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Lynette H

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Posts posted by Lynette H

  1. The NT's River Stage is back for free outdoor performances in June

     

    James Cousins  Company and others 16, 17 18 June.  (Cousins is the choreographer for the Bridge Theatre's Guys and Dolls - on Sat afternoon there's a workshop where you can learn some of the choreography)

     

    https://www.nationaltheatre.org.uk/your-visit/things-to-do/river-stage/james-cousins-company/

     

    Also other events on 9 - 11 June and 23-25th June - 

     

    https://www.nationaltheatre.org.uk/your-visit/things-to-do/river-stage/

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  2. Kids Week discounted tickets for theatre in London go on sale on 13th June. Child under 17 goes free where an adult pays full price. There's a gig list of shows. From a dance perspective, I see Matthew Bourne's Romeo and Juliet is in there. 

     

    https://officiallondontheatre.com/kids-week/?utm_source=SilverpopMailing&utm_medium=email&utm_campaign=COMB_23_06_07 Kids Week Shows Announced (1)&spMailingID=48379114&spUserID=NzcxMTkyMzEyNTk2S0&spJobID=2480829700&spReportId=MjQ4MDgyOTcwMAS2

     

     

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  3. Interesting to see that the cinema season also includes Message in a Bottle (Kate Prince / Sting) from Sadler's Wells to be broadcast in in May 2024.   I suppose this is similar to NT Live showing productions from theatres other than the National Theatre, which it does from time to time.  Message in a Bottle returns to the Peacock in October 2023. 

     

    https://www.sadlerswells.com/whats-on/message-in-a-bottle-2023/

     

    It's not clear whether they will be showing a recording from 2023 in 2024 or if there is another run scheduled for 2024.  It's described as a "special screening" which might indicate not live. 

  4. The Barbican have announced more theatre and dance performances this year.  These  include Pam Tanowitz  11-14 October

     

    https://www.barbican.org.uk/whats-on/2023/event/pam-tanowitz-and-david-lang-song-of-songs

     

    "Pam Tanowitz joins forces with composer David Lang to bring this beautiful text to life in a glorious collage of music, poetry and movement that reimagines ancient rituals of love and courtship. "

     

    This link brings u theatre and dance performances 

     

    https://www.barbican.org.uk/whats-on/theatre-dance

     

    and includes some from Dance Umbrella.  There's quite a mix here. 

     

     

     

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  5. The programme for this year's Festival has been announced.  From a dance point of view it includes:

     

    Alvin Ailey Dance (before their visit to Sadler's Wells, but with similar programmes)

    Programme 1 23-25 Aug - Azure Barton Busk, Kyle Abraham Are you in your Feelings, Ailey Revelations

     

    https://www.eif.co.uk/events/alvin-ailey-american-dance-theater-programme-1

     

    Programme 2 24- 25 Aug

    Ailey - The River, Memoria, Revelations

    https://www.eif.co.uk/events/alvin-ailey-american-dance-theater-programme-2

    I don't think Memoria features at Sadler's Wells. 

     

    L-E-V (Sharon Eyal / Gai Behar)

    The Brutal Journey of the heart 13 - 14 Ag

     

    https://www.eif.co.uk/events/chapter-3-the-brutal-journey-of-the-heart

     

    Phaedre / Minotaur   18 - 20 August. Kim Brandstrup

    https://www.eif.co.uk/events/phaedra-minotaur

     

    This was previously performed just for a couple of days  in Bath last year.  Not many people got to see it. I regretted not being able to get there as the cast was very tempting. (jonathan Goddard, Tommy Franzen)

    Here's a review from then to give you an idea. I hope this means that the work might tour later. 

