Rod Jones

This is not my favourite ballet, and not my favourite choreographic interpretation either, but... I went along anyway, and an early performance at Bristol seemed to confirm my prejudices: tricky steps that are hard for dancers to make flow, periods where you start thinking about other things, it just seemed a little lacklustre. Nearby were two French people muttering "affreux" from time to time, then going backstage at the intervals! I assume they had some notes to pass on, because when I came back on Saturday for the matinee, it was like a different show altogether, sharp, powerful, energy levels high, acting and characterisation in place, the orchestra (conducted superbly by Misato Tomita) kicking up a storm... I was riveted till the curtain came down on Begona and Esteban, two wonderful performances in the lead roles. I'm glad I overcame my misgivings about this production, and if you have had similar reservations - overcome them!

An exceptional performance from Elena, full of her trademark grace and emotion. A great shame she has been given so little to do by ENB in the last couple of years! I think the audience reaction showed the esteem in which she's held by ballet lovers. If you want to (re)live a little of the atmosphere of the day, Sian Trenberth's facebook page has photos of Elena getting ready, backstage, and during the curtain call.