CCL

Not sure if I’m allowed to post this here, but I find it helps me to look at it regularly- progress seems steady

https://covidvax.live/location/eng

Thank you for mentioning this, Janet. I watched this morning and it gave me such a lift at the start of the day - a lovely interview- and the bonus piano playing!

I watched last night - and will try to re-watch while I still can. What a sweet February treat! I very much liked Karla Doorbar’s Clara before Christmas but Laura Day was even more lovely, radiating joy and wonder, especially when dancing with her Prince. What beautiful, natural chemistry she and Tyrone Singleton had - it made me both smile and well up at the same time. I concur absolutely withTwo Pigeons above; Tyrone’s dancing moves me, always. He and Samara Downs danced a radiant grand pdd together- Samara was a dazzling Sugar Plum fairy. Magical, and bringing some much-needed cheer. Poignant too, of course; with all my heart I hope dancers will be able to perform again before too long. 

Just to add, if you bought a ticket for the pre-Christmas showing, there is a special offer price when booking for this second cast.

I have bought my ticket; I’d like to echo Northstar’s gratitude to BRB. 

What a beautiful production, and how clever and imaginative to offer it to the public in this format! I bought the on-demand stream, and watched last night. Despite the lack of audience and applause it still managed to be absolutely magical and it raised my spirits no end. I loved Karla Doorbar’s wide-eyed, eager Clara, and her pdd with Cesar Morales’ nutcracker prince was all kinds of gorgeous. The snowflakes scene was utterly lovely too, especially the radiant Alys Shee. I am a huge fan of the partnership of Cesar and Momoko Hirata, and despite a shortened grand pdd, I was still enraptured. Thank you so much to all at BRB and Birmingham Rep who worked hard to make this happen. 

Well, thank you very much for the tip-off- I am now watching on Netflix- the rest of my family are out, so for once I have the television to myself!

I have tickets for the first night of ENB’s Nutcracker, booked in a bit of a frenzy last Friday, forgetting all about the new rules which meant I couldn’t book my usual three seats...I was so relieved to eventually get something vaguely resembling what I wanted that I didn’t think at all about casting. I was surprised and pleased to see the announcement yesterday, and I’m delighted with the first night cast. 

I’m from Manchester, and I love both! The football came from my dad, the ballet from my mum. It’s a pity that the MP spoiled a valid point about saving smaller, historic football clubs such as Accrington Stanley by making a silly generalisation.

Rather emotional, having been at last night’s performance. It was lovely to be back at Sadlers Wells, seeing BRB, and I’m so glad that all the planned performances of Lazuli Sky were able to take place. A little sad at implication of the further restrictions announced, but I won’t go any further down that road. I very much enjoyed the whole programme. I thought ‘Our Waltzes’ was gorgeous - joyful, innocent, emotional. I liked it as an opener for that reason - it was as if the dancers were telling us ‘We’re back, and we’re so happy to be back’. Momoko Hirata and Cesar Morales, ebullient and sparkling, stood out for me; I was also drawn to the tenderness of Tyrone Singleton and Samara Downs’ dancing.  ‘Liebestod’ was danced by Tzu-Chao Chou, replacing the injured Yasuo Atsuji. This was a punchy, muscular, exciting performance, if very brief. ‘Lazuli Sky’ was a superb climax, full of adrenaline and beauty, tension and power, gorgeously lit and staged. The whole ensemble were excellent but special mention to Tom Rogers and Yu Kurihara. I’d definitely like to see it again, as there was so much to take in. Huge kudos to Carlos Acosta, Will Tuckett and all involved in this very special programme. 

Thank you Lynette, the Northern line issue would have caused me real problems if I hadn’t known about it! Travel Plan B now sorted out...

Donated, and sincere thanks to all the moderators for all that you do.

My daughter got me two tickets for the Saturday night...counting the days 😊

I will be at work Monday 10am and not able to get to a computer- I have my daughter on standby to book for me. Fingers crossed...

I’m sad that I really didn’t take full advantage of what was on offer, partly because my concentration has been really poor during this strange time. Having said that, I really enjoyed some of the BRB At Home content, particularly Celine Gittens dancing The Swan, the gorgeous Alone Together, and the pas de deux from Concerto danced by Jenna Roberts and Tyrone Singleton. All of these were a joy to watch whilst poignantly reminding me of what is being missed. A huge thank you to all concerned. I also adored La Fille Mal Gardee from the RB, pure delight, an absolute tonic. I didn’t get round to booking for Sleeping Beauty this season, as I was prioritising other ballets, so it was a real treat to be able to watch - every time I see SB, I’m surprised that I had forgotten how much I like it, if that makes sense - especially the last act. I’m someone who really enjoys lots of divertissements, so it’s perfect. Lastly, I saw some snippets of the NB gala, and particularly the pdd from Madame Butterfly- lovely Momoko Hirata and Cesar Morales. These were my highlights.

I just completed a very short (one question) survey from BRB to say I would be able and willing to attend a performance of Nutcracker in Birmingham this Christmas. I’m sure other members of the forum have had this email today. I’d like to echo other comments that BRB have been impressively proactive in their recent communications. 

Thanks again Dave M for highlighting this. It was absolutely charming - I had a real lump in the throat at the end.

Signed, thank you for the link. 

Thank you Dave M, I’ve bookmarked your link. I wanted to catch this when it came to Sadlers and didn’t manage to, so look forward to seeing it on Sunday 

I loved it, so grateful to all involved, it was joyful and life-affirming. Thank you BRB!

Ooh - I can’t wait to see this - thanks for the heads up Janet 😊

This was an absolute jewel of a performance from Celine Gittens, and from pianist Jonathan Higgins and cellist Antonio Novais. Carlos Acosta’s intro was lovely too - a beautiful present from BRB

I didn’t manage to get involved this evening but would love to next time! Really lovely, creative idea, Bristol Billy Bob!

Thank you! I’ve booked for April 16th

I haven’t seen Corybantic Games or Live Fire exercise before, but I’m curious and will probably book. Is there anyone who has enjoyed either or both of them, and would recommend this mixed bill?

I’m mostly in agreement with @JohnS, I think Yasmine Naghdi’s Tatiana loves Gremin, although she is perhaps not ‘in love’ with him. The resting of her head on his shoulder touched me;  I think he makes her feel safe. It was a very moving and sympathetic portrayal by Bennet Gartside. I’m not sure I can add anything to what has already been said about Yasmine - she was stunning: her dancing was glorious and her characterisation of Tatiana so thoughtful and credible. She and Federico Bonnelli made a memorable partnership- he was electrifying in Act 3,  the intensity of emotion was heart-stopping. The final moments where Tatiana was clutching a piece of Onegin’s letter, her mouth a buckle of anguish - well, the poignancy of it will stay with me for a long time. I thought Anna Rose O’Sullivan was radiant as Olga, and Joseph Sissens a most dashing Lensky. I sincerely hope ‘Onegin’ is revived again soon, because it’s a ballet I’d love to get to know better.