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Dance Links w/b Sunday February 28, 2016


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Links - Sunday 28 February, 2016

 

 

Review - Mariinsky Ballet, A Tribute to Maya Plisetskaya, New York:  Marina Harss, DanceTabs

 

Review - Mariinsky Ballet, Raymonda, Washington:  Oksana Khadarina, DanceTabs

 

Reviews - Royal Ballet, Giselle, London:  

Hannah Weibye, Arts Desk

Mark Ronan, Blog

 

Reviews - Birmingham Royal Ballet, Romeo and Juliet, Birmingham:  

Richard Edmonds, Birmingham Mail

Emma Cann, Broadway World

 

Reviews - Mark Bruce Company, The Odyssey, London:  

Luke Jennings, Guardian

Zoe Anderson, Independent

Sarah A Stewart, Londonist

 

Reviews - BalletBoyz, The Murmuring, Mesmerics; Pacific Northwest Ballet, Square Dance, Prodigal Son, Stravinsky Violin Concerto:  New York:  Deborah Jowitt, Arts Journal

 

Feature - The French dancers for whom age is no barrier:  Rosita Boisseau, Guardian

 

Review - Boston Ballet, Onegin, Boston:  Keith Powers, Boston Patriot Ledger

 

Review - Houston Ballet, Sleeping Beauty, Houston:  Jenny Taylor Moodie, Broadway World

 

Interview - Laura Lynch, Head of Costume at Houston Ballet:  Katricia Lang, Broadway World

 

Reviews - De Nada Dance Theatre, Ham and Passion, Birmingham:  

Richard Edmonds, Birmingham Mail

Roger Clarke, Behind the arras

 

Review - New@Graham series, Spectre - 1914, Lamentation, Deep Song, New York:  Siobhan Burke, NY Times

 

Review - Miami City Ballet, Year of the Rabbit, Sunset, Bourree Fantasque, West Palm Beach:  Susan Fulks, Palm Beach Daily News

 

Reviews - Washington Ballet, Director’s Cut, Washington:  

George Jackson, Danceview Times

Lisa Traiger, DC Metro Theater Arts

 

News - Milwaukee Ballet 2016/17 Season:  Jim Higgins, Milwaukee Journal Sentinal

 

Review - Footnote New Zealand Dance, Who Are We Now?, Wellington:  Ann Hunt, Dominion Post

 

Preview/Feature - Farruquito, Improvisao, New York:  Brian Seibert, NY Times

 

Review - Smuin Ballet, French Twist, Bouquet, Maslow, Broken Open, Sarasota:  Carrie Seidman, Sarasota Herald Tribune

 

Feature - Mark Brew: Learning to dance again:  Mark Kearney, Nambucca Guardian

 

Review - Philip Connaughton & Ashley Chen, Whack!!, Dublin:  Phil O’Rourke, Examiner

 

Feature - Jessica Burrows, Hong Kong Ballet:  Peter Robb, Ottawa Citizen

 

Review - Ballet Manila, Rebel, Manila:  Vergel O Santos, Philippines Inquirer

 
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Links - Monday 29 February, 2016

 

 

Reviews - Royal Ballet, Giselle, London:  

Jann Parry, DanceTabs

Mark Monahan, Telegraph

 

Review - Birmingham Royal Ballet, Romeo and Juliet, Birmingham:  Dean Eastmond, His Kind

 

Review - Hamburg Ballet. Third Symphony of Gustav Mahler, Chicago:  Hedy Weiss, Chicago Sun Times

 

Review - Pacific Northwest Ballet, Square Dance, Prodigal Son, Stravinsky Violin Concerto, New York:  Leigh Witchel, Danceview Times

 

Reviews - Pacific Northwest Ballet, A Million Kisses to my Skin, The Vertiginous Thrill of Exactitude, Emergence, New York:  

Marina Harss, DanceTabs

Siobhan Burke, NY Times

 

Review - Mark Bruce Company, The Odyssey, London:  Louise Levene, FT

 

