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Dance links w/b Sunday March 10, 2013

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Links – Sunday March 10, 2013


Review - Ballet BlackEgalDopamineOne Played TwiceWar Letters, London:

Luke Jennings, The Observer

Jenny Gilbert, The Independent


Review - Ballet Boyz, The Talent 2013SerpentFallen, London:

Ismene Brown, The Arts Desk

Lise Smith, Londonist

Review - Paul Taylor Dance Company3 EpitaphsOffenbach OverturesPerpetual Dawn, NY: Barnett Serchuk, Dance BroadwayWorld


Review - Northern BalletThe Great Gatsby, Leeds: Louise Levene, The Telegraph


Tony Hall’s Rio diary - the Royal Ballet and Opera go to Brazil: The Financial Times


Review - Kate Weare Company, mixed bill, Sarasota: Carrie Seidman, Sarasota Herald-Tribune


Preview - Los Angeles Ballet, Balanchine Festival: Susan Josephs, Los Angeles Times


Preview - New York Live Arts (the merger of Dance Theater Workshop and Bill T. Jones/Arnie Zane Dance Company), BELL, NY: Brian Seibert, New York Times


Interview - Yasuko Yokoshi talks about her new dance BELL: Gia Kourlas, TimeOut New York


Preview - Choreographers of Color Award 2013: Winning Works, Chicago: Michael Gloia, Playbill.com


Book review - Swans of the Kremlin by Christina Ezrahi: Catriona Kelly, The Times Literary Supplement


The Bolshoi scandal - who’s who: Huffington Post

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Links – Monday March 11, 2013


Review - Paul Taylor Dance CompanyPerpetual DawnTo Make Crops Grow, NY: Tobi Tobias, ArtsJournal


Interview - Tony Hall, on leaving the Royal Opera House: Roya Nikkhah, The Telegraph


Danse Macabre - a scandal at the Bolshoi Ballet: David Remnick, The New Yorker (lengthy article)


Review - Royal New Zealand BalletMade to Move, Auckland: Rosemary Martin, NZ Theatreview


Review - Pittsburgh Ballet TheatreSerenadeJardin aux Lilas: Jane Vranish, Pittsburgh Post-Gazette


Review - Liz Gerring Dance Companyshe dreams in code, NY: Alastair Macaulay, New York Times


Review - Houston BalletThe Rite of SpringPacificMurmuration: Adam Castañeda, Houston Press


Review - Jean Butlerhurry, NY: Brian Seibert, New York Times


Review - Contemporary Israeli Dance Week, NY: Brian Seibert, New York Times


David Hallberg - a profile as seen through a fashion ocular: Alex Hawgood, New York Times


Interview - Lucien Postlewaite and Noelani Pantastico, back to dance with PNB: Alice Kaderlan, Crosscut


Interview - Stephen Petronio, choreographer: Matthew de la Peña, TimeOut Chicago


Preview - Edward Villella talks about his career: Pia Catton, Wall Street Journal

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Links – Tuesday March 12, 2013


Review - Paul Taylor Dance CompanyTo Make Crops GrowLe SacreCascadePromethean Fire, NY: Alastair Macaulay, New York Times


Review - Paul Taylor Dance CompanyEsplanadeBrandenburgsJunctionTo Make Crops GrowPerpetual Dawns, NY: Apollinaire Scherr, Financial Times


Review - Boston BalletAll Kylian: Iris Fanger, Patriot Ledger


Review - Ballet Boyz, The Talent 2013SerpentFallen, London:

Clemet Crisp, Financial Times

Lyndsey Winship, Evening Standard

Katya Vaghi, One Stop Arts


Review - Scottish Dance TheatreSecond ComingWinter Again, London:

Graham Watts, DanceTabs

Erin Johnson, One Stop Arts


Review - Sylvie Guillem6000 Miles Away, Sydney: Valerie Lawson, Dancelines


Review - Russian Ballet Icons Gala 2013 - Celebrating Vaslav Nijinsky: Matthew Paluch, The Arts Desk


