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Dance links w/b Sunday February 7, 2016


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Links – Sunday February 7, 2016

 

Feature - L’affaire Millepied: Luke Jennings, The Observer

 

Feature - Benjamin Millepied, the incendiary interview: Ariane Bavelier, Le Figaro / Ismene Brown blog

 

Review - Bolshoi BalletThe Taming of the Shrew (Maillot), cinema broadcast: Marianne Adams, Danceviewtimes

 

Review - Miami City BalletLa SourceBarber Violin ConcertoIn the Upper Room, Palm Beach: Leigh Witchel, Danceviewtimes

 

Reviews - Compagnie Yoann BourgeoisHe Who Falls, London: 

Vera Liber, British Theatre Guide

Luke Jennings, The Observer

 

Preview - Ballets de Monte-CarloChoré (Maillot), Costa Mesa: Gilly Lloyd, San Francisco Examiner

 

Review - West Australian Ballet5To the PointeAmbiguous ContentOn the Nature of DaylightIn Black, Perth: Sarah Green, Australian Stage

 

Feature - Tammi Gissell, indigenous dancer: Michelle Potter, Sidney Morning Herald

 

Interview - Segei Bobrov of The Russian State Ballet of Siberia: Katherine MacAlister, Oxford Times

 

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Links – Monday, 8 February, 2016

 

Review – Zurich Ballet, Swan Lake (Ratmansky), Zurich: Alastair Macaulay, NY Times

 

Feature – Christopher Wheeldon/Royal Ballet, Strapless: Chris Wheeldon & Judith Mackrell, Guardian

 

Review – Paris Opera Ballet, La Nuit S’Achève, Paris: Roslyn Sulcas, NY Times

 

Reviews – Gemma Bond with ABT Dancers, Harvest: Being, Manner, Depuis Le Jour, Then & Again, NT:

Marina HarssDanceTabs

Brian Seibert, NY Times

 

Feature – What Washington Ballet needs in a new Director: Sarah L Kaufman, Washington Post

 

Review – Washington Ballet & In Series, Carmen in Havana, DC: Rebecca RitzelWashington Post

 

Review – New York City Ballet, The Most Incredible Thing, Estancia & others, NY: Deborah JowittArts Journal/DanceBeat

 

Review – RAW Dance Company, Untapped!, NY: Lauren Gallagher, DanceTabs

 

Review – Dada MasiloSwan Lake, NY: Joel Benjamin, TheaterScene

 

Review – Company XIV, Snow White, NY: Darryl Reilly, TheaterScene

 

Feature – Olga Larose, Wardrobe Mistress with de Basil Ballets Russes: Valerie Lawson, Dancelines

 

Feature – Tammi Gissell & Australian Indigenous Dance: Michelle Potter, Sydney Morning Herald

 

Review – Liz Santoro/Pierre Godard, Relative Collider, Vancouver: Janet Smith, Straight.com

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Links – Tuesday, 9 February, 2016

 

News – Violette Verdy died yesterday - A recent appreciation: Marina Harss, The Nation

 

 

Reviews – Zurich Ballet, Swan Lake (Ratmansky), Zurich:

Louise LeveneFinancial Times

Jade Larine, Bachtrack

 

Opinion/Review – Benjamin Millepied/Paris Opera Ballet, Tombe, Goldberg Variations, La Nuit S’Achève, Paris: Laura Cappelle, Financial Times

 

Feature – Benjamin Millepied, a stranger in his own land: Valerie Lawson, Dancelines

 

Review – New York City Ballet, Balanchine Triple Bill, NY: Mary Cargill, Danceviewtimes

 

Reviews – Diablo Ballet, Apollo, My Way, Milieu, Walnut Creek:

Carla EscodaBachtrack

Claudia Bauer, SF Chronicle

 

Preview – Alberta Ballet, Futureland, Waiting on a Gruff Cloud Wanting, rite, Calgary: Salena Kitteringham, Calgary Herald

 

Review – RAW Dance Company, Untapped!, NY: Siobhan Burke, NY Times

 

Feature – Alwin Nikolais/Ririe-Woodbury Dance Company, Tensile Involvement & others, NY: Roslyn Sulcas, NY TImes

 

Review – Jon KinzelAtlantic Terminus, NY: Gia Kourlas, NY Times

 

Review – Alice Heyward, Now is not the place, Melbourne: Jordan Beth Vincent, The Age