     

    https://www.theguardian.com/stage/2022/aug/21/phaedra-and-minotaur-review-ustinov-studio-bath-kim-brandstrup-benjamin-britten-laurel-dalley-smith-jonathan-goddard-tommy-franzen-christine-rice-deboarh-warner

     

     

     

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  6. This was at Sadler's Wells last night. It's another version of Rite of Spring, this time a version in he classical Indian dance form, bharatanatyam.  Unlike other recent takes on Rite at this address, this actually uses Stravinsky's music - played live with tremendous energy by the Bournemouth Symphony orchestra conducted by Kirill Karabits.  You might think that this is an unlikely marriage, but it works brilliantly, with the noise of feet slapping against the floor underscoring the rhythms.  It was good to see a performance of a new work with live music and where the dancers were so attractively costumed and the stage brightly lit: no gloom here. every tiny, intricate gesture could be read with clarity. This is a revised and expanded version of a work created in 2019. 

     

    It is performed by a company of eleven, elegantly grouped and regrouped.  Seeta Patel, the choreographer, does not appear in this but does perform a more classical bharatanatyam solo as an introductory piece (which does have a very dark beginning - this might be the primal chaos out of which the world is being created). 

     

    The work is touring later this year - Basingstoke, Poole and Manchester. (No dates yet) Definitely something to check out if you can.  

     

     

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  7. There are lots of special offers associated with this - for ballet there is an offer on ENB's Cinderella in the round at the Royal Albert Hall this summer.  And, incidentally for Guys and Dolls at the Bridge Theatre (choreography Arlene Philips with James Cousins)

     

    https://www.todaytix.com/london/category/london-theatre-week?utm_source=IterableMarketing&utm_medium=email&utm_campaign=LON_TT_LTW_MoreSeatsAdded_022223&userID=

     

     

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  8. 13 hours ago, miliosr said:

     

     

    Meanwhile, in her review of SFB's Next@90 festival in the pages of Fjord Review, Rachel Howard begins her review with this vaguely anxious appraisal of the leadership changeover:

     

    "San Francisco Ballet, the U.S.’s oldest professional ballet company and second largest, is entering its 90th season at a moment of profound transition. Helgi Tomasson, artistic director for 37 years, has just handed the reins to Tamara Rojo, who arrives triumphantly after a decade of success raising the profile of the English National Ballet. Aside from both prizing the work of William Forsythe, the two are markedly different in their repertory interests,

     

    Well, there might be another name to add to that.  Yuri Possokhov  has created works for SFB, and Rojo commissioned him to make a piece for ENB - Senseless Kindness.  It was made originally for their Digital season in lockdown, and later performed on stage at Sadler's as part of their Reunion bill. 

  9. I'm not sure if Ballets Jazz Montreal have been to the UK previously - I don't recall seeing them before and I wondered if anyone had seen them or had any opinions on them ? 

     

    They are at Sadler's Wells in February, 7th to 11th. The programme is Dance Me,  set to music by Leonard Cohen.  There are three choreographers involved, Andonis Foniadakis, Annabelle Lopez Ochoa and Ishan Rustem. 

     

    I've liked much of Ochoa's previous work, and was a bit curious about this.  But I am rather put off booking because the tickets aren't sold by Sadler's Wells but are only available from an agency, Ticketek.  They seem to be fairly expensive, and their web site is very unfriendly. I have trouble getting the choose your own option to work. If you  select a price band it then offer you a ticket. Or maybe an error message.  The ticket seems to be put in the basket automatically. There seems also to be a hefty booking fee as well as a service fee.  Ticketek mainly sell tickets for rock concerts and the like. I can't see any phone number.

     

    I feel rather wary of booking - if your plans change the box office staff at Sadler's can be very accommodating and helpful.  I hope this move to using external agencies doesn't become more common. Has anyone used this agency for anything else - any feedback ? 

     

     

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  10. Just as an aside, I noticed that there did not seem to be anyone from the Balanchine Trust credited for the staging or coaching of Diamonds.  In the recent past where the RB has performed works by Balanchine, the stager from the Trust was usually credited and I can recall some of them coming on at the opening performance to take a bow.  Not every time perhaps. But not this time it seems. I did wonder why, or if anyone had any further info about this. 

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