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Balletmamatotwo

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  1. Yes, it’s all very fascinating isn’t it? And having spoken to mums of DCs in various vocational schools, it almost sounds like the getting in is the less nerve wracking bit compared to the staying in, especially in relation to WL. It’s like if you get a no from the start then it’s heart breaking especially as most these DCs (and parents!) sacrifice so much to get them to that stage but a no is a no and at some point they get over it. The more awful feeling I imagine is when the DC actually gets in and both parent and child live year after year with the threat of being assessed out looming over their heads. I’m sure this isn’t the case for everyone as some just get on with it and are perfectly settled but I am sure it is something that’s always at the back of their minds. I suppose with JAs they might be to a certain extent used to this as they get assessed yearly (although not sure anyone actually gets assessed out from JA?)
  2. Interestingly, although this might digress from the topic a bit, my DD and I watched the RBS Holland Park summer performance last year and in the programme all students participating were listed. Those we were RBS Associates at some point before they commended full time training at the RBS had stars next to their names and it was very curious to see that at year 7 a majority had stars next to their names apart from the odd 1-2 students and the internationals. As you go up the years and into upper school the instances of these stars became less and less and by the final year I think there might only have been less than a handful in total.
  3. Yes sorry, I meant year 7 entry too. Entry into the other years is a whole different ballgame I think. As you said increasing numbers of internationals and at times it seems like the wait list being bypassed.
  4. It definitely does seem as Motomum describes it. If I’m not mistaken, last year, 10 WL offers alone were given to JAs in the London centre. It does seem obvious that there is significantly higher percentage of JAs who gain entry into WL. If your DCs dream school is WL, then most will apply for JAs every year until they get in. As mentioned before they get prepared for WL auditions, RBS would have very detailed files on them, they get checked by physios - things other DCs wouldn’t really have access to in the “RBS-way”, or at all. I noticed for other schools it’s not as much of an issue but for WL it does help A LOT. And this is probably the reason why students who get into WL without being JAs are treasured almost, as they give hope to those who want to get into WL without being in the JA system. Also the reason this thread year after year is always the longest and most active around this time of year. I did notice, however, that quite a lot of JAs we know also attend other associate schemes. So I think in terms of WL entry,probably a significant percentage have supplemental training via other schemes or numerous private lessons and classes and intensives, physio sessions etc etc. I would be interested to hear stories of DCs who get into WL, doing just normal ballet classes, no privates, no JA, although this might be for another thread altogether...
  5. Funnily enough that was pretty much the first thing my DD told me when she came out of the audition last year. She said there wasn’t really much dancing apart from a bit of corner work (gallops, skips) and improvisation (which can be dancing depending on how the child interprets it I suppose). She also said that one of the very first things that were looked at by the panel very closely were “body and feet”. She said after that it was obvious the panel were looking at a few particular kids. I think that after those initial few minutes of physical assessment at the start, it’s pretty much game over for some kids sadly. Sure enough, looking at those who got places, all are of similar physique (regardless of height, which seems to have more of a variety). Those who were slightly different physique all seemed to either have lovely ballet feet (high arches, articulated toes etc) or are extremely flexible (or both).
  6. I do wonder then if they make the final decisions after all auditions? Because if they did it after every centre, taking into account what centre they want to attend, it would seem likely that London places can possibly get allocated even before the actual London auditions? And if they make their decisions after all auditions do they then go back to look at their marking sheets and photos? It seems like an awfully long time from the first audition to the last especially now there is an additional centre in Scotland. How could they possibly remember the children? I suppose as with anything RBS we never really know what the exact formula is
  7. Yes the half term dates are so annoying, especially since I often have to work over school holidays. I suppose we can (once again) make a nice day of it shopping and lunch. I’m just wondering if we get the anticipated no we should try Eastleigh for example next year as there would be fewer applicants and possibly a better chance ? Not sure if this is the case as the panel surely is the same for all centres? I travel quite a bit for work and actually it might be easier for me to bring DD to either Newcastle or Leeds next year and not miss a day in the office. Totally understand that most might have clashes etc over school holidays but this one just stood out to me as it looks like a good number from the same school were there. But yes, maybe it's because of All England. Not entirely sure as DD doesn't do festivals.
  8. Ah ok, makes sense. How does it work though, would those who audition in Eastleigh (or elsewhere) for London be 'compared' to those who actually audition in London? I know the results come out in centre order of where you auditioned.
  9. Very curious to see (on social media) a group of girls from the same dance school auditioning yesterday at Eastleigh. The reason it made me curious is because my DD says they were definitely in the London auditions last year as she saw them. I’m assuming they are auditioning in Eastleigh to attend the London centre as the dance school’s current RBS Associates all seem to be in London and geographically much closer to London. I’ve always therefore wondered whether it would be good to try and audition in different centres after a “no” result. I always thought this might be a bit naughty as one would assume, if there is no legitimate reason (for example, being away on holiday during the audition date of your nearest centre) , that you would choose to audition in the nearest centre which is likely to be the centre you would like to attend. It was this latter thought that made us apply to audition in London for London again this year - although I have been advised by some to try a different centre. Is everyone trying to avoid the London centre for some reason?
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