Review - Houston Ballet, Sleeping Beauty, Houston:  Molly Glentzer, Houston Chronicle

 

Review – Royal New Zealand Ballet, Selon désir, In the middle, somewhat elevated, Cacti, Wellington:  John Daly-Peoples, National Business Review

 

News - Scottish Ballet to release short film at Glasgow Festival:  Phil Miller, Herald Scotland

 

News - Miami City Ballet season 2016/17:  Jordan Levin, Miami Herald

 

Review - Garth Fagan Dance, Geoffrey Holder Life Fete and other pieces, Los Angeles:  Christina Campodonico, LA Times

 

Reviews - Chitresh Das Dance Company, Shiva, San Francisco:  

Allan Ulrich, SF Chronicle

Claudia Bauer, DanceTabs

 

Review - Out of the Loop Fringe Festival, Addison:  Cheryl Callon, Theater Jones

 

Review - Keely Garfield, Pow, New York:  Gia Kourlas, NY Times

 

Review - Java Dance Company, Dirt and Other Delicious Ingredients, The Wine Project, Hamilton:  Debbie Bright, NZ Theatreview

 

Feature - Dancing in Damascus: Ballerina clings to art, hope…:  Hollie McKay, Fox News

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Links - Tuesday 01 March, 2016

 

 

Review - Mariinsky Ballet, A Tribute to Maya Plisetskaya, New York:  Robert Greskovic, Wall Street Journal

 

Reviews - New York City Ballet, Episodes, Agon, The Four Temperaments, New York:  

Mary Cargill, Danceview Times

Andrew Blackmore-Dobbyn, Bachtrack

 

Review - New York City Ballet, La Sylphide, Tchaikovsky Piano Concerto No 2, New York:  Carol Pardo, Danceview Times

 

Feature - New York City Ballet, Season Round-up, New York:  Alastair Macaulay, NY Times

 

Reviews - Royal Ballet, Giselle, London:  

Clement Crisp, FT

Zoe Anderson, Independent

Neil Norman, Stage

Christopher Curtis, Bachtrack

 

Q&A - Matthew Bourne:  Hannah Weibye, Arts Desk

 

Reviews - Boston Ballet, Onegin, Boston:  

Mary Hierhollzer, New Boston Post

Elizabeth C Keto, The Harvard Crimson

 

Reviews - Pacific Northwest Ballet, A Million Kisses to my Skin, The Vertiginous Thrill of Exactitude, Emergence, New York:  

Sondra Forsyth, Broadway World

Andrew Blackmore-Dobbyn, Bachtrack

 

Review - Pacific Northwest Ballet, Square Dance, Prodigal Son, Stravinsky Violin Concerto, New York:  Joel Benjamin, Theater Scene

 

Review - Washington Ballet, Director’s Cut, Washington:  Frances Steiner, Broadway World

 

Preview - Pennsylvania Ballet, Don Quixote, Philadelphia:  Laura Goldman, Huffington Post

 

Reviews - Mark Bruce Company, The Odyssey, London:  

Judith Mackrell, Guardian

Rachel Elderkin, London Dance

 

Review - Hubert Essakow, Terra, London:  Sarah Kent, London Dance

 

Review - Platform 2016: A Body in Places, New York:  Siobhan Burke, NY Times

 

Reviews - Marco Flores & Olga Pericet, Paso a Dos, London:  

Siobhan Murphy, DanceTabs

Sam Quy, Bachtrack

 

Gallery – Esperanza Fernández, De lo Jondo y Verdadero, London:  Foteini Christofilopoulou, DanceTabs

 

News - Oklahoma City Ballet 2016/17 season:  Brandy McDonnell, News OK

 

Review - Jonah Bokaer, Why Patterns?, Washington:  Rebecca Ritzel, Washington Post

 

Review - Dana Tai Soon Burgess Dance Company, The Foster Suite: The Remains of Loss and Longing, Washington:  George Jackson, Danceview Times

 

