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Ondine

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Posts posted by Ondine

  1. 1 hour ago, Jane S said:

    Elvin

     

    The gorgeous Violetta Elvin ( Prokhorova)! Lest we forget:

    Elvin, said Margot Fonteyn, “influenced our dancing long after the 10 years she stayed with us”.

     

    Created roles in Ashton ballets but retired far too young.

     

    https://www.theguardian.com/stage/2021/jun/06/violetta-elvin-obituary

     

    There's a lovely short tribute here (official link)

     

     

     

    1 hour ago, Jane S said:

    The mention of Les Sylphides led me to find my DVD of the 1953 performance, with Markova, Elvin, Beriosova and John Field

     

    It's on the internet via John Hall but it's Vimeo and you have to log in.

    • Like 1
  2. 6 minutes ago, Jane S said:

    Though some may not realise this was just its ROH premiere - it was already 10 years old.

     

    Premiered in fact in France!

     

    https://www.rohcollections.org.uk/work.aspx?work=514

     

    Ballet: Work details

    Choreographer: Ninette de Valois
    Composer: Arthur Bliss
    Music title: Checkmate (1937)
    Work definition: Ballet in one scene with prologue
    World premiere: 15 June 1937, The Vic-Wells Ballet, Théâtre des Champs-Elysées, Paris
    ROH premiere: 18 November 1947, Sadler's Wells Ballet
    ROH company premiere: 15 June 1937, The Vic-Wells Ballet, Théâtre des Champs-Elysées, Paris

     

    It would be good to have a revival. If anyone wishes to see it, YouTube will oblige. 

       
       
       
       
       
       
       
    • Like 3
  3. I think it fitting and so very kind that the Royal Ballet did this.

     

    There is no doubt that Natalia Petrovna Osipova is a world class star, an amazing dancer,  and the RB is fortunate that she chose to make the company her home.

     

    BALLET IN THREE ACTS

    17.11.2023 7:30 PM

    The 125th performance by The Royal Ballet at the Royal Opera House. At tonight's performance the Company celebrates Natalia Osipova's 10th anniversary as a Principal with The Royal Ballet.
     
     
    Happy anniversary Natalia.  Long may you continue.
     
     
     

     

     

    • Like 7
    • Thanks 2
  4. 1 hour ago, PeterS said:

    Is Njinska’s choreography akin to Nijinsky? A forerunner of Ashton? Of MacMillan? Or McGregor even? 
    Any feedback welcomed

     

    Nijinska was a big influence on Ashton in his early years as a dancer & choreographer

     

    http://www.frederickashton.org.uk/biog.html

     

     

    https://www.balletcoforum.com/topic/27506-cecchetti-ashton-and-the-royal-ballet/

     

     

     

     

    • Thanks 2
  5. When we used to get Glyndebourne livestreamed to my local cinema (which was lovely) it used also to be on YouTube free and remained there for I think a month. I wonder how the cinemas felt about that? I watched 'live' at the cinema and then again online.

     

    My local was always packed for the popular ballets (we had the Bolshoi too, Sunday afternoons) and mostly the opera from the ROH (though not so much Glyndebourne) and also musicals and NT etc but it appears many cinemas are not full and are cinemas losing money?  I don't have a clue how the finance of livestreaming works. 

     

     

     

  6. 2 hours ago, Jane S said:

    was puzzled by the Symphonic Variations programme you linked to, and wondered if the Symphonic Interlude it mentions was an additional orchestral piece rather than another ballet - so looked on eBay and found this one, which clearly shows an extra bit of music, rather than an interval, between SV and Facade - and I also found another which had an extra bit of Stravinsky played before Scenes de Ballet and one which had an extra bit of Meyerbeer before Les Patineurs.

     

    It presumably had something to do with the lengths of intervals or the overall length of the programme but seems quite random from such a small sample! Anyone remember this happening more recently?

     

    That one puzzled me also and I was going to delve and didn't get round to it, so thanks for that!  Interesting isn't it? Also Giselle with another ballet. It is possible Giselle then wasn't as long as it is now, but I do feel a night at the ballet may have been better value for money then!

    • Like 1
  7. 39 minutes ago, Jan McNulty said:

    Lancaster Grand Theatre

     

    Worth the (very reasonable) ticket price to be in that lovely historic theatre! It is indeed 'grand'. (Lancaster is a delight to visit too.)

     

    https://visitlancaster.org.uk/attractions/lancaster-grand-theatre/

     

     

    Lancaster Grand Theatre first opened in 1782 and was known simply as The Theatre, Lancaster.  1908 saw a fire which gutted the interior but less than eight months later, it reopened in the form it is today.

    The Theatre has been in continuous use for 200 years. In 1951 the Lancaster Footlights bought the theatre to secure a venue for amateur drama and music in the city. It hosts many popular comedians, singers, bands and theatre touring shows as well as in-house productions. Guided tours of the interior offer the chance of sighting the reputed ghost of actress Sarah Siddons!

     

    https://en.wikipedia.org/wiki/Grand_Theatre,_Lancaster

     

     

     

  8. 5 hours ago, FLOSS said:

    Ashton's Symphonic Variations

     

    While searching for something else I came across this.

     

    Note on the 18th June 1947 there was a QUADRUPLE bill which included Symphonic Variations, and it's interesting to see all the other works danced by the company (then the Sadler's Wells Ballet) in the post war years.

     

    https://www.theatricalia.co.uk/13dance/royal.htm

     

    This is the triple bill it premiered with, in 1946: Ashton's Les Patineurs and Robert Helpmann's Adam Zero.

     

    https://en.wikipedia.org/wiki/Symphonic_Variations_(ballet)

     

     

     

     

     

    • Like 1
  9. I don't know if this has already been posted elsewhere  but I'll put it here in case not

     

    BBC Radio 4 Spotlights Keep Northern Ballet Live Campaign

    BBC Radio 4’s Front Row heard from MU General Secretary Naomi Pohl on the campaign to keep Northern Ballet music live and why it comes down to Arts Council England.

     

    https://musiciansunion.org.uk/news/bbc-radio-4-spotlights-keep-northern-ballet-live-campaign

     

    The radio segment is at around 17.30 in

     

    https://www.bbc.co.uk/sounds/play/m001rynq

     

     

     

     

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