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Pas de Quatre

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Posts posted by Pas de Quatre

  1. It seems a good idea to start a new thread rather than hijacking the Panorama Post-transmission thread.  The last few posts were about Aaron Watkins interview and I commented it was a shame ENB would not be touring the triple bill from Sadlers Wells.  This sent me to search my old programme boxes, as I clearly remember the first time I saw Tamara Rojo live was on a mini tour.

     

    I have three programmes of ENB's Tour de Force, 2000, 2001 and one which strangely does not give the year, just the month and date, possibly 2002.  The full company split and toured various smaller theatres rather like BRB used to do, and BRB2 is doing next year.  I am still convinced that this is the way to build up a loyal audience.  Below I will list the ballets, but not all the dancers as it would take too long.

     

    2000 - Les Sylphides (Fokine);  Three Preludes, (Ben Stevenson);  Swan Lake Act 11 pas de deux, Le Corsaire, Who Cares? (Balanchine). This was the programme I saw Tamara Rojo.

    2001 - Apollo (Balanchine);  Perpetuum Mobile (Christopher Hampson); Grand pas from Paquita

    2002 (?) - Square Dance (Balanchine); X.N.TRICITIES (Mauro Bigonzetti); Perpetuum Mobile (Christopher Hampson)

     

    These programmes were performed on two dates each at 5 venues in 2001 and 11 venues the other two years.  I know touring is expensive, but is it really impossible to do anything similar today? 

    • Like 7
  2. I'm afraid although I think Watkins will do well, this interview repeated the cliche "real personalities that shine on stage". This has been said by numerous ADs of various companies over the last few decades. Also I think it a shame that in the provinces we are only offered Nutcracker. I don't particularly like that production and won't be buying tickets. However if they dared to tour the triple bill I would have rallied friends and bought several tickets.

    • Like 3
  3. Please don't go, your posts have been so informative and enjoyable. This forum is not only about the training years. So few students become professional dancers it would be a great help if you can give us insight into what is happening in the world of employment, so we can follow their journey of your DD and friend.

    • Like 10
    • Thanks 1
  4. The most basic hold for a lift is round the waist with the palms flat against the body, thumbs and fingers trying to meet. This squeezes the waist in, so that the female's ribs are ontop of the upper side of the male's hands. If this isn't possible then a firm grip round the ribs is next best, but has a danger of slipping. A much looser grip is used to support pirouettes as you want sliding there.

    • Thanks 2
  5. 9 minutes ago, LinMM said:

    I don’t really understand your post Pas de Quatre!! It’s the Labour Party who brought this Equal Opportunities Act in …2010 I believe! So not sure what your last sentence means!! 
     

    Many articles in the press and online are blaming the shortfall in finances on the fact that the Council have paid recently huge amounts of money to female employees as a result of Equal Opportunites legislation.  It is in the Guardian article Ondine has posted the link above.

    • Like 1
  6. Chris, I fear you may indeed be cruelly disappointed. No matter how well Thangam Debbonaire advocates for the Arts, she would be a lone voice in the wilderness (if Labour is elected but it is far from sure). I have just read Richard Morrison in Times 2, and he gives a good over view of the causes of Birmingham Council's financial woes. To blame it on equal opportunity legislation, i.e. they have to pay those pesky women is a classic of Labour Party misogyny!

    • Like 2
  7. Unless you know the family personally, it is unwise to judge. They may have their own Russian connections, not just through the teachers. A Russian teacher friend, who trained at the Vaganova Academy, has lived here for many years in UK and has lovely children (not dancers). She goes regularly on visits to St. Petersburg to visit family who live there.

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