Review - Dakshina/Daniel Phoenix Singh Dance Company, Mortal Tongues, Immortal Stories, Washington:  Celia Wren, Washington Post

 

Film P/Review - Bolshoi Ballet, Bolt, Boston:  Marcia B Siegel, Arts Fuse

 

Interview - Pepa Ubera:  Carmel Smith, London Dance

 

Review - Dance on Camera Festival 2016, New York:  Deborah Jowitt, Arts Journal

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Links - Wednesday 02 March, 2016

 

 

Review - Mariinsky Ballet, A Tribute to Maya Plisetskaya, New York:  

Roslyn Sulcas, NY Times

Jennifer Fried, Broadway World

 

Review - Royal Ballet, Giselle, London:  Graham Watts, London Dance

 

Review - Marie-Claude Pietragalla and Julien Derouault, Je T’ai Rencontré par Hasard, Paris:  Patricia Boccadoro, Culture Kiosque

 

Preview - National Ballet of Canada, La Sylphide, Toronto:  Michael Crabb, Toronto Star

 

Review - Sarasota Ballet, 25th Anniversary Gala, Sarasota:  Carrie Seidman, Sarasota Herald Tribune

 

Review - Sidi Larbi Cherkaoui, Apocrifu, Perth:  Deborah Jones, Blog

 

Review - Houston Ballet, Sleeping Beauty, Houston:  Adam Castanada, Houston Press

 

Review - Pacific Northwest Ballet, A Million Kisses to My Sin, The Vertiginous Thrill of Exactitude, Emergence, New York:  Apollinaire Scherr, FT

 

Reviews - Sydney Dance Company, Cacti, Lux Tenebris, Sydney:  

Jill Sykes, Brisbane Times

Clive Paget, Limelight

Martin Portus, Daily Review

 

Feature - Gennadi Nedvigin, SFB and AD designate of Atlanta Ballet:  Allan Ulrich, SF Chronicle

 

Review - Hubert Essakow, Terra, London:  Lettie Mckie, Londonist

 

Review - Texas Ballet Theatre, Allegro Brillante, The Concert, Etudes, Fort Worth:  Margaret Putnam, Theater Jones

 

Book Review - Brian Seibert, What the Eye Hears: A History of Tap Dancing:  Debra Cash, Arts Fuse

 

Review - Rhiannon Faith and Maddy Morgan, Scary Shit, London:  Josephine Leask, London Dance

 

Q&A - Rhiannon Faith:  Georgia Snow, Stage

 

Review - State Street Ballet, Don Quixote, Santa Barbara:  Charles Donelan, Santa Barbara Independent

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Links - Thursday 03 March, 2016

 

 

Reviews - New York City Ballet, The Most Incredible Thing, Tchaikovsky Piano Concerto No 2, Ash, Infernal Machine, After the Rain pdd, Washington:  

Sarah L Kaufman, Washington Post

Carolyn Kelemen, DC Metro Theater Arts

 

Review - Birmingham Royal Ballet, Romeo and Juliet, Birmingham:  Jeffrey Taylor, Express

 

Reviews - Sydney Dance Company, Cacti, Lux Tenebris, Sydney:  

Clarissa Sebag-Montefiore, Guardian

Rebecca Whitten, Australian Stage

 

Feature - Anne Teresa de Keersmaeker & Brian Eno do Shakespeare:  Chris Wiegand, Guardian

 

P/Reviews – Royal New Zealand Ballet, Selon désir, In the middle, somewhat elevated, Cacti, 

Auckland:  Bernadette Rae, NZ Herald

Otago:  Rebecca Fox, Otago Daily News

 

Reviews - Matthew Bourne’s New Adventures, Sleeping Beauty, Bristol:  

Aaron Sims, Bristol Gazette

Claire Hayes, Reviews Hub

 

Review - Washington Ballet, PRISM, State of Wonder, In the Middle, Somewhat Elevated, Washington:  Oksana Khadarina, DanceTabs

 

