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Balletbloke

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Posts posted by Balletbloke

  1. On 23/06/2023 at 15:19, Emeralds said:

    Sorry ladies.... you know,  I absolutely didn’t make the jump from Lynn to Laura at all! Just thought we’d moved on to 1976 and Seymour & Dowell! Here’s some soothing tea to help ease the pain....

     

    Don’t suppose you two want to fly there to watch the show, @capybara and @FionaE? There may be last minute discounts on flights and hotels, nice little city break holiday?  I think courier companies like DHL, etc do big ticket discounts if you sign up to carry a letter or some post for them. It’s legal and safe- a friend did it at college, but a long time ago though. Also, I don’t know if the show has tickets left? 

     

    I think they really are going to have to ask Laura to make a comeback and do Marguerite or Woolf Works....preferably both! I must say I’m puzzled she wasn’t cast as Marguerite in the last run.

    I used to do courier flights, but that was before the delivery companies had their own fleets of aircraft, so I'm pretty sure that's not an option any more.

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  2. On 18/06/2023 at 15:47, Sophoife said:

    Am I correct in thinking that she and Bennet Gartside graduated RBS in the same year? How very fitting, then, that they shared her last performance as a company principal on the Covent Garden stage (please note I'm leaving it open for her to perform there again!).

    I believe that to be the case, and I think they go back as far as White Lodge together. It would seem that Bennet had something in his eye during the curtain calls!

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  3. 15 hours ago, OnePigeon said:


    Hi Ondine!  Yes, I’ve always assumed this was Ashton’s homage to the Fred and Adele oompah trot too.  For anyone unfamiliar with it, it can be seen in the Astaire film A Damsel in Distress during the Stiff Upper Lip number with the comedians George Burns and Gracie Allen.

    If you go back to page 22 of this thread, I posted a link to the YouTube clip of this sequence.

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  4. After my third viewing last night (which I totally loved!), the strange comedic trot the sisters do towards the end kept nagging me. I then realised that it owes a lot to Fred and Adele Astaires' "Oompah trot", which used to cause a sensation on the London stage in the early 20s. As far as I know, the only example available now is a scene at a fairground in "Damsel in Distress", where Fred dances the step with Gracie Allen. It's not improbable that Ashton would have seen it performed, but whether it was a concious "borrowing" or not we'll never know. Anyway it's on Youtube, and I'd be happy for a second opinion!

    (About 3:30 into this clip:

     

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  5. I finally received an answer to my email to the Coliseum regarding people eating and drinking during the performance of Swan Lake. Here's the relevent reply:

    "As an entertainment venue, we allow both drinks and snacks inside the auditorium. We are firm in the belief that being allowed to eat and drink whilst watching performances enhances one's enjoyment. There is no rush before the start of the performance or in the interval, and customers can take their time over the drink or snack they have. Furthermore, there may be medical or other reasons why a customer must eat or drink during a performance. By allowing anyone to take food and drink inside the auditorium, we are mitigating against this being a problem."

    Make of this what you will, but I certainly won't be returning there.

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  6. Hello everyone - I'm quite new to being a serious ballet lover, and this is my first post here!

    Apparently Marianela slipped on some dry ice residue, at least that's what Vadim told me when I just happened to pass him at the stage door, being very politely besieged by some of his teenage fan club!

    Although I thought she recovered admirably - it was only a split second after all - it does make you wonder if the use of dry ice in ballet isn't inherently dangerous?

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