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Don Q Fan

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Posts posted by Don Q Fan

  1. October

    Milton Keynes

     

    17 Rojo – Muntagirov

    18 Takahashi – Acosta (matinee)

    18 Oliveira – Gruzdyev (evening)

    19 Rojo – Muntagirov

    20 Cao – Konvalina (matinee)

    20 Glurdjidze - Vargas (evening)

     

    Liverpool

    30 Takahashi –Acosta

    31 Glurdjidze - Vargas

     

    November

    Liverpool cont..

     

    1 Ovsyanick – Berlanga (matinee)

    1 Oliveira – Gruzdyev (evening)

    2 Cao – Konvalina

    3 Glurdjidze – Vargas (matinee)

    3 Rojo – Muntagirov (evening)

     

    Manchester

    28 Rojo – Muntagirov

    29 Glurdjidze – Vargas (matinee)

    29 Takahashi – Acosta (evening)

    30 Cao – Berlanga

     

    December

    1 Rojo – Muntagirov (matinee)

    1 Oliveira - Gruzdyev (evening)

     

    January

    Coliseum London

     

    9 Rojo – Muntagirov

    10 Takahashi – Acosta

    11 Oliveira – Gruzdyev

    12 Cao – Konvalina (matinee)

    12 Glurdjidze – Vargas (evening)

    13 Rojo – Muntagirov (matinee)

    15 Ovsyanick – Berlanga (matinee)

    15 Takahashi – Acosta (evening)

    16 Oliveira – Gruzdyev

    17 TBC (matinee)

    17 Cao – Konvalina (evening)

    18 Glurdjidze – Vargas

    19 TBC (matinee)

    19 Rojo - Muntagirov (evening)

     

    * Cast may be subject to change

    ** Cast list pertains to evening performances unless otherwise stated

  2. I saw the Friday evening performance with Chi Cao and Nao Sakuma. I did not like Act 1 much at all compared to other versions and there were several sections where the dancers were not quite as together as usual for BRB, the men fared better than the women. Things got much much better in Act 2. In Act 1 I found Marion Tate was more a very scary Carabosse than loving mother and Queen - extremely austere indeed! Nao is a total professional and it was upon her arrival on stage that the rest upped their game in my opinion. Nao's Odette was perfect the right amount of nervousness of meeting the Prince and as Odile the right amount of evil and double crossing intent. In this version we seemed to have lost some princesses there being only 3 but no matter Act 3 was as good as it usually is in Swan lake. Chi Cao partners Nao Sakuma perfectly and he put in a good performance as well. The best bit was the curtain up on Act 4 with lake full of mist and the swans rising from the dry ice - fabulous! That is the bit I came to see as only BRB seem to do it like that. The ending was great especially with Benno carrying on a dead Prince at the end super. Some of the the costumes were VERY heavy looking and the poor dancers must have been boiled. I liked the pairing of Victoria Marr and William Bracewell and I would have liked to have seen a lot more of Momoko Hirata.

    A good night out, Birmingham next weekend for the Triple Bill awaits!

  3. The Dutch theatres I have been to in Amsterdam are pretty good - being a tall race the theatre seats seem to accommodate this as the rake is steep and you don't get a head in the way. The Carre was excellent for an old theatre when I went to see the Kirov and Bolshoi. Have to agree that big heads are a pain and therefore I try to book front seats on circles where possible.

    Heavy breathers are another bug bear of mine - Tchaikovsky in Berlin was ruined for me all I could concentrate on was the noisy breathing of a man next to me it was so forced it must have given him nose ache, and a woman at ROH ruined Jewels for me by making THE most annoying clicking sound with her mouth all the way through it was horrible! And jangly bracelets are another pain. I sit there silent which is not difficult! As I've said before women wearing hats is another mystery to me and bouffant hair is a no no too. I've said elsewhere that there should be a Quiet Zone for true ballet fans - if only!

    In Venice anyone trying to applaud when I saw Giselle by the Mikhailovsky was told to be quiet by the home crowd so evidently clapping is not the done thing during the performance in Italy - it had the Russian dancers confused though as they usually lap it up at the slightest effort!

  4. Ballet news has another behind the scenes account

    http://balletnews.co.uk/ballet-backstage-first-hand-account-of-the-olympics-closing-ceremony/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+co%2FRudC+%28Ballet+NEWS%29

     

    I see it was Wheeldon who choreographed the "ballet" - not impressed. I agree with Janet that BRB's Faster would have been brilliant in this situation it would have been perfect for the occasion!

    As for the music where was Spandau Ballet with GOLD or Duran Duran with RIO?!

    • Like 1
  5. Beryl H

     

    I thought the audience behaviour was irritating at the 3 performances I went to last week, people in front of me spoilt 2 of the 3 by continually sitting forward, moving about, fiddling with mobile phones , dashing to the toilet mid-performance, etc. Also not much applause, dancers had to hurry off (they got better at this as it went on), and the decision to have a pause only between acts 1 and 2 was a disaster too, they could have made an announcement."

     

     

    I completely agree - it is the behaviour of other people that is slowly spoiling my attendance at the ballet. Why do they have to do all the above and have rustling sweet papers - can't they wait til the break? I also hear with dismay Sadlers Wells now alows food in the auditorium - what is the world coming to for goodness sake can't people watch a show without having to munch on something? It is rude and disrespectful to the performers and frankly if people don't intend giving 100% attention then what are they doing there? I also question the need for some women to wear HATS in the theatre - HATS :o ???!!!! What about the person behind?! Big "Billy Bouffant" hair do's are also another bug bear of mine! I could go on - I believe theatres should have a Virgin Train style Quiet Zone seating area (best seats in the house of course) for the likes of me to sit where I won't be disturbed or have my line of sight interrupted!!

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