News - Pennsylvania Ballet 2016/17 season:  Ellen Dunkel, Philadelphia Inquirer

 

Review - Sidi Larbi Cherkaoui, Apocrifu, Perth:  Cicely Binford, Australian Stage

 

Review - Garth Fagan Dance, mixed programme, Los Angeles:  Victoria Looseleaf, Fjord Review

 

Review - Pam Tanowitz, the story progresses as if in a dream of glittering surfaces, Heaven on One’s Head, New York:  Tara Sheena, Fjord Review

 

Review - Texas Ballet Theatre, Allegro Brilliant, The Concert, Etudes, Fort Worth;  Leonard Eureka, Fort Worth Weekly

 

Gallery - German Cornejo, Immortal Tango, London:  Foteini Christofilopoulou, DanceTabs

 

Review - Esperanza Fernández with Marina Heredia & Ana Morales, De lo Jondo y Verdadero, London:  Siobhan Murphy, DanceTabs

 

Review - Hubert Essakow, Terra, London:  Vera Liber, British Theatre Guide

 

Review - Juliana F May, Adult Documentary, New York:  Gia Kourlas, NY Times

 

Review - Eiko, Platform 2016: A Body in Places, New York:  Brian Seibert, NY Times

 

Preview - Avant Chamber Ballet & Dark Circles Contemporary Dance, Rite of Spring, Dallas:  Katie Dravenstott, Theater Jones

 

Review - Nina Nawalowalo, Marama, Auckland:  Camille Pink, NZ Theatreview

 

Feature - Caroline Bowditch on falling in love with art, disability and Frida Kahlo:  Lenny Ann Low, Sydney Morning Herald

 

Interview - Olga El:  Barnett Serchuk, Broadway World

 

Q&A - Mikhail Baryshnikov on Brodsky/Baryshnikov:  Marina Harss, NY Times

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Links – Friday March 4, 2016

 

Reviews - New York City BalletThe Most Incredible ThingTchaikovsky Piano Concerto no. 2AshThe Infernal MachineAfter the Rain pdd, Washington: 

George Jackson, Danceviewtimes

Hilary Stroh, Bachtrack

 

Reviews - National Ballet of CanadaLa Sylphide, Toronto: 

Michael Crabb, Toronto Star

Martha Schabas, Globe and Mail

 

Review - Boston BalletOnegin, Boston: Marcia B. Siegel, The Arts Fuse

 

Reviews - Birmingham Royal BalletThe DreamA Month in the Country, Birmingham / Mark Bruce CompanyThe Odyssey, London: Ismene Brown, The Spectator
 

Reviews - Birmingham Royal BalletRomeo and Juliet, Manchester: 

Georgina Wells, British Theatre Guide

Peter Jacobs, The Reviews Hub

 

Reviews - Pacific Northwest BalletA Million Kisses to my SkinThe Vertiginous Thrill of ExactitudeEmergence, New York: 

Apollinaire Scherr, Financial Times
Michael Popkin, Danceviewtimes

 

Review - Royal New Zealand Ballet, Speed of Light: Selon désirIn the middle, somewhat elevatedCacti, Wellington: Deborah Jones, blog

 

Review - Sydney Dance Company, CounterMove: CactiLux Tenebris, Sydney: Michelle Potter, DanceTabs

 

Review - Alessandra Ferri & Herman CornejoTRIO ConcertDance, NY: Gia Kourlas, New York Times

 

Film review - Bolshoi Babylon: Jenny Gilbert, The Arts Desk

 

Interview - Mark Franchetti, director of Bolshoi Babylon: Ismene Brown, blog / afisha.ru

 

News - Sergei Filin to stay on at the Bolshoi: Ismene Brown, blog / TASS

 

Feature - Makhar Vaziev, The Bolshoi Ballet’s new Director: Laura Cappelle, Dance Magazine

 

Reviews - German CornejoImmortal Tango, London: 

Sanjoy Roy, The Guardian

Vera Liber, British Theatre Guide

Siobhan Murphy, TimeOut London

 

