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Dance Links for October 2022


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Links - Saturday 01 October, 2022

 

 

Review - Scottish Ballet, Coppelia, Aberdeen:  Kirsty Brown, Grampian Online

 

Review - Fall for Dance 2022, Programme 4, New York:  Gia Kourlas, NY Times

 

Reviews - Rambert, Peaky Blinders: The redemption of Tommy Shelby, Birmingham:

Donald Hutera, Stage

Keith Watson, Metro

 

Review - Smuin Contemporary Ballet, Dance Series 1, San Francisco:  Rachel Howard, Fjord Review

 

Review - Australian Dance Theatre, Savage, Canberra:  Michelle Potter, ... on dancing

 

Reviews - House of Flamenka, London:

Rachel Elderkin, Stage

Howard Loxton, British Theatre Guide

 

Review - BalletLORENT, Rapunzel, Newcastle:  Dora Frankel, British Theatre Guide

 

Catchup Review - American Ballet Theatre, Of Love and Rage, New York:  Leigh Witchel, dancelog.nyc

 

Preview - Dance Umbrella 2022, London:  Teresa Guerreiro, Culture Whisper

 

Preview - Dance coming to Leeds:  Staff, Yorkshire Post

 

Preview - Nevada Ballet, Dracula, Las Vegas:  Debbie Hall, Broadway World

 

Video Report - Ukrainian ballet dancers protest against Putin’s war:  Minnie Stephenson, Chaneel 4

 

Dance Diary - September 2022, Australia:  Michelle Potter, ... on dancing

 

Feature - Ana Gallardo Lobaina, Royal New Zealand Ballet:  Sarah Catherall, Stuff

 

Feature - The 10 best dance companies in Miami:  Jesse Scott, Miami New Times

 

Feature - Adult Ballet: How the Align Method has redefined classical ballet for Angelinos like me:  Morena Dude, LA Times

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Links – Sunday 2 October

 

Review – Teatro Alla Scala, Onegin (Various debuts), Milan: Graham Spicer, Gramilano

 

Review – Rambert, Peaky Blinders: The Redemption of Tommy Shelby, Birmingham: Debra Craine, The Times

 

Review – Australian Ballet, Obsidian Tear, Everywhere We Go, Annealing, Melbourne: Peter Craven, Spectator Australia

 

Feature - The ballet company (ENB) helping Jeremy Paxman with his Parkinson's: Julia Llewellyn Smith, Sunday Telegraph

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Links – Monday 3 October

 

Feature – Looking ahead to Birmingham Royal Ballet's new HotelDavid Mead, SeeingDance

 

Review – Queensland Ballet, ManonBrisbane: Michele-Rose Boylan, Australian Arts Review

 

Review – Rambert, Peaky Blinders: The Redemption of Tommy Shelby, Birmingham: Sarah Crompton, The Observer

 

Review – House of Flamenka, London: Debra Craine, The Times

 

Review – Russell Maliphant Dance Company, Vortex, Ipswich/Touring: Donald Hutera, The Times

 

Review – Rendez-Vous Dance, What songs may do …, Gosforth/Touring: Dora Frankel, BTG

 

Review – Compagnia Abbondanza/Bertoni, Pithecanthropus Erectus, Milan: Graham Spicer, Gramilano

 

Costume Feature – Northern Ballet’s Little Mermaid: Staff, Love Belfast

 

News - Nine companies come together for DanceX, Melbourne: Staff, Dance Australia

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Links – Tuesday 4 October

 

Review – Australian Ballet, Obsidian Tear, Annealing, Everywhere We Go, Melbourne: Gracia Haby, Fjord Review

 

Review – Queensland Ballet, ManonBrisbane: Denise Richardson, Dance Australia

 

Review – New York City Ballet, Divertimento No 15, Scotch Symphony, La Sonnambula, New York: Faye Arthurs, Fjord Review

 

Review - Fall For Dance Festival 2022: Program 4, New York: Kasey Broekema, Ballet Herald