Review - La Scala BalletNotre Dame de Paris (in cinema): Carrie Seidman, Sarasota Herald-Tribue


10 of the best ballet stars: Sarah Crompton, Telegraph


Review - Ballet Revolucion, London: Laura Dodge, Londondance


Review - Ballet Flamenco de Andalucia:

Paula Durbin, Washington Post

Ellen Dobbyn-Blackmore, Broadway World


Review - Houston BalletThe Rite of SpringPacificMurmuration: David Clarke, Broadway World


Bolshoi Theater Director contends acid attack’s mastermind yet to be found: Sophia Kishkovsky, New York Times


Preview - Pacific Northwest Ballet, Balanchine’s Concerto Barocco: Alice Kaderlan, Crosscut


Boston Ballet’s 2013/2014 season: Jeffrey Gantz, Boston Globe

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Links – Wednesday March 13, 2013


Review - Paul Taylor Dance Company, New York season:

Robert Gottlieb, New York Observer

Patrick Kennedy, Broadway World


Review - BalletBoyz, The Talent 2013SerpentFallen, London:

Roslyn Sulcas, New York Times

Graham Watts, Londondance


The Royal Ballet's Alice - coming to a big screen near you: Jessica Duchen, The Independent


Review - Danish Dance TheatreLove Songs, NY: Apollinaire Scherr, Financial Times


Review - Rosie Kay Dance CompanyThere is Hope, Birmingham: Bruce Marriott, DanceTabs


Review - Burn the Floor, London:

Clement Crisp, Financial Times

Scott Matthewman, The Stage

Zoë Anderson, The Independent


Dance… this is a man’s world: Katie Colombus, The Stage


Review - graceDANCE CompanyBound, Auckland: Jacqui Cesan, NZ Theatreview


English National Ballet’s Dance for Parkinson’s classes: Lorna Stewart, BBC World Service


The Big Question debate - are opera and ballet elitist: Alice Vincent, The Telegraph


The thinking dancer: Juliet Burnett, DanceTabs


Interview - Rocío Molina, flamenco dancer, Sadler’s Wells New Wave Associate: Carmel Smith, Londondance


Preview - Gideon ObarzanekDance Better at Parties, Sydney: Michaela Boland, The Australian


Boris Akimov called up to stabilise Bolshoi ructions: Ismene Brown


Bolshoi company members write to President Putin:

Ismene Brown

Miriam Elder, The Guardian

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Links – Thursday March 14, 2013


Kevin O’Hare talks about The Royal Ballet’s 2013/2014 season: Sarah Crompton, The Telegraph (+ video of Liam Scarlett working on his new Hansel and Gretel)


The Royal Ballet, 2013-14 season: Ismene Brown, The Arts Desk


Review - Paul Taylor Dance Company, New York season: Deborah Jowitt, Arts Journal


Review - San Francisco BalletSuite en blancIn the NightBorderlands: Toba Singer, California Literary Review


Review - San Francisco Ballet, mixed bills: Carla Escoda, Huffington Post


Interview - Maina Gielgud: Toba Singer, California Literary Review


Russia’s ballet wars - a bulletin from Moscow: Judith Mackrell, The Guardian


Bolshoi Artistic Council to oversee the ballet company: Ismene Brown


Review - National Ballet of CanadaRomeo and Juliet, Toronto:

Paula Citron, Globe and Mail

Michael Crabb, Toronto Star


The National Ballet of Canada’s Romeo and Juliet: Madalina Hubert, Epoch Times


Review - Boston BalletAll Kylián: Jeffrey Gantz, Boston Phoenix


Review - Royal New Zealand BalletAnatomy of a Passing CloudOf DaysBier Halle, Auckland: Bernadette Rae, New Zealand Herald


Review - Danish Dance TheatreLove Songs, NY: Gia Kourlas, New York Times


Review - Tero Saarinen Dance CompanyWestward Ho!WavelengthsHunt, Washington:

