Whilst not wishing to halt the stream of encomia on the work of Messrs Crips and (now) Dowler, are alternative opinions and aesthetics to be denigrated as a consequence?  I like what I like and don't what I don't, regardless of a critic's view - and I'd imagine I'm not entirely alone in that.  At a guess, the history of theatre and music is full of first-night views that many would laugh at now, indeed I have a book full of them.  But all of that said, I did often enjoy Mr Crisp's de haut en bas
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