 

Review – Scottish Dance Theatre, Ray, London/Touring: Lyndsey Winship, Guardian

 

Review – Ballett Zürich, NachtträumeZurich: Sarah Batschelet, Bachtrack

 

Review – Monochromatic Light (Afterlife), New York: George Grella, Financial Times

 

Preview - Aakash Odedra CompanySamsara, London: Teresa Guerreiro, Culture Whisper

 

Preview - October DanceWatch around Portland: Jamuna Chiarini, Oregon Artswatch

 

Talking Pointes – Bangarra’s Beau Dean Riley Smith, Stories to TellFjord Review

 

News - Elmhurst Ballet School to celebrate Its Centenary in 2023: Stephi Wild, BWW UK

 

And in case you didn’t know:

The disturbing story behind the Royal Ballet's Mayerling:

Jessica Green, Mail Online

Clemmie Read, Tatler

 

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Links – Wednesday 5 October

 

Feature – The reimagination of Battersea Power Station, plus Reece Clarke and William Bracewell: Alex Preston, Telegraph

 

Review – Bangarra Dance Theatre, Waru – Journey of the Small Turtle, Sydney: Claudia Lawson, Fjord Review

 

Review – Dancenorth, WayfinderBrisbane: Madelyn Coupe, Fjord Review

 

Review – Tabula Rasa Dance Theater, Oedipus Rex, New York: Jerry Hochman, Critical Dance

 

Preview – Royal Ballet, Light of Passage (Pite), London: Teresa Guerreiro, Culture Whisper

 

Preview – Shechter 2, Contemporary Dance 2.0, London: Teresa Guerreiro, Culture Whisper

 

Preview - Roma tell their stories in a Dance-Theater work from Berlin: Brian Seibert, NY Times

 

News – United Ukrainian Ballet heads for Australia: Catherine Lambert, Sydney Morning Herald

 

News - Boston Ballet prepares for its 59th season: Iris Fanger, WBUR

 

News – Varna International Ballet to launch UK tour in Edinburgh next year: Staff, Scotsman

 

Book News - Glimpses of Graeme now available: Michelle Potter, ... on dancing

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Links – Thursday 6 October

 

Preview – Australian Ballet, Romeo and Juliet (Cranko): Amanda Dunn, The Age

 

Preview – Ivan Putrov’s Men in Motion, London: Teresa Guerreiro, Culture Whisper

 

Review – New York City Ballet, Symphony in C, Play Time, Solo, Adagio for Strings, Love Letter, New York: Nadia Vostrikov, Ballet Herald

 

Review – Malpaso Dance Company, Lullaby for Insomnia, Woman with Water, Elemental, Stillness in Bloom, New York: Brian Seibert, NY Times

 

Review – Australian Tap Dance Festival, Sounds Inspired Gala, Melbourne: Stephanie Glickman, Australian Stage

 

News - Call for public inquiry into arts funding agency Creative New Zealand: Andre Chumko, Stuff.co

 

Video interview – Misty Copeland: Endalyn T Outlaw, UNCSA

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Links – Friday 7 October

 

Reviews – Royal Ballet, MayerlingLondon:

Alastair Macaulay, Slipped Disc

Debra Craine, The Times

Zoe Anderson, Independent

Rachel Elderkin, The Stage

Mark Monahan, Telegraph

Louise Levene, Financial Times

Teresa Guerreiro, Culture Whisper

Mark Pullinger, Bachtrack

 

Feature - ‘Don’t worry, just watch’: how do you tell a story through dance?  Lyndsey Winship, Guardian

 

Reviews – Fall for Dance Festival, New York:

Program 3, Faye Arthurs, Fjord Review

Program 5, Marina Harss, Fjord Review

 

Review – English National Ballet, Swan Lake (Deane), Manchester/Touring: Jo Beggs, Reviews Hub

 

Review – Ballet Black, Say It Loud, Black Sun, Birmingham/Touring: Youssra Al Hajji, Redbrick

