San Perregrino
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Posts posted by San Perregrino
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I understand that some ballet fans need to plan early. I like to do so myself. However coming down on the ROH like a ton of bricks because it doesn’t announce until the end of April, a little later than some other companies, seems both unnecessary and unwarranted to me.
Hotel prices advertised months in advance can be priced at a premium as well as a discount. The hotel I booked six months ago in Birmingham for next week has actually come down in price and I have been able cancel and rebook at a lower rate. So, the early bird doesn’t always get the worm.
To correct what I said in my previous post, Summer booking for the general public only opens the day after tomorrow. The emphasis needs to be on selling the remaining seats for this the season to a general public which is increasingly choosing not to book months in advance as the current 2023/2024 season has shown.(BRB’s La Fille Mal Gardée has been on sale to Sadlers Friends and is now onsale to the general public. A quick look shows that, despite much anxiety on BCF, actual sales including today are minimal.)
In the same vein, I don’t think announcing Cinderella on April 1st or April 30th will have any impact on sales vis à vis other companies’ Nutcrackers.
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1 hour ago, alison said:
Well, again, they weren't showing up on the performances I looked at, hence my choice of the word "allegedly", because I didn't want to get people's hopes up too much.
I think that’s why this message comes up now after one clicks on ‘Buy Seats’:
“ Please sign in before choosing your seats in order to access prices available to you “And by implication, the seats available to you.
Although admittedly the wording of the message could be less obtuse to avoid continued confusion.- 1
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Not sure why it makes much difference if it’s announced before, simultaneously or after other companies? Booking only opens to the general public for the summer season tomorrow. Surely the emphasis needs to be to sell these seats before dangling a new season in front of people?
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1 hour ago, alison said:
allegedly
There are tickets for sale.
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Bumping this up before I return it to box office
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Bumping this up before I return it to box office
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On 15/03/2024 at 17:50, San Perregrino said:
booking dates
Patrons: Monday 18 March, 10am
Rehearsal members: Wednesday 20 March, 10am
Members: Friday 22 March, 10am
General public on sale date: Monday 25 March, 10amBook online from 10am but remember to log in to your account first.
Onsale today
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1 hour ago, SheilaC said:
Well I am a friend, and tried several times yesterday to book on-line, without success- San P's message encouraged me to try again, just now. It still says that tickets can't be booked on line.
https://bmusic.co.uk/events/ashton-classics-with-birmingham-royal-ballet
by-pass the BRB website and go straight to THSH
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12 hours ago, Emeralds said:
I went to the website and they said tickets couldn't be booked online.
I’m not a friend and was able to book online and you can do so at the moment.
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Due to double booking I’m selling Sydney Dance Company Ascent on Thursday 28th March 7:45pm in the Linbury
First Circle standing D-25 - face value £5
please DM me if interested
thanks
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Due to double booking I’m selling Sydney Dance Company Ascent on Wednesday 27th March 7:45pm in the Linbury
First Circle standing D-27 - face value £5
please DM me if interested
thanks
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5 hours ago, Roberta said:
why not a sparkly tutu and fluffy legwarmers to the ROH?
Until now I’ve been too anxious about how I might be received if I wore my tutu to ROH. Perhaps now I will do so knowing that someone has boldly gone before me.
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4 hours ago, Roberta said:
So... the question remains as to when Odile turned into a 'Black Swan'.
Might it also have something to do with the cost and availability of a dependable black dye when the production was first staged? I’m thinking of the recent discussion of Manon’s black dress signifying expensive because black was such a costly dye.- 3
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6 hours ago, Jan McNulty said:
Gosh - we haven't even had the 2024 evening yet (it's next week) and 2025 has been announced!
Ashton Classics ... how exciting!!
It’s onsale too
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No-one wants a free ticket for tonight?
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8 hours ago, capybara said:
Antonio is quite short of stature.
his stage presence more than compensates.
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7 hours ago, Rob S said:
Rather disappointed to see the general public have missed two debuts in the shape of Annette as a sister and Amelia as Italian princess 😔
* the older general public in this particular case.
on previous occasions, there have been debuts at school’s matinees that general public has missed. -
Happy to pass this ticket in to a good home rather than it being wasted. Please send me a DM with your email.
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1 hour ago, MAX said:
I heard Antonio Casalinho is extremely small ?
In what sense?
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2 hours ago, art_enthusiast said:
Might go and see the Paris Opera's one
Onegin is terrific, definitely worth travelling for or seeing at the ROH if you have the patience to wait for it to come round again.
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Still available. Open to offers
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Sticking my head above the parapet here.
It was interesting to see Danses Concertantes; one of those pieces perhaps so long considered out of fashion by many that it could potentially come back into fashion for a new generation. e.g. If I wear a pair of ripped jeans I present as an old man neglecting himself. The same jeans on a 20 year old worn with confidence look fabulous and they are immediately trending on social media.
My question to those who are more knowledgeable than I is was DC danced well? For me it seemed to be lacking a spark.My thoughts on DC were that, unusually for the Royal Ballet, it seemed to lack crispness in its geometric execution, nor did the dancers didn’t seem fully committed or comfortable in what they were presenting.
DC is a statement piece and the intent, boldness, confidence and brashness to carry it off seemed to me to be missing. Perhaps this is down to last minute cast changes or direction and I’m optimistic that it will improve during the run.- 2
RB SEASON 24/25
in Ballet / Dance news & information
Posted
Comparable how? Different companies, different cities, different business models, different business constraints….
The price of hotel rooms in London won’t be affected by Paris, Munich and the Met announcing their seasons ahead of the ROH.
Easter is early this year, the ROH looks set to announce 2 weeks later than last year. Even though I want to plan ahead, I can live with that.
NB. It would be nice to be proved wrong but I suspect that as soon as the season is announced major disappointment will be expressed about what isn’t being presented and that there will be demands for casting details to be known the day before yesterday. It happens every time. Not worth coming down, IMHO, on the ROH like a ton of bricks though.