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RHowarth

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Posts posted by RHowarth

  1. Hi, I got a new phone and re-downloaded the app and all my purchases were still accessible on the new phone. I've never had any problems with the app, you can slow down the exercises by pressing the tortoise symbol which is really useful. 

    • Like 1
  2. 28 minutes ago, jmhopton said:

     

    Unfortunately the only matinee doesn't have an evening performance either the same day or previous day. So if I want to see both casts I will have to have 2 overnight stays.

    You've probably already noticed this, but BRB are performing a triple bill at Sadler's Wells on the same day as that triple bill matinee at the ROH. It doesn't help with seeing both RB casts but does make the trip more worthwhile. The RB matinee is an early one so I have bought a cheap ticket for BRB matinee and aim to catch the last ballet on that bill, Theme and Variations, at the matinee (after watching matinee at ROH) and then watch the whole BRB bill that evening. 

    • Like 3
  3. 29 minutes ago, LinMM said:

    Well the lady outside the Upper Circle wouldn’t give just  a cast list to the person in front of me or to me separately from the Brochure! 
    Perhaps the people downstairs had been given more cast lists! But then she could have told us to go downstairs to get one I suppose. 
    I think they knew they might be a bit short and it certainly wouldn’t have been fair to have people pay £10 for a Brochure without a cast list in it!! 

    Quick trip to the photocopier would have solved that problem!

    • Like 3
  4. When I went, I booked in person at the theatre on the day at the Alicia Alsonso theatre (this was for contemporary dance company rather than ballet). My Spanish is very poor, GCSE-nearly-20-years-ago standard (and be aware that in Cuba people will often speak as much English as you speak Spanish, it isn't like being in Amsterdam!) but I managed to successfully buy a ticket for that night's performance as well as for an English tour. The ticket was around £30 and was near the front of the stalls- a very good seat. 

    • Like 2
  5. A year or so ago I stopped wearing Freeds as I was getting through them far too quickly and they were costing me a fortune; they were only lasting me a few hours but the fitter in the Freed shop was adamant that my particular maker in a Classic Pro (xxx width) was the right shoe for me despite the fact that the maker was known to make a light shoe. In a few months I tried several new brands, including the Merlet Diva which I rather liked. I have a strong, square foot but can struggle to get my right (weaker) foot over the box. Didn't have that problem with the Merlets, found them easy to dance in and very comfortable, especially compared to some Russian Pointes I tried in the same period which really didn't agree with me and flayed the skin off my feet very high up (where you would get a bunion but on the outside of the foot if you see what I mean - above the little toe). The Merlets lasted well and in fact there was still wear left in them before I moved on into Bloch European Balance Strong, which I stayed in as I love them and they're perfect for me. 

    • Like 2
  6. 28 minutes ago, Jan McNulty said:

    In respect of curtain call photographs I was told many years ago that it was to do with copyright issues over the costumes and sets (not at RB but at 2 other companies).  I wasn't trying to take photographs but wondered why other people were being stopped.

     

    (In some theatres they don't even like you taking pictures of the auditorium before anything has started!)

    That is certainly the received wisdom in the sector. 

    • Like 1
  7. I find myself unexpectedly in London that evening. I know it's a long shot this far from the date in question. Looking for stalls circle standing, balcony standing or cheap amphi seats, x 2 if possible. There are plenty of amphi seats available at the moment but they're out of my price range and I can't stomach paying £45 for a seat I've paid under £20 for in the very recent past. 

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