 

Review – Joseph Toonga, Born to Exist, Oxford/Touring: Lyndsey Winship, Guardian

 

Review – Yvonne Rainer, HellzapoppinWhat about the Bees? New York: Siobhan Burke, NY Times

 

Review – Atamira Dance Company, KikoAuckland: Jaqs Clarke, Theatreview

 

Preview – Royal Ballet/Crystal Pite, Light of Passage: Marianka Swain, Telegraph

 

Preview – Birmingham Royal Ballet, Forgotten Land (Kylian): David Mead, SeeingDance

 

Preview - Oregon Ballet Theatre’s season of stories: Martha Ullman West, Oregon Artswatch

 

Photo Feature - Australian Ballet prepares for Romeo and Juliet: Ellen Smith, Guardian

 

News - Ten leading Bolshoi dancers suspended: Graham Spicer, Gramilano

 

News - ‘It’s like The Godfather’: Irish dancing world hit by cheating allegations: Rory Carroll, Guardian

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Links – Saturday 8 October

 

Reviews – Royal Ballet, MayerlingLondon:

Jenny Gilbert, Arts Desk

Jim Pritchard, Seen and Heard

 

Reviews – Australian Ballet, Romeo and Juliet (Cranko), Melbourne:

Tim Byrne, Guardian

Leila Lois, The Age

Rhys Ryan, Limelight

 

Reviews – Kate Prince/Zoo Nation, MixtapeLondon:

Debra Craine, The Times

Mark Monahan, Telegraph

Vera Liber, BTG

Scott Matthewman, Reviews Hub

 

Reviews – English National Ballet, Swan Lake (Deane), Manchester:

Rebecca Rommen, The Mancunion

Daisy Jackson, The Manc

 

Review – New York City Ballet, Episodes, Vienna Waltzes, New York: Mary Cargill, Danceviewtimes

 

Review – Rome Opera Ballet, Serata Preljocaj, Rome: Valentina Bonelli, Fjord Review

 

Reviews - The Centre for the Less Good Idea, To What End, London:

Lyndsey Winship, Guardian

Teresa Guerreiro, Culture Whisper

 

Review – Kimberley Bartosik, The Encounter, New York: Brian Seibert, NY Times

 

Review – New Zealand Dance Company, What They Said, Auckland: Felicity Molloy, Theatreview

 

Preview - English National Ballet presents Ek, Forsythe, Quagebeur, LondonA A Cristi, BWW UK

 

Preview - Portland Dance Film Fest ups the ante: Amy Leona Havin, Oregon Artswatch

 

Interview - Oona Doherty: ‘I wasn’t the best dancer in the class. My ego couldn’t handle it’: Lyndsey Winship, Guardian

 

Feature – Esraa Warda, from her Algerian family’s living room to the dance stage: Madison Mainwaring, NY Times

 

News - Digital platform launched to showcase work of Ukrainian dancers: Jamie Body, The Stage

 

News - Hudson Valley Dance Festival returns: Logan Culwell-Block, Playbill

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Links - Sunday 09 October, 2022

 

 

Obituary - Stephanie Dabney, ballerina:  Claudia Bauer, NY Times

 

 

Review - Fall for Dance Festival 2022, Programme 5, New York:  Marina Kennedy, Broadway World

 

Review - Royal Ballet, Mayerling, London:  Mark Ronan, The Article

 

Reviews - Alexander Whitley Dance Company, Anti-Body, London:

Matthew Paluch, Gramilano

Teresa Guerreiro, Culture Whisper

 

Review - Shobana Jeyasingh Dance, Clorinda Agonistes, London:  Alastair Macaulay, Blog

 

Review - Royal New Zealand Ballet, Tutus on Tour, on tour around New Zealand:  Brigitte Knight, Stuff

 

Preview - Boston Ballet’s 2022/23 season:  Jed Gottlieb, Boston Herald

 

