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Found 2 results

  1. Hello everyone, hope you are enjoying the sunshine ☀️ This may be a silly question, but I am dancing the 'Dying Swan' variation at a show this weekend and can't seem to find one interpretation (as to what the swan is supposed to be feeling).. Some run-throughs I feel sadness, others I feel relief, etc! I know artistry is something you have to develop yourself, but I was just curious as to what others thought the swan might be feeling, and any dancers who do this solo beautifuLly that I could watch (at the moment I am loving Lopatkina and Plisetskaya) i hope this makes sense! Thanks x
  2. So I have been invited to dance a solo at my schools presentation evening, and wanted to do the Tchaikovsky Pas de Deux girl variation which I learned at Easter school (I have no Balanchine training, but I do love it!) the only problem is, the only music I can find to download is either extremely fast (47 seconds) or painfully slow (59 seconds). Which would be better? Also, is it a good idea to perform en Pointe? The only thing I would have to adapt if en Pointe would be the 'lame ducks' (posé turns en dehors)... I'm not confident with them being doubles if en Pointe. It is in the school main hall, which isn't sprung but neither is it particularly slippy. (It is also not very big... Might have to turn the turns into a manège!) Please help! ?
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