Sarah Kaufman, Washington Post

George Jackson DanceView Times


Review - The Royal BalletApollo24 PreludesAeternum: Will Fitzgibbon, Australian Times


Edward Watson on Arthur Pita’s The Metamorphosis: Siobhan Murphy, Metro


Review - Martha Graham Dance Company, mixed bill, NY: Elisa Kimble, Broadway World


Review - Ijad Dance CompanyIn-Finite, London: Donald Hutera, Londondance


Review - TomGoldDance, mixed bill, New York: Mary Cargill, DanceView Times


Royal New Zealand Ballet’s Made to Move bill - the choreographers interviewed: Charmian Smith, Otago Daily Times


Review - Faye DriscollYou’re Me, San Francisco: Rita Felciano, San Francisco Bay Guardian


Boy follows in dance steps of twin at Covent Garden: Rashid Razaq, Evening Standard

Not ballet-related but fascinating nonetheless:


Live tweeting at arts events: Tom Jacobs, Pacific Standard Magazine

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Links – Friday March 15, 2013


Review - National Ballet of CanadaRomeo and Juliet, Toronto: Dana Glassman, National Post


The Royal Ballet’s 2013/14 season - Kevin O’Hare speaks to Zoë Anderson: Dancing Times


Review - San Francisco BalletThe Rite of SpringBeauxGuide to Strange Places: Toba Singer, California Literary Review


The fiery poetry of Flamenco: Ismene Brown, The Arts Desk


Review - Nijinsky gala, London: Gerald Dowler, Classical Source


Interview - Svetlana ZakharovaIzvestia/Ismene Brown


Review - Tero Saarinen CompanyScheme of ThingsHunt, NY: Carol Pardo, DanceView Times


Preview - Via Katlehong, South African dance troupe, New Jersey: Roslyn Sulcas, New York Times


Review - Liss Fain DanceThe Water is Clear and Still, NY: Elisa Kimble, Broadway World


Review - Tavaziva DanceGreed, London: Vanessa Keys, The Stage


Sara Mearns tells how she does her makeup: Tamara Abraham, Daily Mail


Ballet 101 - Dispelling myths for newcomers and skeptics: Stephanie Merry, Washington Post


Photo exhibition - Lisa Tomasetti, the Australian Ballet on tour, Victoria: StyleBistro

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Links – Saturday March 16, 2013


Review - Paul Taylor Dance Company, New York season:

Alastair Macaulay, New York Times

Marina Harss, DanceTabs


Gemma Bond (ex RB, now ABT) - a ballerina makes her own moves: Gia Kourlas, New York Times


Steven McRae (RB) - the tapping ballet dancer: Judith Mackrell, The Guardian


Review - Tavaziva DanceGreed, London: Graham Watts, DanceTabs


Book review - Daria Klimentová and Graham WattsAgony and Ecstasy: My Life in Dance: Gerard Henderson, Daily Express


Preview - Liv LorentRapunzel, touring UK: Nicholas Wroe, The Guardian


Review - Ballet Flamenco de Andalusia, Miami: Jordan Levin, Miami Herald


Flamenco’s Foreign Saviours: Raphael Minder, New York Times


Review - Ailey IIOne Forgotten MomentRustyVirtues, NY: Leigh Witchel, New York Post


Hubbard Street Dance Chicago and LINES BalletAzimuth: Sid Smith, Chicago Tribune


Bolshoi acid victim is confident he will be able to return to work: The Guardian/AP, also Melissa Eddy and Sophia Kishkovsky, New York Times


Review - Australian BalletDon Quixote, Melbourne: Dione Joseph, Australian Stage


Review - Keely GarfieldTelling the Bees, NY: Gia Kourlas, New York Times


Next week’s new dance (UK), National Dance Company of Wales, Arthur Pita’s Metamorphosis: Judith Mackrell, The Guardian

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