 

News – Australian Talented Youth Project, Parliament House, Canberra: Ron CerabonaSydney Morning Herald

 

Review – The Three Yells, Her Name is Isaac, Seattle: Melody Datz Hansen, Seattle Times

 

Review – Randee Paufve, Strangers Become Flowers, SF: Allan Ulrich, SF Chronicle

 

Preview – Kate Weare Company, Unstruck, Dark Lark, Volver, Sarasota: Carrie Seidman, Herald-Tribune

 

Review – Dance Brigade, Sin Palabras, Untitled Evidence, Reclaim Bae, SF: Carla Escoda, Bachtrack

 

Documentary – Bolshoi Babylon reaches Moscow: Raymond StultsMoscow Times

 

Theatre Review – Nureyev’s Eyes, David Rush, New Brunswick: Patrick Maley, NJ.com

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Links – Wednesday, 10 February, 2016

 

Obituaries – Violette Verdy:

Anna KisselgoffNY Times

Staff, Indiana University

Sarah L Kaufman, Washington Post

Jennifer Stahl, Dance Magazine

 

Obituary: Yvonne Chouteau: Judith Cruickshank, Guardian

 

 

Review – Pacific Northwest Ballet, Romeo and Juliet (Maillot), Seattle: Moira Macdonald, Seattle Times

 

Review – Scottish Ballet, Cinderella (Hampson), Inverness: Bruce Marriott, DanceTabs

 

Review – Dada MasiloSwan Lake, NY: Apollinaire Scherr, Financial Times

 

Review – Royal Winnipeg Ballet, Going Home Star, Toronto: Michael CrabbToronto Star

 

Feature – Dutch National Ballet, Mata HariAmsterdam: Jan Hennop, AFP via SCMP

 

Interview – Sergei PoluninTatyana Kuznetsova, Kommersant via RBTH

 

Review – Compañía Antonio Gades, Flamenca Suite, Carmen, Paris: Culturekiosque

 

Interview/Preview – Flamenco Festival, FarruquitoLondon: Lyndsey Winship, Evening Standard

 

Review – Stephanie Lake Company, Double Blind, Melbourne: Deborah Jones, Blog

 

Interview – Rhiannon Faith: Carmel Smith, Londondance

 

 

And now, coming to Sadler’s Wells:

 

Preview – Flamenco on the hoof: Bartabas the Furious, Golgota: Stephen Moss, Guardian

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Links – Thursday, 11 February, 2016

 

News – Paris Opera Ballet 2016-17 Season Conference: Roslyn SulcasNY Times

 

Interview – More from Mr MillepiedRoslyn Sulcas, NY Times

-- and, a week on, a reflection from Patricia Boccadoro: Culturekiosque

 

Reviews – New York City Ballet, The Most Incredible Thing, NY:

Robert GrescovicWall St Journal

Christiane Nickel, Opening Ceremony

 

Review – Zurich Ballet, Swan Lake (Ratmansky), Zurich: Gerald Dowler, Classical Source

 

Preview – Les Ballets de Monte-Carlo/J-C Maillot, ChoréLA: Joseph Carman, LA Times

 

Review – Pacific Northwest Ballet, Romeo and Juliet (Maillot), Seattle: Pia Lo, Bachtrack

 

Preview – Shanghai Ballet & others, Montreal: Victor SwobodaMontreal Gazette

 

Reviews – Resolution 2016, London, 9 February: Lyndsey Winship & Ka Bradley, The Place

- Drishti Dance, Antaraal

- Bridget LappinThe Art of Exposure

- Laura ObiolsHourglass

 

Reviews – Ririe-Woodbury Dance Company/Alwin Nikolais, Crucible, Tensile Involvement, Mechanical Organ, Gallery, NY:

Gia KourlasNY Times

Deborah JowittArts Journal/DanceBeat

 

TV News – Cuba National Ballet comes home: Michael Voss, CCTV America

 

Review – Mark Bruce Company, The Odyssey, Frome: Bruce Marriott, DanceTabs

 

Preview – Fifth Annual Dance Lovers Evening: Mary Ellen Hunt, SF Chronicle

 

Preview – Black Choreographers Festival, New Voices/New Works, SF: Lou FancherSF Critical Voice

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Links – Friday, 12 February, 2016

 

Obituaries – Violette Verdy:

Staff, Telegraph

Judith Cruickshank, Guardian

 

