectionable is encouraged to contact us immediately by clicking the Report link. We have the ability to remove objectionable messages and we will make every effort to do so, within a reasonable time frame, if we determine that removal is necessary.

    Conditions of membership

    1. You affirm that the information that you provide to us for your membership is correct.

     

    2. Potential members under the age of 16 years must obtain permission from parent, guardian or other responsible adult before signing up.

     

    3. You will not use your membership to spam, harass, or exploit other members in any way.

     

    4. Contributors must be respectful to others. Vulgar, abusive, racist, and sexist language will not be tolerated. Any posts determined by a moderator to be either offensive or potentially libellous or unlawful or to be against the spirit of this acceptable use policy will be removed. The relevant poster’s account may be suspended or banned. If a member chooses to make highly critical comments this must be done in their own full name and not behind an anonymous user name and email address. Forum rules prohibit members from acting disingenuously, including by personation or wilfully misrepresenting themselves. Members who do this face suspension from the forum.

     

    5. No mass posting or flooding of the boards is allowed.


    Other rules

    Email addresses When signing up you have to give an email address which is used to validate your application and to contact you if necessary. Note that applications using temporary or disposable email addresses such as those from Mailinator or similar services will not be accepted. (For privacy's sake email addresses are not revealed to other members or Moderators: they are only visible to the Administrator.)

     

    Should you change your email address it is very important that you inform us by emailing BalletcoForum@gmail.com.

    Cookies This website does not store any information that would, on its own, allow us to identify individual users of this service without their permission. For best operation the site stores items of information commonly known as cookies. These make use of the site easier by allowing you to log in without having to retype your user name and password each time; they also remember user preferences and which topics and postings you have read. Cookies are not shared with any third parties.

    Accepting this policy document confirms that you agree with this use of cookies.

    If you do not want cookies to be stored on your computer you can disable them in your web browser's Preferences dialog.

    Privacy When it comes to discussion of dancers, company staff, company concerns, employment issues or future programming, only publicly available information may be used. In such cases a reference to the source can establish the information’s bona fides for the purposes of this forum. Posts which breach this rule are likely to be removed.

     
    Sometimes members may have genuine inside information which they wish to share. In such cases it is not the truth or otherwise of the information that is the point, it is the fact of disclosure of privileged information not already in the public domain, without the permission of its source: this encompasses ’stage door gossip’ too.  Posting such information is made especially egregious if the member, for whatever reason, is posting anonymously.

     

    Please note that these rules apply to ALL dance companies.


    Most members post via a pseudonym. It is for them to reveal their full name if they wish. (This topic also arises in the context of highly critical postings above.) Other people must respect this and ‘outing’ of other members is not allowed.

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    (When details may be found on the website of a competition organiser or school or listed in a printed programme it is acceptable to post the names and schools of student competition participants and winners, and of performers in school shows.)

    Photos or videos displaying others’ children may not be linked to or displayed unless they are already in the public domain.

    Discussion of schools and courses This may lead to the expression of strong opinions, both positive and negative when experiences and views have understandably differed. Against that background, the general Acceptable Use Policy Conditions continue to apply but, as regards schools and courses, additional parameters are added.
        •    Posts about schools or courses must report personal experiences only (posted by the student, the student’s parent/guardian or the student’s teacher with permission).
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    That said, we are not an advertising hoarding and repeated postings of the same or similar information will not be tolerated, nor frivolous posts which merely seem designed to get the company name ‘up there’. Nor will we allow vendors to use BalletcoForum as their shopfront: if you have a selling business you should use your own website for trade and market testing, not this one.

    Members who have commercial interests must indicate that by adding a Signature line to their postings, stating the name and type of their business and giving their website and/or business email address for enquiries. Signatures are best displayed as text but small graphic logos are permissible. (Set up a Signature via Account Settings in the dropdown menu under your name.) If members wish to contact businesses, associate schemes or other commercial enterprises this should be done via the vendor’s website or email, not by starting threads on the forum. Sending promotional ‘mailshot’ messages to other users is not allowed.

    Problems arising over transactions entered into between members are not the responsibility of BalletcoForum.

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    In addition, the use of BalletcoForum as a regular conduit to your own website or blog is not acceptable. An occasional link is permissible but habitually including links (more than once or twice in a week) is not. It is however quite in order to include a link to your site or blog in a signature line (as detailed above for commercial users).

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    Nonetheless, should you wish to post here, be aware that to take account of concerns about exploitation, particularly of children, we will remove postings unless it is made clear that it is over-18s who are being canvassed. If thinking of replying you should realise that we have no way of checking posters’ credentials and therefore advise caution before responding.

