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jmhopton

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Posts posted by jmhopton

  1. 53 minutes ago, capybara said:

    Just received from the ROH (extracts from e-mail):

     

    [..........................] I am contacting you as we are conducting some remote research towards our work to provide an improved user experience when purchasing a ticket via the ROH website.

    The sessions will take place on [............................] and will last up to 60 minutes. Participants will join a remote research session via either a Zoom App or Microsoft Teams App using their own computer (desktop/laptop/ipad) at home.

    [...............................................]

     

     

    Yes I've received one too. 

  2. 9 minutes ago, oncnp said:

     

    You may still be able to see it if they stream the WTGH program. His IG is showing a whole lot of Corsair.  That might be what they are dancing next week.

    Thanks oncnp. I would have thought if they were only streaming one programme it would be WTGH as Elite Syncopation was streamed for the last concert. 

    I don't think I'm very good with Instagram as the latest postings on Vadims account I can see are stills of him in Giselle. There is one of him rehearsing corsaire abroad but its a month or two ago. Is there anything on it about him rehearsing corsaire at the ROH? If it's as good as the performance of it he gave at the Fonteyn gala last year it will be incredible. 

  3. 1 hour ago, MargaretN7 said:

    I wish all of you who are able to attend these performances all the best for an enjoyable evening. As I can't get to ROH, not allowed to use public transport and have sight impairment so can't drive, I'm still hoping they'll live stream, or as live, one of each of these programmes.

     

    Has anyone had any recent response to this request?

    I did have a reply from a letter I wrote to Kevin

    O'Hare in which he said he hopes he may be able to stream one of the programmes. However time is going on if they want to publicise this. Don't they start next week? I was keeping everything crossed for a stream of Vadim doing the Tchaikovsky pas de deux whose rehearsals features in the WBD programme as I won't be able to make it to the ROH. 

  4. Had a reply to my letter from Kevin O'Hare today in which he says 'We hope that we might be able to stream one of the programmes coming up in November'. So hope yet.

     

    He also offered some insights on Carousel when I asked him if the RB had danced it before as it was originally staged for the National Theatre.  

     

    'Glad you enjoyed the Carousel piece. Yes, we had revived it for a gala here some years ago with Sarah Lamb and Carlos Acosta and then later that year I put it in a programme we took to New York. I was hoping to include it in the upcoming programmes again but it is a huge orchestration so unable to do it now we have restricted numbers in the pit.'

     

    So hope again that this piece will be revived when things are more normal. It would be a perfect gala piece, perhaps for the first night of the ROH opening with a full house and orchestra!

     

     

    • Like 5
  5. Yes, I too have really enjoyed revisiting DAAG which I preferred to The Cellist. Usually I tend to get a bit bored with ballets that have a succession of similar dances (I think Elite Syncopations is a bit too long) but I loved DAAG from the first time I saw it in the cinema. Especially love both Laura Moreras and Alex Campbells performance and wished in a way they'd reprised them for the concert. Anyway, DAAG is a great ballet and I'm looking forward to seeing it a few more times yet. 

     

    • Like 2
  6. 6 hours ago, Bluebird said:

     

    Recently there was a Ballet Association Zoom interview with Kevin O'Hare. He was asked about this matter and his  response was that there wouldn't be any promotions.

     

    Thanks very much for this Bluebird. Can't say I'm surprised but if it's been decided why not announce it on their own website?

    I did receive a reply from Alex Beard today (he's usually quite prompt at replying considering how busy he must be). He thanked me for my letter and was pleased I enjoyed the performance but he's letting Kevin reply to my queries so we'll have to see what he says about the streaming. I can't see why they wouldn't stream the programmes but if so why not say so when they're announced?

  7. 5 minutes ago, oncnp said:

     

    Announcing it would also have been transparent. The ROH has no problem announcing they have fired all of their casual staff with perhaps worse to come  when the results of the redundancy consultations are announced.  Just a little duplicitous.

     

    Yes I agree. I didn't really think there would be any promotions this year given the financial circumstances but it would be nice to be told this and had it official. Would also be nice to know about whether or not the Nov performances are going to be streamed. The problem is, if they're paid streams most people will have seen Elite Syncopations already. I assume casting will be much the same because of the bubble situation. Still, it will be worth paying just to see everything else. I did praise the live concert very highly and say what an emotional  joy it is to see the RB back on stage again.