Interview – Laura Morera, Royal Ballet Principal: Margaret Willis, DanceTabs

 

Review – Dutch National Ballet, Mata HariAmsterdam: Isabella Zijp, Bachtrack

 

Review – Joffrey Ballet, Tipping Point, Forgotten Land, RAkU, Chicago: Laura Molzahn, Chicago Tribune

 

Review – San Francisco Ballet, Programs 1 and 2, SF: Leigh WitchelDanceviewtimes

 

Review – Dada MasiloSwan Lake, NY: Martha Sherman, Danceviewtimes

 

Feature – Eiko without Koma: Gia Kourlas, NY Tmes

 

Features – Misty Copeland and Degas: Art of Dance:

Stephen MooallemHarpers Bazaar

Sebastian SmeeBoston Globe

Julee Wilson, Huffington Post

 

Review – BalletXShow Me, One Heartbeat Above One Shadow Below, Big Ones: Philadelphia: Alastair Macaulay, NY Times

 

Reviews – Resolution 2016, London: Sanjoy Roy & Alice Westoby, The Place

- Caldonia Walton, Living … in the Living Room

- Sofie Burgoyne, Dancing together apart/Dancing apart together

- Julie Cunningham, Guts

 

Gallery – Tanztheater Wuppertal Pina Bausch, ..como el musguito etc etc, London: Foteini Christofilopoulou, DanceTabs

 

Documentary – Merrill Ashley, The Dance Goodbye: Gia Kourlas, NY Times

 

Preview – Stephanie Lake Company, Double Blind, Melbourne: Philippa Hawker, The Age

 

Review – Frank McConnell, And now…., Paisley: Mary Brennan, Herald

 

Review – Soaking WET, Mixed Bill, NY: Joel Benjamin, TheaterScene

 

Preview – Eliza Ladd/New College of Florida, Selfie of the Ancients, Sarasota: Carrie Seidman, Herald-Tribune

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Links – Saturday, 13 February, 2016

 

Reviews – Tanztheater Wuppertal Pina Bausch, “…como el musguito…”, London:

Hanna WeibyeArts Desk

Sanjoy Roy, Guardian

Lyndsey WinshipEvening Standard

Neil Norman, The Stage

 

Gallery – Royal Ballet, Chris Wheeldon Triple Bill, London: Dave Morgan, DanceTabs

 

Feature – Martin West, Music Director, San Francisco Ballet: Sean MartinfieldHuff Post, SF

 

Feature – Choreographer Crystal Pite: Marsha Lederman, Globe and Mail

 

Review – Ballet West, Romeo and Juliet (Cranko), Salt Lake City: Heather Hayes, Deseret News

 

Reviews – Resolution 2016, 11 February, London: Sarah Crompton & Amelia ForsbrookThe Place

- Richard Chappell Dance, The Vast Rock

- Jodie Cole, I Am Not In Love

- M.E.N. (More Equality Needed), For Tomorrow We Die

- Gallery: Foteini Christofilopoulou, DanceTabs

 

Tour Review – Mark Bruce Company, The Odyssey, Bristol: Mark Kidel, Arts Desk

 

Review – Arizona Ballet, The Sleeping Beauty, Phoenix: Lynn Trimble, Phoenix New Times

 

Review – Alberta Ballet, Futureland, Waiting on a Gruff Cloud of Wanting, rite, Calgary: Stephan Bonfield, Calgary Herald

 

News – Pacific Northwest Ballet 2016-17 Programme: Moira Macdonald, Seattle Times

 

News – Candoco at 25 – Anniversary Programme: Carmel Smith, Londondance

 

Next Week:

- In Birmingham & London: Judith MackrellGuardian

- In New York: Staff, NY Times

 

Review – Catalysts, New Choreographers, Boston: Marcia B Siegel, Arts Fuse

 

Review – KVS, Les Ballets C de la B, Qattan FoundationBadkeNY: Gia Kourlas, NY Times

 

Gallery – Tara Pilbrow2+1, London: Lidia Crisafulli, DanceTabs

 

Review – Toronto Dance Theatre, Un Petit Peu Plus, This Shape, We Are In, Toronto: Michael Crabb, Toronto Star

 

Review – Faye Driscoll Group, Thank You For Coming: Attendance, Chicago: Laura MolzahnChicago Tribune

 

And let your fingers do the dancing: J Kelly NestruckGlobe and Mail

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