Essay - Memories of Lynn Seymour in her 1977-1978 season:  Alastair Macaulay, Blog

 

Film Preview - Creature (English National Ballet):  Dan Stephens, Top 10 Films

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Links - Monday 10 October, 2022

 

 

Feature - Sterling Hyltin on her coming retirement from New York City Ballet:  Charles Isherwood, Playbill

 

Reviews - Royal Ballet, Mayerling, London:

Sarah Crompton, Observer

Joy Sable, Jewish Chronicle

 

Review - Australian Ballet, Romeo and Juliet, Melbourne:

Deborah Jones, Follow Spot

Savannah Indigo, Arts Hub

Heather Bloom, Australian Stage

 

Review - Queensland Ballet, Manon, Brisbane:  Madelyn Coupe, Fjord Review

 

Review - Fall for Dance Festival 2022, Programmes 4 and 5, London:  Jerry Hochman, Critical Dance

 

Review - Pacific Northwest Ballet, Allegro Brillante, Wartime Elegy, Carmina Burana, Seattle:  Broadway World

 

Review - Royal Danish Ballet, Blixen, Copenhagen:  Eva Kistrup, Danceview Times

 

Review - Chunky Move & Restless Dance Theatre, Rewards for the Tribe, Coventry:  David Mead, Seeing Dance

 

Review - Cloud Gate Dance Theatre of Taiwan, 13 Tongues, Stanford:  Ellie Wong, Stanford Daily

 

Review - Cherish Menzo, Jezebel, London:  Lyndsey Winship, Guardian

 

Feature - A look back at Australian Ballet costumes as the company turns 60:  Bree Player, Marie Claire

 

Feature - La Scala Ballet’s full and empty houses:  Graham Spicer, Gramilano

 

Preview Feature - Gianni Goffredo, The Trocks, is looking forward to visiting Hull:  Deborah Hall & Diane Parkes, Hull Daily Mail

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Links - Tuesday 11 October, 2022

 

 

Feature - Vadim Muntagirov, Royal Ballet, prepares for dancing Mayerling’s Rudolf:  Teresa Guerreiro, Culture Whisper

 

Review - New York City Ballet, three programmes, New York:  Marina Harss, Fjord Review

 

jReview - Royal Ballet, Mayerling, London:  Mathew Paluch, Gramilano

 

Review - Royal New Zealand Ballet, Tutus on Tour, Wellington:  Deirdre Tarrant, NZ Theatreview

 

Review - Australian Ballet, Romeo and Juliet, Melbourne:  Susan Bendall, Dance Australia

 

Review - Alexander Whitley Dance Company, Anti-body, London:  Louise Levene, FT

 

Review - Kate Prince / Zoo Nation, Mixtape, London:  Vikki Jane Vile, Broadway World

 

Review - Jérôme Bel at Philadelphia Fringe Festival, Philadelphia:  Merilyn Jackson, Fjord Review

 

Review - Cherish Menzo, Jezebel, London:  Donald Hutera, Stage

 

Review - The Centre for the Less Good Idea, To What End, London:  Donald Hutera, Stage

 

Review - Jade Manns, The Open; Owen Prum, Weekender, New York:  Angela Bernstein & Angelina Hoffman, Brooklyn Rail

 

Review - Seán Curran & Darrah Carr Dance, Céilí, New York:  Cecilia Whalen, Fjord Review

 

Review - Holdtight Company, when the blossom passes, what remains?, New York:  Hallie Chametzky, Brooklyn Rail

 

Streamed Review - Pacific Northwest Ballet, Allegro Brillante, Wartime Elegy, Carmina Burana:  Nadia Vostrikov, Ballet Herald

 

News - Jonathan Batista promoted to be first black principal at Pacific Northwest Ballet:  Diana Opong, KUOW

 

News - Peter Schaufuss to present Nutcracker at Ian McKellen Theatre in Edinburgh:  Tom Millward, What's On Stage

 

