BalletBoyMumma

7 hours ago, Ballerina-girl said:

I applied again as I’m sure my struggles with the photos prevented me from completing it properly. I did then get a confirmation email, which went into my spam folder. 

Thank you. I’d better email them in the morning then. 
Glad you got yours sorted.  

On 27/12/2022 at 16:20, Ballerina-girl said:

@sunrise81thank you, I’ll send them an email next week. 

Hi, did you get a confirmation email in the end? I haven’t either. 

On 04/01/2023 at 00:12, Ryo said:

Dear all,

 

I am looking for 1 x SCS or 1 x Balcony Centre Standing D30-D33 for Tuesday 10 Jan ( Osipova / Clark).

Anyone who has a spare ticket, please kindly PM me.

 

I have 1 x SCS (D49) for Saturday 14 Jan. 7pm ( Osipova / Clark).

If anyone who has similar SCS or Balcony Centre Standing D for 10 Jan would like to SWAP tickets, please kindly let me know.  

 

Ryo

I hope you find one.
If you don’t manage to swap and can’t make it I would would gladly buy the SCS ticket off of you.  

Thank you! We decided to keep our tickets for the 3rd and drive up in the end - it was definitely worth the hassle. Delightful performance! 

Hi, 

A long shot but is anyone selling 3 or 4  tickets for RB Nutcracker on either 10th or 14th January? 
 

We have 5 tickets (Ampitheatre, Row A 77-79 and Row B 77-78) for 3rd January to sell/swap, potentially (if we can find replacement). The issues with public transport that day are causing us quite a headache. 
 

Many thanks! 

Hi, Does anyone have a spare ticket for either today (28th), 29th 2pm or 31st that I could buy? I don’t mind if it’s standing. 
 

I have 2x standing (stalls circle, at back)  for 29th at 7.30pm to swap or sell. 🥰

Many thanks 

On 20/03/2022 at 14:25, BalletBoysDad said:

I am so impressed with the school, it has so many wonderful aspects! I hope your DS had a great time too. 😊 

YDA sounds like a fantastic school. We know a few children in there and all really enjoying it. Lovely little community and lots of performance opportunities. 

I wouldn’t read to much into those picked for performances tbh. While an amazing opportunity and lots of fun it is much more about fitting into existing costumes and location/availability of the child and parent. My son was picked after his very first JA lesson so definitely not based on ability (we joked that it was probably his wild-child look that matched the look they needed for the character 😂). Most roles are non-ballet/dancing roles and if they are it’s a tiny part. Often it’s just seated to fit in with the stage scenery/environment, a stage ‘prop’ so to speak, or to walk across the stage carrying something. If lucky, some mime or skips. It’s great fun and the whole experience is exciting but the actual being on stage bit is very minimal. 
While not as grand a stage as somewhere like the ROH, a child would get far more performance confidence/experience from local school’s end of year shows or festival performances etc. If your DC doesn’t get to do this already, definitely seek something out - it’s the best!

3 minutes ago, BalletBoysDad said:

Another gut-feeling is that the Covid pandemic and lockdowns just vastly accelerated what was already happening.  People talked about decline of high street shopping etc, then lockdown just accelerated that decline, as we became reliant on it much more rapidly.  Brands and organizations (including dance schools and studios) might have had some social media presence, but lockdown accelerated their (inevitable) reliance on that, and that quickly became one of their primary means of communication, so subsequently our primary means of receiving information.  The fact that many organizations have more up-to-date information available on their social media accounts only goes to demonstrate how effective it is for 'quick communication', given websites can be costly and cumbersome to update. 

 

The sudden move to online learning, and schools and tutors promoting that through social media, by consequence, accelerated the use of students/parents showing their participation.  

 

Maybe this shift wouldn't have felt so radical and uncomfortable had it happened a little more 'naturally/organically' that the seismic-shift that Covid created.

 

I don't know about other parents, but lockdown bought a real angst about my sons progression, not just in education, but also socially (in terms of friendships) and in his dance journey. I went on my own personal scramble for information, zoom courses, tutors, free classes etc... anything to not bring it all to a screeching and maybe irreversible halt!

