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Ellie

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Posts posted by Ellie

  1. I have booked tickets for the Ballet Cymru triple bill at the Lilian Baylis Studio, Sadler's Wells in November. I'm not familiar with the area and wondered if anyone could suggest somewhere decent, but not too pricey to eat before or after the performance. Also, I'll be staying in Bermondsey, any tips regarding public transport would be welcome. Thank you !

  2. 3 hours ago, redshoesgirl2 said:

    is anyone looking forward to Núñez and Bolle? the rehearsal pics are beautiful.

    Does anybody here know if Bolle usually goes to the stage door ? One of my little ballet students has a lovely surprise in store for him on Saturday (he has no idea that he's going to watch Manon at the ROH) They are travelling a long way and his mum told me that he'd love to wait and see the dancers after the performance. 

    • Like 2
  3. I never normally partake in these discussions. I have no idea what ratio of home grown artists versus foreign ones are employed in the UK, Germany, US etc, nor do I care. The Royal Ballet Upper School has long been seen as the best bet for getting into the RB, BRB (Sadlers Wells in my time) But for years graduate dancers have done the tour of Germany, which used to and still does, have many more state funded opera houses than the UK. Others joined smaller touring companies and later, with more experience under their belts went on to dance with Northern Ballet, Cullberg etc Now, with the advent of the internet and budget flights of course the ballet world has become smaller. I'd never heard of many European schools 30 years ago, let alone found the opportunity to fly to different countries and audition. Ballet is international. For all those students at RB, ENB, Elmhurst etc who don't get a contract with the associated companies, well maybe 20 years ago, that might have seemed 'end of story'....Now they can audition all over the place. Look further afield to Eastern Europe for example, there are plenty of British trained dancers employed. Please lets not enter into an unnecessary discussion about who is better, and why. Every company has it's merits, as does every dancer. And lets not forget that the vast majority of extremely talented dancers may not have the opportunity to dance for the 'Big' houses. Ballet is International, but in terms of physique, luck, being in the right place at the right time, having the 'right look for the contract the company needs to fill, it is, as so many other professions, elitist........I have no idea about football.

    • Like 7
  4. On 11/07/2019 at 13:48, Chrissy said:

    Hi everyone, I'm new hear and would like some information/help.

    We are on the Gold Coast of Australia where my daughter studies fulltime ballet. My partner is Scottish and we decided to apply to schools in Scotland to further our daughter's ballet journey. After viewing her audition she was offered a place in both Ballet West and the new Edinburgh Festival Ballet. We need to decide and being on the other side of the world would appreciate any help. We have found quite alot about Ballet West but was hoping to hear about anyone attending Edinburgh Festival for their new fulltime school. Anything else that may help would be awesome.

     

    I have no experience of either schools, but depending on your daughter's age, I must say that  the Royal Conservatoire of Scotland (as mentioned by taxi4ballet) seems to be a good bet regarding teaching faculty and graduate employment. Good luck !

    • Like 3
  5. 27 minutes ago, Harwel said:

    Indeed @Elliethe fees are eye watering - well beyond our reach without an MDS and the training in Europe is fantastic.  My DC auditioned abroad at 15 but was utterly freaked out by the prospect of living in a foreign country - I was quite amazed by his reaction as I trained abroad and thought it was as a huge adventure - he quite clearly did not share my view!! Horses for courses. 

    Of course (Horses for courses) I just thought that it was important for the parents of dancing Dc's to know that, if suitable, there exist quite a few excellent options beyond the Uk which may be worth looking into. X

  6. I know that this has been mentioned before and although the discussion didn't involve 'A Levels' and as such not entirely relevant to this particular thread, looking at the eye watering fees which are probably out of the reach of many, I'd quietly remind parents of DC's that there are excellent schools in Europe (I'm talking classical and contemp - can't comment about MT) which if you feel are suited to your child are well worth looking at.

    • Like 3
  7. I think that pirouette technique is very subjective, there really isn't a one fits all solution. Sometimes the more you analyse the worse it is. (Pull up/press down, arms like this, arms like that etc...) Maybe she needs to just try turning without any 'technical' stress' and see how it goes. Obviously weight over the supporting leg on preparation, secure arms and back, a good passe position and a relaxed neck so that she can spot well will help. Have you looked at any Finis Jhung videos ? X

  8. I think that we're going a bit off topic, but just to add to the comments made by balletbean, moneypenny and hfbrew...I feel that it's very important for the parents of DC to be aware of the money/heartache/persistence involved when it comes to auditioning for contracts. Unless you are one of the very talented and lucky few who are handpicked by AD's to join a particular company straight out of school, the struggle to be accepted for an audition, not get cut after class, be invited to learn rep and pdd is very real ! And don't forget that the graduates who are accepted to audition are most likely to be 'up against' dancers who have already been dancing professionally for a couple of years and wish to change company/country for whatever reason. x

    • Like 6
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