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mart

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Posts posted by mart

  1. Ismene Brown is incorrect when she states that Marika Besobrasova was Jean Babilée's teacher in Monte Carlo ,it was Julia Sedova (a ballerina with St Petersburg Ballet) Marika was a student of Sedova's and later became her assistant .Julia Sedova was a great teacher , Serge Golovine and Renée (Zizi) Jeanmaire  were also her pupils in the early 40's. Marika later had a successful school in Monte Carlo.

  2. I was referring to the height of men , although small women do find it hard to get jobs unless exceptionally talented (Lucette Aldous was rejected by the Royal it was only after her great success with Rambert and Festival Ballet that she joined RB) Laura Day with BRB is is tiny 5' 00' and very talented .

  3. Yes well done to Precious Adams looking back through the blogs ,she obviously took on board  all that Monique Loudieres told her,intelligent young lady, I'm sure a company will offer her a place.The winner is a cracking dancer but small difficult nowadays to find a job ,Directors specify minimum height all the time ( please do not mention Wayne Sleep because it was 40 years ago and times have changed)

     

    It is a lovely competition, I feel the candidates are nurtured unlike another in the US where very young  children  do variations that are well beyond them (and on pointe!!!) 

    • Like 2
  4. I liked the 2 Brazilian girls great potential ,not keen on the "for Diego" contemporary piece for the boys but thought the "rite of spring" was terrific.Surprised the French boy got a prize as his classical was not very strong but did well in the contemporary .

    Will have to watch the stream again , the judges obviously see the candidates for a whole week and judge on more than the final 

    • Like 1
  5. Going to the ROH  Stage door in the 60's was an event ,to see Margot Fonteyn being so gracious signing and chatting to fans before being taken away in her car ,Dowell ,Sibley also were very gracious and beautifully dressed

    At the Coliseum in the 60's and 70's  when LFB were performing the stage door was packed with fans ( they did have some very attractive men in the Co then)

    Some of the new generation of dancers do come out of stage doors looking less glamorous ,I know they are tired but so were the stars of the 60' and 70'

    Am I an old grump?

  6. If possible - why not learn both?

     

    I, personally, prefer the rond de jamb, but taught both styles to my students.

     

    As well as traveling and sur la place.

     

    The faults I usually see, even in principal dancers, are untidy arms - and very seldom a smile.  They almost all look so grim.

    Many travel without wanting  to!!!! I agree untidy arms and hunched shoulders ,,some of the best fouettes were from Toni Lander in Etudes and she did smile (most of you are too young to have seen her) tremendous dancer.

  7. Do you mean by Russian style that she does not do rond de jambe so just kicks the leg out to seconde? Osipova uses the rond de jambe (which I prefer) also her use of spotting is amazing .

    Rojo has great fouettés as well .I like to see quality rather than quantity 32 beautiful single  fouettés rather than putting in doubles and trebles with shoulders up and arms all over the place.

    • Like 5
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