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    Videos, photos and copyright issues The very widespread availability of videos and photographs on media websites such as YouTube, photo sharing and so-called ‘torrent’ sites which allow media downloads raises problems of acknowledgement and copyright. When links to videos and photos are made on this site it is the member's responsibility to satisfy themselves that rights are respected. We reserve the right to remove links where we believe this not to be the case.

    BalletcoForum Committee

     
    • Like 8
  10. BalletcoForum was started in December 2011 as a place for dance and ballet enthusiasts to come together and talk about their mutual interests. It's a place for discussion and exchange of information, descriptions and reviews of performances seen, announcements of interesting things to come.

    A very active part of the site is used by 'ballet mums' to share concerns and tips about their dancing daughters and sons.

    There is also a forum for ticket exchange and a unique resource in the form of a daily listing of links to dance news and reviews from around the world.

    The forum is funded by its users. (The costs incurred are for licensing the software and the use of an internet server.) Our first funding drive in August and September 2012 generated enough to keep things going for at least a couple of years. A second appeal in June/July 2015 was equally successful. Many thanks to all who contributed.

  11. BalletcoForum did not arrive out of the blue in December 2011. It has its roots in the website Balletco (www.ballet.co.uk) founded in 1996 by Bruce Marriott. Balletco (now in archive) was one of the first dance/ballet sites on the net and the emphasis was on giving the audience a place to talk and exchange views, both seriously and playfully. It also provided a magazine full of reviews and interviews. This was years before the advent of social media such as Facebook and Twitter became a widely used means of spreading information and interacting with others. This link back to Balletco explains the name of the present site, BalletcoForum.

     

    Early in 2012 Balletco was put into archive – it had really become too unwieldy and unfit for purpose. Bruce Marriott initially funded this version of the forum for three months and asked a committee to look into the long term viability, funding and governance of the board. The members were: Lee McLernon (Chair), Sim Dixon, Ian Macmillan, John Mallinson, Anna Merrick and Dave Morgan. They concluded that a much loved forum had a future and put in place what that future should be.

     

    Incidentally the magazine aspects of Balletco have been made more professional and taken forward by Bruce Marriott in an online magazine called DanceTabs (www.dancetabs.com).

  12. I find it annoying that the RB will be opening with Swan Lake because this could have a detrimental effect on the ticket sales for ENB's Swan Lake in August.

    I would rather doubt that. The London ballet audience may be starting to get withdrawal symptoms by August, especially as the Russians aren't coming this summer. The ENB shows are on sale already, the RB ones won't be for a few months yet. ENB's Coliseum season coincides with the Olympics which I would have thought would be a good thing for them though some anticipate the London theatres losing out.

     

    Both companies (all companies) rely on Swan Lake as a banker.

  13. There was one other thing I meant to mention. I was tending to think of those who see Dance not looking in Doing Dance but the converse is also generally true I think (note the generally - not always I know). I remember somebody once started a thread in Doing Dance about what magazines were best to read to see what is going on in ballet and dance. And in responding not one person mentioned the magazine aspects of Balletco. It was very salutary I can tell you and I was not a little upset. But its the closed way it is. Doing Dance, as it is now, fulfills an urgent networking need and long may it, but I don't think of it as connected into the rest of the forum/site and I'm not sure its wise to try and force any connections.

     

    One thing I do miss about Doing Dance is that it used to be full of questions from dancers and students about technique and much of that has now gone. If sub-forums were used I think Doing Dance could have 2:

    Doing Dance - about parents and schools

    Doing Dance - about technique and equipment

     

    I think once we have Doing Dance moderators in place we'll be in a better position to see if the present structure meets their needs.

  14. Flickr doesn't seem to make it easy and they are fussy. They say about direct linking (as here):

     

    Per the Flickr Community Guidelines "pages on other websites that display content hosted on flickr.com must provide a link from each photo or video back to its page on Flickr." Linking directly to the photo file doesn't do this.

     

    This means that for every photo you put here you have to provide a link back to the image on the Flickr site.

     

    To get the URL of the image so that it shows here go to the Share drop-down above the pic (in Flickr) and select Grab the HTML/BBCode. You then need to extract the actual link from that by pasting the code into a text editor and removing all the fluff so you're left with something like http://farm8.staticf..._4fba9aff33.jpg i.e. a link to the jpeg image itself rather than the page it's on. Then when you click on the Image icon here you paste that code in and hey presto!

     

    6983140669_4fba9aff33.jpg

     

    Flickr

     

    To get the mandatory Flickr link (as above) you go to the Share drop-down and select Grab the link and copy the link and paste it in here via the Link icon.

     

    No doubt Bruce will come along in a minute and tell us the easy way to proceed!

  15. The words came to me from Sergei's own lips via his chief mentor and teacher at the school.He also said that he is going to do a Broadway musical (though he can't remember the name!!!) and that Ralph Fiennes has found him an acting coach.

    I completely accept the probity of the source. I hope it's true, but…

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