Yes! I’ve had an Instagram account for a few years (and only ever put on 3 photos in that time) but only as the lockdowns began did I start really using it. Both as a means to connect with others (and maybe boredom added to the use...the dreaded doom-scrolling!! ) but also to find info as our children’s training was indefinitely halted at that point. It became a desperate scramble for something, anything (ballet and fitness wise) to keep them motivated. 

The stretching for ‘oversplits’ posts on Instagram. Gosh, yes. They are scary!!! If you are not training as a contortionist, is there any benefit to them? I took part in gymnastics into my teens and we never did oversplits (ever!). It seems a relatively new thing - last 20 or so years maybe? 

34 minutes ago, Jan McNulty said:

 

If you want to keep in touch why not DM each other.  

We have.  

@BalletBoyMum1they were a really lovely group. Huge credit to every single one of them on that. 💙👏👏👏

(My DS has been asking about your DS - would love to keep in touch if possible.  )

Fingers tightly crossed for Elmhurst! 🤞🤞🤞

So glad to hear he had a wonderful time at that one also - it makes such a huge difference for them. 

Absolutely agree on those teachers/schools who encourage a supportive attitude toward one another, even when they go into an audition and they’ll be each other’s direct competition. This supporting one another, enjoying themselves, and reminders to not compare themselves to each other (because they all have their own strengths and weaknesses) features a lot in our JA classes. And strongly with all the teachers we’ve chosen for DS (I’ve actively avoided the ones that promise success in this or that and gone for much more wholesome environments). It’s a real confidence builder. From what I’ve read on this forum most DCs made new friends at the auditions this year and really enjoyed themselves anyway, regardless of whether they are on a JA programme or not. That IS positive. 

And yes, only successes shown. I know I’ve not publicly posted the numerous times we’ve been unsuccessful for things. 

Can I suggest one really big thing I’ve found so helpful please? If you go to a class or event (associates or auditions etc) be open to making friends with the other parents and encourage your DCs to make friends too, even if they likely won’t know anyone there.

TV-type ‘Dance mums’ (or ‘tiger mums’) do exist but they are not nearly as common in the UK. Many parents of ballet-loving children have fallen into this world by accident and are mostly just winging it, relying on advice from teachers and forums like this one. I used to think it was a ridiculously competitive world and that everyone would be super judgy but actually almost every other ballet parent we’ve met has been lovely...and they have their own worries about ‘are we doing this right?’ Instagram will ALWAYS be problematic but having those friendships allows you to see that they are all just normal children who have talent and some happen to be very self-driven, even at this young age. The friendships will help ease the stress a little, especially for the DCs. It’ll bring opportunities you might not hear about otherwise too. 
There’s honestly nothing nicer than a fellow parent tagging you in a post because they think your DC might like a particular zoom workshop. Especially when they are not from the same local dance school and you only see them once a blue-moon but they’ve thought of your DC anyway. And vice-versa. The support for each other is really encouraging. Also seeing your DC’s excitement about going to an event (even on Zoom) knowing they’ll see friends they’ve met at a previous workshop is really nice. 

If your DC has attended and enjoyed an audition experience, do it again and again and again (if you can) - even if it’s just for them to show off their dancing. I think it’s always safer at this age to assume it’ll be a no but just go in and enjoy the experience. The reality is there are far fewer school places than there are talented dancers. And even if a DC gets a yes, a devastating no could be coming a bit later down the line when it’ll likely to be much harder hitting and have a bigger impact on their lives (this is my fear!). 
 

You’ll never know if you don’t try these things out though. 

Instagram in particular can be horrible for making ourselves (or our DCs) feel like the bar is set too high. Ignore it. Dance because you love it. Ask your teacher questions and apply corrections with care and attention. One good quality teaching session is still better than 100 mediocre ones. 

