alison Posted November 23, 2013 Share Posted November 23, 2013 So, Stuttgart Ballet are putting on a very brief run of "The Taming of the Shrew" at Sadler's Wells this weekend. I think it's probably the first time it's been seen in the UK since about 1990 when ENB danced it at the Coliseum. Did anyone go, and what did you think? (Oh, and a message from Sadler's Wells warns that the Northern Line at Angel will be out this weekend due to engineering works, so allow extra time to get there if you're going) Link to comment Share on other sites More sharing options...
Jan McNulty Posted November 23, 2013 Share Posted November 23, 2013 I'll post more when I've got access to a bigger keyboard but I thought the performance last night was splendid. I had seen Filip Barankiewicz perform an excerpt (sorry I can't remember who with) at a gala in Birmingham some years ago and had wanted to see him again ever since. He was wonderful as Petruchio and Sue Jin Kang was brilliant as Kate. Anna Osadcenko was a delight as Bianca and Marijn Rademaker was brilliant as Lucentio. Let's cut to the chase - I loved it!! 4 Link to comment Share on other sites More sharing options...
Bruce Wall Posted November 23, 2013 Share Posted November 23, 2013 (Oh, and a message from Sadler's Wells warns that the Northern Line at Angel will be out this weekend due to engineering works, so allow extra time to get there if you're going) So heartily agree with Janet. Cranko's wit is troweled with delight. Barankiewicz was a particular delight ... as was the lovely pas de six. As to the Northern Line .... Not just Angel today .... but from Morden to East Finchley are not operative .... A tip from the Boy Scouts: BE PREPARED!!! Link to comment Share on other sites More sharing options...
aileen Posted November 23, 2013 Share Posted November 23, 2013 These Stuttgart men strip off at any opportunity, don't they! Twenty minutes in Petruchio had stripped down to his undies (well, his white footless tights)! I have to say that broad comedy, caricature and 'comic' dancing are not really my thing, but this was done very well. The two leads were perfectly cast and everyone acted their socks off. The ensemble dancing did not hold a lot of interest for me (and there were few minor roles of any note). The highlights for me were three fabulous pdds, two for Petruchio and Kate (the second was particularly spectacular) and a beautifully danced one for Lucentio and Bianca. I have really liked Rademaker this week and would love to see him again in something. Janet, which pdd was danced at the gala in Birmingham? 3 Link to comment Share on other sites More sharing options...
aileen Posted November 23, 2013 Share Posted November 23, 2013 PS I bought some of the topless men photographs! 1 Link to comment Share on other sites More sharing options...
Naomi M Posted November 23, 2013 Share Posted November 23, 2013 PS I bought some of the topless men photographs! Those post cards were gone in a few seconds when Stuttgart Ballet toured in Japan, only the ladies post cards were left! 2 Link to comment Share on other sites More sharing options...
johnross Posted November 23, 2013 Share Posted November 23, 2013 Yes I agree with you who thought that The Taming of the Shrew was great fun. We had just the Act 1 but here are some pictures you might like. Lucentio - David Moore, Bianca - Elisa Badenes, Hortensio - Roman Novitzky and Gremio - Ozkan Ayik Petruchio - Alexander Jones and Katherina - Alicia Amatriain Petruchio - Alexander Jones, Katherina - Alicia Amatriain and Father - Rolando D'Alesio More pictures of Stuttgart Ballet on www.johnrossballetgallery.co.uk 3 Link to comment Share on other sites More sharing options...
aileen Posted November 23, 2013 Share Posted November 23, 2013 I did buy a photograph of one of the ladies: Sue Jin Kang. Link to comment Share on other sites More sharing options...
toursenlair Posted November 23, 2013 Share Posted November 23, 2013 Janet, which pdd was danced at the gala in Birmingham? it was the "fight pas de deux" from the first act with Petruchio and Katarina. The Katarina was someone from Dresden, as I recall. 2 Link to comment Share on other sites More sharing options...
Jan McNulty Posted November 23, 2013 Share Posted November 23, 2013 The very one! Link to comment Share on other sites More sharing options...
nottsballetlover Posted November 24, 2013 Share Posted November 24, 2013 I was at the Saturday matinee of Taming with the cast in the fabulous photos by John Ross above and I absolutely loved it! I thought it was witty, funny and the choreography looked incredibly complex, especially the ppds for the main couples - the last pdd for Katherina and Petruchio was breathtakingly exciting, especially the lifts, and really so joyous to watch that I cried (although this is supposed to be a comedy!!). What fabulous dancers Stuggart Ballet has - I loved the 2 leading men who dazzled and shone, Alexander Jones (Petruchio) and David Moore (Lucentio). Both British and RBS graduates (ah, lucky Stuggart.....). And two equally dazzling leading ladies, Alicia Amatriain as Katherina and Elisa Badenes as Bianca. And great supporting cast as well, particularly the other 2 suitors , who were very funny indeed. Great orchestra as well, specially formed to accompany Stuggart here in London - the music is crucial to the comic flow of the piece. For me, it was a real treat and privilege to see this wonderful company and dancers in London performing such a fabulous piece by Cranko. Yes, loved it!!! 4 Link to comment Share on other sites More sharing options...
aileen Posted November 24, 2013 Share Posted November 24, 2013 There were some interesting instruments in the orchestra: a harpsichord, a marimba and a huge xylophone/vibraphone. 2 Link to comment Share on other sites More sharing options...