Interview - Julie Shanahan, dancer with Tanztheater Wuppertal Pina Bausch, prior to their visit to Adelaide: Steve Dow, The Guardian

 

Interview - Rachel McLaren, dancer with Alvin Ailey American Dance Theater: Martha Schabas, Globe and Mail

 

Feature - Harry Price & Andrea Carrucciu, from ballet to the Ballet Boyz: Chloe Angyal, Huffington Post

 

Review - Pilobolus Dance TheaterOn the Nature of ThingsWednesday Morning 11.45Thresh/HoldSweet Purgatory, Richardson TX: Cheryl Callon, TheaterJones

 

Preview - Les Grands Ballets CanadiensPréludes, Montreal: Victor Swoboda, Montreal Gazette

 

Preview - Alvin Ailey American Dance TheaterAwakening (Robert Battle), Toronto: Michael Crabb, Toronto Star

 

Preview - City Ballet of San DiegoBalanchine Masterworks 2016, San Diego: Kris Eitland, San Diego Union-Tribune

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Links – Saturday March 5, 2016

 

Reviews - Akram KhanKaash, London: 

Judith Mackrell, The Guardian

Zoë Anderson, The Independent

Hanna Weibye, The Arts Desk

Lynette Halewood, DanceTabs

Neil Norman, The Stage

Lyndsey Winship, Evening Standard

 

Review - Miami City BalletYear of the RabbitSunsetBourrée Fantastique, Miami: Leigh Witchel, Danceviewtimes

 

Reviews - The Royal BalletGiselle / Mark BruceThe Odyssey, London: Barbara Newman, Country Life

 

Reviews - German CornejoImmortal Tango, London: 

Clement Crisp, Financial Times

Vikki Jane Vile, Londondance

 

Review - Flamenco Festival 2016, London: Graham Watts, Londondance

 

Review - La Otra OrillaMoi & les Autres, NY: Gia Kourlas, New York Times

 

Feature - Christopher Wheeldon, Australian Ballet, and DGV: Darryn King, Sydney Morning Herald

 

Review - Alessandra Ferri & Herman CornejoTRIO ConcertDance, NY: Andrew Blackmore-Dobbyn, Bachtrack

 

Review - Pam Tanowitz Dancethe story progresses as if in a dream of glittering surfacesHeaven on One’s Head, New York: Erica Getto, Brooklyn Rail

 

Review - Claire CunninghamGive Me a Reason to Live, Perth: Cicely Binford, Australian Stage

 

Review - Sydney Dance Company, CounterMove: CactiLux Tenebris, Sydney: Valerie Lawson, Dancelines

 

Review - Dada MasiloSwan Lake, NY: Susan Yung, Brooklyn Rail

 

Review - Sarah SkaggsThe New Ecstatic 2.0, NY: Tara Sheena, Brooklyn Rail

 

Review - Mariinsky BalletA Tribute to Maya Plisetskaya, New York: Marsha Volgyi, Broadway World

 

Preview - Pennsylvania BalletDon Quixote: Patrick Monahan, Vanity Fair

 

Preview - Huang YiHuang Yi & KUKA, Sydney: Linda Morris, Australian Stage

 

Review - Luke GeorgeErotic Dance, Melbourne: Liza Dezfouli, Australian Stage

 

Feature - Being a ballet master: Gavin Larsen, Oregon ArtsWatch

 

Feature - Beryl de Zoete, dancer, teacher, writer: Ailsa Ross, Atlas Obscura

 

Interview - Kayla Rowser, Nashville Ballet principal dancer: Jeffrey Ellis, Broadway World

 

Feature - Harper Ortlieb, 15 year old American at the Bolshoi Academy: Daily Mail/AP

 

News - 2016 Spring dance preview, Vancouver: Deborah Myers, Vancouver Sun

 

The week’s new dance (UK) - Rosas, London; Protein Dance, Warwick: Judith Mackrell, The Guardian

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