Feature - Fei Bo, choreographer:  Staff, Digital Journal

 

Interview - KJ Holmes, improvisor, performer & teacher:  Tess Michaelson, Brooklyn Rail

 

Preview - Ballo Arthur Pita, 10 Sorry Tales, London:  Teresa Guerreiro, Culture Whisper

 

Preview - California Ballet, Awakening (mixed programme), San Diego:  Marcia Luttrell, San Diego Union Tribune

 

Preview - Dance Reflections by Van Cleef & Arpels, Abu Dhabi:  Staff, Gulf News

 

Feature - How a Glasgow venue harvests heat from dancers:  Imogen Malpas, Guardian

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Links - Wednesday 12 October, 2022

 

 

Review - New York City Ballet, Episodes, Vienna Waltzes, New York:  Jonathan Grey, Gramilano

 

Review - New York City Ballet, Stravinsky Violin Concerto, Concerto DSCH, Everywhere we go, New York:  Ivy Lin, Bachtrack

 

Review - Australian Ballet, Romeo and Juliet, Melbourne:  Alex First, J-Wire

 

Review - Ballet Hispánico, Noche de Oro, Beverley Hills:  Jane Rosenberg, Seen and Heard International

 

Review - Complexions Contemporary Ballet, STAR DUST: From Bach to Bowie, Boone:  Grace Ficara, The Appalachian

 

Review - City Contemporary Dance Company, Meeting In-between Time, Hong Kong:  Enid Tsui, South China Morning Post

 

Review - Volksoper, Jolanthe und das Nussknacker, Vienna:  Alastair Macaulay, Slipped Disc

 

Review - Maryland Ballet Theatre, Les Sylphides and other works, Annapolis:  Lynne Menefee, MD Theatre Guide

 

Review - The Centre for the Less Good Idea, To what end, London:  Rachel Nouchi, British Theatre Guide

 

Review - Tyshawn Sorey, Monochromatic Light (Afterlife), New York:  Emery Kerekes, San Francisco Classical Voice

 

Feature - SFDanceworks:  Toba Singer, Pointe Magazine

 

Feature - Dickson Mbi, dancer:  Louise Levene, FT

 

Essay - The portrait of the Spanish Infanta and the Covent Garden Rose Adagio:  Alastair Macaulay, Blog

 

News - Spice Girl Melanie C to dance at Sadler’s Wells:  Lyndsey Winship, Guardian

 

News - One night only - ‘Reunited in Dance’ to feature international ballet artists (Inc. Xander Parish):  Stephi Wild, Broadway World

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Links - Thursday 13 October, 2022

 

 

Obituary - Stephanie Dabney, ballerina:  Brian Murphy, Washington Post

 

 

Interview - Sidi Larbi Cherkaoui, AD Geneva Ballet:  Laurine Mortha, Bachtrack

 

Review - Australian Ballet, Romeo and Juliet, Melbourne:  Peter Craven, Spectator Australia

 

Review - Northern Ballet, The Little Mermaid, Belfast:  Staff, Love Belfast

Interview - Abigail Prudames, Northern Ballet, on creating the role of The Little Mermaid:  Staff, Love Belfast

Interview - David Nixon, CBE, choreographer The Little Mermaid:  Staff, Love Belfast

 

Review - Oregon Ballet Theatre, A Midsummer Night’s Dream, Tchaikovsky Pas de Deux, Hush, Portland:  Martha Ullman West, Oregon Arts Watch

 

Review - LaTasha Barnes, The Jazz Continuum, New York:  Siobhan Burke, NY Times

 

Review - German Cornejo, Tango after dark, London:  Matthew Paluch, Gramilano

 

Preview Feature - Les Ballets Trockadero de Monte Carlo, Bradford:  Nick Ahad, Yorkshire Post

 

Preview - École des Sables/Pina Bausch, The Rite of Spring/common ground[s], Toronto:  Michael Crabb, Toronto Star

 