    • Like 1
  8. 13 hours ago, Richard LH said:

    Does anyone know if  the two  November ballet programmes (A and B ), and the Nutcracker, are being streamed live, for a fee, as well as being available for a (restricted) live audience? I initially assumed they were but now I can't find confirmation and I am wondering if this only applies to the operas.....

    I have emailed both Alex Beard and Kevin O'Hare a week ago to ask if the Nov programmes are being streamed and also if there are going to be any RB promotions this year but haven't heard back yet. 

    • Like 1
  9. I thought I had posted this review earlier but can't see it on the Forum. Mods please remove it if I'm duplicating myself (senility setting in early, alas!)
     
    Well! What a fabulous evening!  It was very well planned and fabulously executed. No one would think only a few months ago all dancers were doing classes on Zoom in their living rooms and kitchens. it was as if they've never been off stage at all and as if these last few terrible months had never existed (if only!) Seems terrible to single out individual performances out of so much excellence but for me there were a few stand out performances.
     
    Best Discovery of the night. Sir Kenneth Macmillan's Carousel pas de deux danced so fabulously by Mayara and Matthew. I've never seen it before. Have the RB danced it before as it was created for the National Theatre? It was so passionately danced, and the choreography was so wonderful it just heightens the loss of Kenneth Macmillan if that was the last piece he created. So much nicer to remember him for that rather than Judas tree.
     
    Most joyous performance of the night. Definitely Marcelino and Anna Rose in La Fille. I really got quite emotional when the audience joined in clapping along to Anna Rose. This is what live theatre is all about, and then Marcelino joining in as well. Made me realise it's been too long since la Fille was staged and it's the sort of ballet we all want to see right now, to bring life, colour and, above all, FUN back to our lives. 
     
    Best classical performance of the night. Of course, it had to be Marianela and Vadim, she of the infectious smile and amazing balances, and his split-level leaps and amazing turns and wonderful partnering. Wow!!
     
    Doncaster Dances. A brilliant short film on how dancing can change and inspire lives and a little-known part of the RB that people should know about.
     
    Finale. Inspired choice to have the colour and light-heartedness of Elite Syncopations - and so many dancers! it was really terrific. Melissa Hamilton was superb (why isn't she given more chances?) and great to see Fernando Montano again. I expect I'll be dipping in and out of the entire concert many times in the next month (maybe I'll even get to like Medusa!).
     
    The whole programme was a wonderful encapsulation of the strength and depth of the RB and their incredible, (definitely world beating!) repertoire and talent. It was so emotional to see them back on stage and with an audience which makes all the difference, and their enthusiastic response meant you hardly noticed they were so reduced. The stress on light-heartedness and love of dance was just what people wanted after six months of doom and gloom. It's inspired me to raid my dvds and watch many of these wonderful performances again as well as see the performance itself again and again.
     
     
     
    • Like 14
  10. Went to see the Red Shoes at my local Vue cinema this afternoon and really enjoyed it, and the feeling of attending a performance again, albeit on the cinema screen rather than a live show. I'm not at all a fan of Matthew Bournes's productions and this is the first full length ballet of his I've enjoyed. Of course the storyline was terrific. The Red Shoes is one of my favourite films (could watch Anton Walbrook for ever though he so often play slightly creepy characters). I thought it great Matthew Bourne kept so close to the film scenario and used the score. Loved the sets and costumes and the scene on the beach at the Riviera (was it taken from Le Traine Bleu or just a pastiche of it?) The music hall scene near the end was really good too. The sand dance like the old Wilson, Kepple and Betty music hall act was terrific and had us all laughing at the cinema, though where was Betty? Adam Cooper was uncannily like Anton Walbrook though I wish he'd had more dancing to do. I thought Matthew could have given him a solo at least or perhaps a fantasy like dance with Vicky. The only snag was I kept thinking back to when I last saw Adam in a great classical role, as Onegin with the RB. he was possibly the best Onegin I've ever seen. Of course the two characters were rather similar. Anyway, a really good afternoon and I hope it will be on TV sometime as the BBC were involved. It would make a great Christmas ballet.

