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MAX

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Posts posted by MAX

  1. Thank you all for your answers.

     

    My question was more the following :  how could have Monica Mason missed out on talent such as William Bracewell and Vadim Muntagirov ?  because even if they were not as good as they are now the potential was there. I have the same question for William Moore wonderful dancer who danced in Stuttgart and Zurich. Very mysterious to me !

     

    And it's not because these dancers chose to go elsewhere, out of the RBS the main company is always the first choice I think !

  2. The Royal Ballet is not very lucky with Don Q !  I was in the audience many years ago when Fumi Kaneko injured herself in the middle of Act one, they had to close the curtain, we had to wait for a while and Kevin O'Hare came on stage to announce that Marianela Nunez had accepted to finish the show...  Exactly the same story happened the second time I was in the audience for Don Q, this time it was Natalia Osipova getting injured at the end of act one and we had to wait even longer to get the news Akane Takada had accepted to finish the show...

    • Like 4
  3. 24 minutes ago, Emeralds said:

    if the Semperoper dancers were so good, one has to ask why they weren’t already promoted at Dresden. And that the incoming principal dancer has already been elevated to Lead Principal before she’s danced anything. It looks on paper rather like some of the ten were dropped in order to pay for the three new promotions.

     

     

    They maybe had to be hired at that rank to get a work permit in the UK ?

  4. I have just read the comments about Wayne McGregor coming from those of you who are hoping that he will soon be replaced at The Royal Ballet.

     

    As a frenchman, I don't think you understand how lucky your are to have such a repertoire and such choreographers.

     

    The Paris Opera Ballet is forced to come to London to steal english ballets such as Dante, Mayerling, Manon, La Fille...

     

    I attended the premiere on Friday and I think Untitled is one of McGregor most accomplished work for The Royal Ballet.

     

    It is so cleverly made, the dancers are so wonderful, it is really a little masterpiece. 

     

     

    • Like 17
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  5. Well if you are glad with this Royal Ballet Season great for you, but if directors don't start NOW with adding female choreographers (from today or from the past) then WHEN ?

     

    An effort must be made to put and end to this patriarchal hegemony, it seems to me that it is the responsability of an artistic director in 2023.

     

    Do have a look at Cathy Marston's season in Zurich !

    
    

     

     

     

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