Jan McNulty Posted April 29, 2018 Share Posted April 29, 2018 Alexandra WaierstallAnd here we meetUK PremiereLilian Baylis Studio, EC1R Thursday 14 & Friday 15 June at 8pmTickets: £17 Ticket Office: 020 7863 8000 or www.sadlerswells.com German-based choreographer Alexandra Waierstall makes her Sadler’s Wells debut with the UK Premiere of And here we meet, which performs in the Lilian Baylis Studio on Thursday 14 and Friday 15 June. With an acute sense of musicality and the body’s materiality, Alexandra Waierstall is a distinctive new voice from Germany, who in this piece creates a convincing world with two dancers where new relationships arise between language, movement and space. Together with dancers Dani Brown, Evangelia Randou and composer HAUSCHKA, Waierstall delves into hidden geographies, abandoned cities and no man’s lands in And here we meet, and investigates the relationship between man and woman, the environment and choreography. The piece, a co-production with tanzhaus nrw, had its premiere in 2016. Born in England and raised in Cyprus, Alexandra Waierstall is a Düsseldorf-based choreographer and artist. Her conceptual investigations are expressed through choreographies, installations, situations, sounds, texts and images. She has presented her works in theatres, galleries, museums and publications across Europe, Canada, Brazil, Korea and China. Previous choreographic credits include (T)here and After, A city seeking its bodies, Matter of Ages and most recently ANNNA, which premiered in Germany last year. From 2014-16, Waierstall was a Factory Artist at the tanzhaus nrw in Düsseldorf. She co-founded TheArtSpace – a project space for different artistic disciplines in Düsseldorf and also helped create the annual interdisciplinary dance festival NO-BODY in Nicosia, Cyprus. Waierstall received the City of Düsseldorf North Rhine-Westphalia award for Most Promising Artist in 2013. In 2012, she was a finalist for the Rolex Mentor and Protégé Arts Initiative. Contains nudity NOTES TO EDITORS ABOUT SADLER’S WELLS Sadler's Wells is a world-leading creative organisation dedicated to dance in all its forms. With over three centuries of theatrical heritage and a year-round programme of performances and learning activities, it is the place where artists come together to create dance, and where people of all backgrounds come to experience it – to take part, learn, experiment and be inspired. Audiences of over half a million come to its London theatres each year, with many more enjoying its touring productions at venues across the UK and around the world, and accessing its content through digital channels. Sadler's Wells commissions, produces and presents more new dance work than any other theatre in the world, embracing the popular and the unknown. Since 2005, it has helped to bring over 160 new dance works to the stage, many of them involving its 16 Associate Artists, three Resident Companies and four Associate Companies – the most exciting talents working in dance today. It also nurtures the next generation of talent through research and development, running the National Youth Dance Company and a range of programmes including Wild Card, New Wave Associates, Open Art Surgery and Summer University. Sadler's Wells' learning and engagement activities reach over 25,000 annually through programmes that take dance out into the community and invite communities into the theatre. Projects include community productions and the renowned Company of Elders, its resident over-60s performance group, while events range from pre and post-show talks with dance artists to classes, workshops and assisted performances. Located in Islington, north London, the current building is the sixth to have stood on site since entrepreneur Richard Sadler first established the theatre in 1683. The venue has played an illustrious role in the history of theatre ever since, with The Royal Ballet, Birmingham Royal Ballet and English National Opera having all started at Sadler's Wells. sadlerswells.com Link to comment Share on other sites More sharing options...
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