Right, this is loooong and I can only speak for myself/my own DS but I must say, I feel rather uncomfortable reading this thread about people analysing the children who got a yes and what ‘training’ they’ve had and making assumptions based on social media posts. I’ve just switched my own Instagram to private because of this (DS doesn’t have one, I post of his ballet fun, and successes, on my own account). Maybe naive of me but I didn’t realise he’d be scrutinised like this. If I did I would have been far more cautious. 
 

My son is from ‘the south’, a JA, has had the same teacher as some other successful JA finalists and been in lots of classes (though all on zoom, none in person). Apparently all things which worked in his favour according to the conversations. 

I have credited numerous teachers/schools in my social media post but some are doubled (teacher AND programme tags so it probably looks like a lot more) - two didn’t even know he was auditioning for WL until that post, one didn’t know he was a JA. They all taught him just as they did their other students. He most certainly was NOT hot-housed and we could never have afforded (or travelled to) the extra classes he managed to take while online in the last few months. He has never met in-person with two of the teachers I credited in my post either, only on Zoom (though we hope to once restrictions lift, even if just to say huge thanks!) He is the first student from his local teacher to get into a vocational school.
Only as of 2021 (so less than 3 months), my son has been doing approx 4hrs a week of ballet (on Zoom). Certainly not ‘all hours’ or being overworked/over-trained. Some of this was for social benefit rather than ‘training’ as lockdown has taken a toll on his mental well-being.  Prior to JAs, starting in yr5, he was doing just 45min ballet per week (and 30min tap/jazz). Pre-pandemic he did a weekly local class, a fortnightly JA class and a once a month other associate programme. 

My point in explaining all of this is to show what you see online is often only a fraction of the real picture, even if you are seeing the same teacher or school named repeatedly (you will have in our case as the recommendation came from someone who’s child was having similar frustrations with Zoom) they might not be linked any more than being word of mouth recommendations to try a particular teacher/programme. 
If anything, this year the amazing  teachers have been far more accessible to everyone no matter which part of the country you live in. AND they don’t have to be crazy expensive - we’ve found Zoom costs are much, much lower than in the studio training would be.  I really wouldn’t rate some of the (non-teacher) professional dancers who’ve offered classes - amazing dancers, not so great at teaching. It can actually be more damaging to a child’s confidence when they are encouraged to keep up with a skill level well above their own and find that they just can’t (because it’s impossible at their age). 

It shouldn’t be a surprise that many JAs make it through to vocational schools. They’ve already been selected and then taught with vocational training being a possibility for their futures in mind. That doesn’t mean every JA is suited to it or that only JAs make it through (not at all!). There will still be lots and lots of potential in DCs out there, that’s why they open the auditions out to everyone rather than just keep it in house.

Please remember, this is just one route of many. And do try - always try! A love of dancing will shine through - there are lots of boxes to tick though, I really do believe potential mixed with particular physical aspects   (hence the physio checks) is what the schools are looking for. It would be lovely if it was simply a case of showing the ‘joy of dancing’ but that’s only one aspect unfortunately. Find good quality teachers and trust them. Most of all, tell your DCs to dance because they love it, not because they want to be successful. Most DCs won’t become successful dancers (I know this despite letting DS try) - but hopefully all Dcs will enjoy themselves while they dance. 

4 pairs (brand new in packaging) of Bloch ContourSoft Children’s Footed Tights T0981G in Bloch Tan size Small (100-125cm height Approx) - only selling as we bought too many and DD needs next size up now. Suit olive/golden/medium skin tone. 

£12 posted for all four.  

2 hours ago, Weloveballet said:

Hi, would love some more information on this when are the audition dates/ entry dates? What’s the usual entry requirements? Where are the centres? (We are near to Manchester)  What days do they run? My DD got to the final for white lodge but wasn’t successful in gaining a place so looking at other options for her whilst waiting to hear back about RBS MA. She is not an associate anywhere currently.  Any info appreciated. Thanks 

Hi Weloveballet, are you within travelling distance to London? If so, applications for Central’s associates programme are still open (I think until May) - I believe they run on Saturdays normally. That was going to be our next step. 