Naomi M Posted November 24, 2013 Share Posted November 24, 2013 Elisa Badenes is also a RBS graduate, she was in Prix de Lausanne and got a scholarship for that. Glad you enjoyed nottsballetlover! 1 Link to comment Share on other sites More sharing options...
Coated Posted November 24, 2013 Share Posted November 24, 2013 Best Panto I've ever seen. I really enjoyed it whilst watching, though the re-education through food deprivation leaves a little bit of a bad taste in my mouth. Alicia Amatriain was fabulous, and I love her complete lack of vanity and ability to pull the most amazingly atrocious faces. Having seen her in Fanfare LX as well where she is every inch a gorgeous dancer makes her performance even more impressive to me. 2 Link to comment Share on other sites More sharing options...
simonbfisher Posted November 25, 2013 Share Posted November 25, 2013 Yes, best panto is about right! I had vivid memories of being "shaken AND stirred when I saw it in its second season in Stuttgart - but that was a l o n g time ago - whilst on Saturday it came over as a jolly romp with some (but not a great deal of) splendid dancing to some intriguingly pro to-Macmillanesque choreography. Liked Barankiewicz and Sue Jin Kang greatly, and was not disappointed by the pas de six. The two unsuccessful suitors, though, were soooo camp that they were not really involving. I think they could take lessons from a couple of recent Gamaches that we've seen at the RB .... And what about the servants in Act 2 - how very politically incorrect, and in fact quite cringeworthy, their transformation into people with various disabilities seemed. I'm afraid I had a complete good-humour failure at that point : surely we could have gone for sneezes and coughs, and maybe even some spots, rather than the contortions that we were shown?? Howvere, it was great to have seen the two programmes this week, and to be reminded of what a durable and inspiring company this is! (Full of Canadians, again, I note!) Link to comment Share on other sites More sharing options...
aileen Posted November 25, 2013 Share Posted November 25, 2013 Simon, I didn't notice the bit about the servants being transformed into people with disabilities; I must have lost concentration at that point. The original subject matter is pretty hard to stomach in whatever form one sees it. The two reviews which I have read (are there no others?) have been pretty scathing. One includes a clip with Richard Cragun and Marcia Haydee in I think the fight pdd and there is something more delicate and nuanced about it which seems to have been lost in the interpretations by the dancers currently dancing the roles. I understand that Jason Reilly was injured and that he and his partner (I can't remember who it was) were replaced on Saturday evening and so non-one was able to see what this pairing was like in the roles. Link to comment Share on other sites More sharing options...
Naomi M Posted November 25, 2013 Share Posted November 25, 2013 I am a bit frustrated that there aren't much reviews coming out for this performance. No critics watching the show? Or they just haven't written it yet? Link to comment Share on other sites More sharing options...
Jane S Posted November 25, 2013 Share Posted November 25, 2013 A 4* review by Donald Hutera has just appeared on the Times site, if you have access to it. 2 Link to comment Share on other sites More sharing options...
aileen Posted November 25, 2013 Share Posted November 25, 2013 Naomi, there are two reviews out, one from Arts Desk and one from Londonist. I am also surprised that there are so few reviews. I don't know whether that's because the critics weren't there or because their reviews haven't yet been published. I think that Osipova's debut as a RB principal has overshadowed everything else, plus two of the Shrew performances clashed with the last two performances of the RB's Chroma/Seasons/Rite triple bill. There are also a fair number of people who never go to any ballet outside the ROH. Link to comment Share on other sites More sharing options...
aileen Posted November 25, 2013 Share Posted November 25, 2013 Actually, my last point is not really relevant to the paucity of reviews. Jane, which cast did Donald Hutera see? Link to comment Share on other sites More sharing options...
Jane S Posted November 25, 2013 Share Posted November 25, 2013 He was at the Saturday matinee, which was the one the press were invited to review - Amatriain/Jones. I was there too and there will be a review on DanceTabs when I finish writing it! 2 Link to comment Share on other sites More sharing options...
aileen Posted November 25, 2013 Share Posted November 25, 2013 There are some terrific photographs in the company's online tour diary including some great views of London. Link to comment Share on other sites More sharing options...