     

    Incidentally, still haven't seen the RB Giselle or Nutcracker on the Vue or Odeon calendars yet. has anyone else seen them advertised at all? I know it's early days yet, especially for the Nutcracker but Events are often advertised well in advance. I hope cinemas will take them as they're repeats though the Bolshoi seem to manage.

  11. I vividly remember when the Forum was forced was forced to close for a short time. It was a nightmare. I felt so cut off and bereft. Not living near London I am almost totally reliant on the Forum for news, information and discussion and what a boon it has always been being easily able to find out so much about so many Companies and programmes. I log on most days and it's like returning to an old friend. Even in these difficult times there is always something to  read and think and comment about and it is a great way to forget about other problems (especially the virus!) Worth every penny I can contribute!

     

    Many thanks to the mods for all their hard work and enthusiasm. It wouldn't happen without them and we're all so grateful.

     

     

    • Like 13
  12. 1 hour ago, oncnp said:

     

    Good point. Perhaps they are having reserve bubbles (eg Alex Campbell and Clair Calvert who are a real bubble). The Guardian article this AM mentioned 7 additional bubbles but didn't list that many.  

     

    Yes, the first thing that struck me from the Guardian article is it only mentioned three 'bubble couples' whereas Alexander and Claire make 4. I'm glad Alex at least is mentioned in the list of principals as I was rather disappointed he and Claire were omitted from the previous short concerts and was really hoping to see them this time.

    • Like 3
  13. Thanks for this Rob. It sounds great. I too long to be back in London at the ROH but goodness knows when that will be. 

    Were you allowed to take photos of the theatre from the stage? 

    I recently had a reply from Alex Beard to an email I sent him. In it I mentioned Open House specifically and said it would be a dream to set foot on the ROH stage but couldn't get tickets or make it to London at the moment. He said they were considering continuing the Open House tours after Open House had finished so fingers crossed they do and I might yet set foot on the ROH stage. 

    • Like 2
  14. 13 hours ago, Richard LH said:

    Thanks for this Joan! Rye is quite local for us, so we have booked our first live dance since March! 

    As this is a live performance, rather than lockdown streaming etc.  I am putting up a separate thread for it with some more details.

     

    Lucky you Richard. Let us know what it's like and who the RB dancers are. Thanks for putting up a separate thread as well. I wasn't sure but I think you're right as it is an actual performance with audience and there aren't too many of those at the moment! 

  15. I just added details of 3 live performances by artists including 4 RB dancers at Rye in East Sussex, Sat 26-Sun 27 Sept. Some ticket prices rather expensive and in tables for two but still...

     

    Also seen the Mousetrap is re-opening in London on Oct 23rd back at St Martins Theatre.

     

    https://uk.the-mousetrap.co.uk/

     

    On the opening page it says 'Proud to re-open the west End' so perhaps there are hopes for other venues. It can't come soon enough for me though with all the Covid problems returning I hope it won't have to close again.

    • Like 1
  16. 12 hours ago, Jeannette said:

     

    This is PNB, not Sarasota, jmhopton. 

     

    Sarasota is “hoping” to finalize and announce its schedule by the end of next week. They pulled whatever Bruce received but we can hope that they’ll present some of their archival films of Ashton ballets danced in past seasons, such as Birthday Offering listed in Bruce’s message. Due to corona, R&J and Dante Sonata never made it to the stage...so not filmed, unless there’s some rehearsal footage. 

    Sorry I misread your posting Jeanette (I seem to be getting scattier by the day!) but thrilled there may still be a chance of some (hopefully) rare Ashton. I'm not bothered what it is. Anything will be gratefully received! Joan 

     

  17. 4 hours ago, Jeannette said:

     

    I’ve just received my old fashioned hard-copy  brochure from PNB. So clear and spot-on in its presentation on digital offerings, with easy-to-read calendar. We know exactly what we’re getting. Bravo! I’m subscribing.

     

     

    Many thanks for this Jeanette. Great to have their programme confirmed though I have to say I prefer Bruce's version! Where is the Ashton?! For a Company who specialises in Ashton I'm very disappointed he doesn't even get a short ballet and I was so looking forward to seeing his Romeo and Juliet again. I'll just have to go back to the dvds, a bit of a comedown when I thought I was going to see something new. 

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