I feel sick and shaking too. DS has a yes! My heart just broke at the thought of letting him move away but I know he really wants this. He is so happy! I’m in total shock! 

5 minutes ago, Weloveballet said:

yes she was the last number of her group! She didn’t give to much info away she just mentioned it when I asked about the recall thing will see if she remembers anymore about it tomorrow 

They were probably stood in the same position in the room looking at the same camera then. I hope your DD wasn’t too distracted by it. 

8 minutes ago, Dancermom said:

Yes I asked my DD after reading this and she said yes there was a camera in between the judges. 🤦‍♀️ The information they leave out! I just know I’m not getting even half of the story lol! She also said that they said they might recall some of them but didn’t. X 

Ooh, maybe there were multiple cameras so they can watch the audition back. I mean, it would make sense to do that. 

1 minute ago, Weloveballet said:

Yes I didn’t ask her about it either. She randomly said it like she had just remembered when I asked her tonight about the recall thing. I had actually forgot the camera thing had even been mentioned ages ago in this thread 

Has it been mentioned in this thread? Will have to read back. 
When DS gets fed up of my questioning he starts answering with ‘funny’ answers to make me stop. 😅 I thought he was just messing about but I asked him again after you posted and he said yep, right in front of him with the camera lens open. Was your DD the last number of her group by any chance? DS said it was the only camera he could see and it made him jump as he only realised it was there mid exercise and then the nerves kicked in at the thought of it filming him. He said it was pointed at his face. I reassured him it was probably wide angle and filming the whole room, not just him. 😂

7 minutes ago, Weloveballet said:

Just asked my daughter about this and she said they said this in her group, don’t put your tracksuit back on as they may recall you. She said the lady said if they do it doesn’t mean you’ve gotten further and if you don’t it doesn’t mean you haven’t just that they need to see more. No one got recalled back through in her group. She has also just told me there was a camera in the audition. As someone else said she’s drip feeding me information 🤣

I’m glad you’ve said that as I wasn’t sure if DS was making that bit up about a camera. He said there was a GoPro looking thing on the barre a little bit in front of him and was quite distracting as he didn’t know if it was filming or not. 🤣 

I think (IF that happens) all we can do is be there for them and remind them just how amazing they did to get to finals for one of the World’s best ballet schools and that this is only yr7, there are still many more years to come.
We have had this discussion with DS - he knows his favourite RB dancers didn’t start with the school in yr7, mostly upper school, and in his mind (and dreams of being on the ROH stage one day) this makes him feel better about the likelihood of a no at this point. My DS will be disappointed, no doubt, but I think it would make him more determined to come back and try again next year. That resilience and drive we keep hearing about that dancers have. (I hope so as they are very big dreams to have so he will need a lot of determination and resilience to get anywhere near that level). 

1 minute ago, Dd_dance said:

Ah ok then, it’s all so confusing! Can’t help but 2nd guess their every move. Good luck to your ds. Really hope boys results are tomorrow! 

It’s very stressful, isn’t it? I was doing the same - overanalysing everything - but as time has gone on we’ve relaxed about it a bit more. It’s out of our hands now. What will be, will be. We’ve always been prepared for a no so trying to keep the focus on what a fun experience it has been instead. DS is already saying he wants to do it all again next year (not sure I’ll cope though 🤣). 

Find as many distractions as possible - it helps, I promise. 😅

1 minute ago, Pointytoes said:

Hi , this happens every year and indeed causes anxiety and much second guessing among parents. 
The truth of the matter is it leaves neither students or parents with any more of a clue as to the forthcoming result. 
My own child did not have a recall but was a yes, many others in her year were in the recall and were a yes also. 
Thus ,there were students  with nos and yeses in both cohorts. It is only natural to spend this very challenging waiting week over analysing, after all that’s what we  parents do well! 

Yes, that was my thought. It could be good or bad (well not bad, but because they’d done something not quite right and needed to be seen again to repeat).