Jan McNulty Posted November 25, 2013 Share Posted November 25, 2013 This is the link to the tour blog 3 Link to comment Share on other sites More sharing options...
hfbrew Posted November 25, 2013 Share Posted November 25, 2013 Loved the photos of Alex Jones. So grateful to those for posting as me and dh too ill to go! Link to comment Share on other sites More sharing options...
aileen Posted November 26, 2013 Share Posted November 26, 2013 The (rather more positive) classicalsource and bachtrack reviews, of two different casts, are now online. I think that the former was posted a couple of days ago but, despite searching for reviews several times over the past few days, I only found it today. Link to comment Share on other sites More sharing options...
alison Posted November 27, 2013 Author Share Posted November 27, 2013 Yes, best panto is about right! I had vivid memories of being "shaken AND stirred when I saw it in its second season in Stuttgart - but that was a l o n g time ago - whilst on Saturday it came over as a jolly romp with some (but not a great deal of) splendid dancing to some intriguingly pro to-Macmillanesque choreography. Liked Barankiewicz and Sue Jin Kang greatly, and was not disappointed by the pas de six. The two unsuccessful suitors, though, were soooo camp that they were not really involving. I think they could take lessons from a couple of recent Gamaches that we've seen at the RB .... And what about the servants in Act 2 - how very politically incorrect, and in fact quite cringeworthy, their transformation into people with various disabilities seemed. I'm afraid I had a complete good-humour failure at that point : surely we could have gone for sneezes and coughs, and maybe even some spots, rather than the contortions that we were shown?? Howvere, it was great to have seen the two programmes this week, and to be reminded of what a durable and inspiring company this is! (Full of Canadians, again, I note!) And Poles too, if the names are anything to go by. And the odd Brit Now I actually have some time to put down some thoughts, I find myself largely agreeing with Jane's DanceTabs review. I remembered it as a ballet I wasn't particularly enamoured with 20-odd years ago, and seeing it now in the 21st century I was aware of how dated parts of it seemed: having been to MacMillan's Romeo & Juliet the night before, which is a Shakespeare adaptation which doesn't really seem to have suffered the same fate, possibly made the difference all the clearer. Obviously attitudes and sensibilities have changed a lot in the intervening years, yet I still found myself being a lot more uncomfortable with "Shrew" than, say, with the treatment of women as mere chattels as portrayed in R&J. (And, Simon, I definitely remember the 1990s critics complaining about the tastelessness of the portrayal of the servants even back then). I found the whole thing over-frenetic and, yes, panto-like, I suppose (I did rather feel as though I was being beaten about the head with an inflatable banana or something), and was conscious of a lack of dancing in Act I. But what I felt the lack of most was any real depth of characterisation: I wanted, no, needed Shakespeare's words to shed light on what the characters were feeling, because the steps weren't doing it for me (*not* a problem I've ever had with Ashton's The Dream, for instance) - I had no idea whether Katherina was behaving the way she did simply because she was a bad-tempered old witch, or whether there was something else behind it, like an inferiority complex with regard to her prettier, seemingly better-behaved younger sister. And I didn't feel the change in attitudes of both Katherina and Petruchio was particularly convincing, because it seemed too rushed - in Cinderella I can accept the balletic convention of reducing the trips to the ball to 1 instead of 3 as I think it is in the fairytale - but here I really felt that I needed more time spent on the growing relationship between the two of them for it to be believable rather than more of a sudden volte-face. I don't think this is any reflection on the dancers, who were all very good, more on the structure of the ballet itself. Either way, I hope the company will be back soon: I'd love to see more of them. 2 Link to comment Share on other sites More sharing options...
aileen Posted November 27, 2013 Share Posted November 27, 2013 For Rademaker fans, I see that he is now listed as one of the dancers in Ivan Putrov's programme at the Coliseum in January. 3 Link to comment Share on other sites More sharing options...
alison Posted November 27, 2013 Author Share Posted November 27, 2013 I see Alastair Macaulay in the NYT has an interesting take on Cranko's "unmusical" choreography: http://www.nytimes.com/2013/11/27/arts/dance/stuttgart-ballet-at-sadlers-wells-london.html?_r=0 Link to comment Share on other sites More sharing options...
zxDaveM Posted December 11, 2013 Share Posted December 11, 2013 Foteini was also at the rehearsal - here are a couple more pics: Özkan Ayik (Gremio), Elisa Badenes (Bianca) in Taming of the Shrew (Stuttgart Ballet)© Foteini Christofilopoulou. Courtesy of DanceTabs / FlickrAngelina Zuccarini in Taming of the Shrew (Stuttgart Ballet)© Foteini Christofilopoulou. Courtesy of DanceTabs / FlickrSee more...Set from DanceTabs: Stuttgart Ballet - The Taming of the Shrew Courtesy of DanceTabs / Flickr 1 Link to comment Share on other sites More sharing options...
alison Posted December 11, 2013 Author Share Posted December 11, 2013 How beautifully clear-cut those photos are! Especially the first one. Link to comment Share on other sites More sharing options...
Terpsichore Posted December 24, 2013 Share Posted December 24, 2013 I have wanted to see this ballet ever since I saw the review in Dance and Dancers in 1969. I saw it on 23 Nov 2013 and it was well worth the wait http://jelterps.blogspot.co.uk/2013/11/stuttgart-ballets-taming-of-shrew-well.html Link to comment Share on other sites More sharing options...
Bou Posted January 28, 2014 Share Posted January 28, 2014 My daughter (7yrs old) was in this - haven't got any photos for obvious reasons so would really really appreciate it if anyone has a shot of the girls in the wedding scene. Didn't occur to look on here before now so keeping my fingers crossed! Link to comment Share on other sites More sharing options...
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