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LinMM

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  1. Well hopefully will be back at ROH (for the triple) on Tuesday for the first time since November! Of course I now have a streaming cold which started a couple of days ago! I’m really hoping it will be much better by Tuesday but just apologising in advance if (with some trepidation)  have to blow nose at some point! Hopefully this won’t disturb anybody’s concentration too much or religious experiences as unfortunately the winter bugs do still seem to be around whether we want them or not!! 

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  2. Amazing virtuoso feats are fun and great to see …as when dancers compete with each other in class etc….but don’t make a good dancer or performer of course.
    In a performance it’s the overall quality of dance and being able to illuminate a character which are important. 
    But occasionally at certain appropriate points it’s okay for dancers to do a bit of technical showing off! 

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  3. That’s on the Brighton to Bedford line. 
    I know from City Thameslink station to Brighton there are trains every half an hour on work to rule days however whether one comes through from Bedford and then one through from Cambridge I’m not sure. 
    If this was the case there might be only one train an hour on your bit of line though I also seem to think there were no through trains to Cambridge during the overtime ban etc so in that instant it could be one every half an hour on your bit but not more than that. 
     

  4. OMG there’s a YouTube clip of a class of virtuoses men in tours en Lair. A couple managed three straight off double tours en L’air from same spot and then collapse on the floor lol but then there was one dancer who just kept going …a series of double tours en L’air with no steps in between. It was about six I think but didn’t count just don’t know how he didnt  run out of energy!! 

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  5. Repeats consecutively?  ….so 8turns altogether from the same point …no step in between? 

    That does sound amazing! 
     

    Just to add there are different types of tours en L’air so establishing it ends in 5th position is info I needed …thanks Balletfanp! 
    And for the clip of James BBB. 

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  6. When I had this problem it could even be further back in this thread or one of the booking threads I rang the box office about it and think this is what I was told!! But it does seem a bit daft to me …if they are not available at the time of looking then they shouldn’t say they are I agree. 
    Or did the box office tell me there had been some error at the time …which has obviously just been repeated!! 

  7. Well Thankyou to Doug Fullington for making this show so easily available. I still find live streaming amazing especially when all the way from US and with no hitches!! 
    The only thing was I couldn’t get it to go to widescreen on my phone but I could zoom in and out a bit. 
    It seems to me that the “shades act” is pretty much untouched from what you would usually see though the music was taken a little faster and had a lighter feel so those arabesques not quite so stretched out! All the usual dances were there and dancers all in tutus! So much more traditional in this bit than I was expecting. 
    I missed the very beginning so must have missed the Golden Idol dance! 
    (As it happens saw a student being coached in this for an audition at the Acosta Centre recently) 

     

    I thought the dancers were quite mixed in skills but couldnt make out whether they are a Professional Company or not or serious students of Dance but not professional yet. 
     

    It was more balletic than I was expecting so sort of works as an alternative “La Bayadere” but I rather like the melodrama of the original and would love somebody to try to keep the “Indian” feel ( though has always seemed more Turkish in feel to

    me) while remaining respectful to that culture. 
    The Georgian Ballet we’re doing this recently and had some amazing looking Indian costumes more like the real temple dancers would have worn in Southern India. 

    One thing …the music for the original Nikiya’s dance hasn’t been axed it’s still there but is performed mostly with Nicki holding a guitar. This really limits the body movement that can come from this “yearning” music  so I would have preferred her to do the whole piece with the hat ( which she picks up towards the end) so the most can be made of the dance here. 

    Anyway I’d rather have this version than end up with no version at all so can thank Doug Fullington and his team for that. 
     





     

  8. I was just looking and Simon has conducted the three Stravinsky ballets  The Firebird Petrouchka and Rite of Spring and the Nutcracker!! 
     

    I have a sort of coincidental points of our paths crossing  in his life! As used to work with his father in Liverpool so was introduced to Simon over tea with another teaching colleague when he was 17 and about to become a prodigy and world famous according to proud dad. 
    We didn’t believe it of course but what did we know ha!! 
    Then I bumped into his father again some years later at Festival Hall for Simons first time conducting there. 
    So of course went along to say hello afterwards ….though he probably hadn’t a clue who I was!! 
    And then bumped into his father again some years after that in a little park in Islington …where I then lived ….with his little grandson and it turned out Simon lived in the next road to me! 

    He did wonders for the Birmingham Symphony Orchestra when he could have taken more lucrative posts at the time so always admired him for that .   And dad was right he has turned out to be famous …in the musical world at least. 
     

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