Podcast - Talking Pointes: Jenna (Roberts) Caley (ex-BRB):  Claudia Lawson, Fjord Review

 

Feature - Emily Johnson, choreographer:  Candice Thompson, Fjord Review

 

Feature - Jonathan Batista, Pacific Northwest Ballet:  Amy Brandt, Pointe Magazine

 

Preview - Birmingham Royal Ballet, Forgotten Land, Hotel, Seventh Symphony, London:  Teresa Guerreiro, Culture Whisper

 

Preview - English National Ballet, Ek, Forsythe, Quagebeur, London:  Teresa Guerreiro, Culture Whisper

 

Preview - New English Ballet Theatre and Friends, Cycles of Love and Loss, London:  Stephi Wild, Broadway World

 

Video Feature - Boston Ballet performance inspired by iconic Rolling Stones hits:  Ken Macleod, CBS News

 

Feature - Sex, drugs and pas de deux, how Mayerling’s flame keeps burning:  David Jays, Guardian

 

Essay - Pauline Claydon, aged 100 today (12 October), and her menagerie of ballet roles:  Alastair Macaulay, Blog

 

News Feature - Mel C sets out ambition to bring new audiences to Sadler’s Wells:  Jamie Body, Stage

 

News - San Francisco Ballet announces details of Next@90 Festival:  Stephi Wild, Broadway World

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Links - Friday 14 October, 2022

 

 

Feature - Ivan Putrov, producer of Men in Motion:  David Mead, Seeing Dance

 

Review - New York City Ballet, Divertimento No. 15, Scotch Symphony, La Sonnambula, New York:  Leigh Witchel, dancelog.nyc

 

Review - Royal Ballet, Mayerling, London:  Sara Veale, Fjord Review

 

Review - Joffrey Ballet, Beyond Borders (mixed programme), Chicago:  Kyle MacMillan, Chicago Sun Times

 

Review - Dance Umbrella 2022, A trio of solos, London:  Lyndsey Winship, Guardian

 

Review - Yvonne Rainer, Hellzapoppin’ What about the bees?, New York:  Karen Hildebrand, Fjord Review

 

Review - Malpaso Dance Company, mixed programme, New York:  Jerry Hochman, Critical Dance

 

Review - German Cornejo, Tango After Dark, London:  Nicola Rayner, Stage

 

Review - English National Ballet, Swan Lake, Manchester:  William Taylor & Grace, Mancunion

 

Review - Beau Bree Rhee, Shadow of the Sea, New York:  Brian Seibert, NY Times

 

Review - Muffie Delgado Connelly and Tahni Holt, Pulse Mountain, Portland:  Hannah Krafcik, Oregon Arts Watch

 

News - United Ukrainian Ballet to make its US debut at the Kennedy Centre in Washington:  Sarah L Kaufman, Washington Post

 

News - West Australian Ballet announces 2023 season:

Jansson J Antmann, Limelight

Tanya MacNaughton, The West Australian

 

News - Jonathan Lo appointed as Music Director of Australian Ballet:  Maddy Briggs, Limelight

 

News Feature - Reunited in Dance to feature a cast of international ballet artists (inc Xander Parish):  Sarah Mosqueda, LA Times via Daily Pilot

 

News - Russian ballerinas left without pointe shoes due to sanctions:  Anna Mikhailova, i24 News

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Links - Saturday 15 October, 2022

 

 

Reviews - Royal Ballet, Mayerling, London:

Deborah Weiss, Dance for You Magazine

Staff, The Week

 

Interview - Fumi Kaneko, Royal Ballet, on dancing in Mayerling:  Graham Spicer, Gramilano

 

Feature - Marcelino Sambé, Royal Ballet:  Debra Craine, Times

 

Review - Royal New Zealand Ballet, Tutus on Tour, Palmerston North:  Tanya Kopytko, NZ Theatreview

 

Review - Joffrey Ballet, Beyond Borders (mixed programme), Chicago:  Hedy Weiss, wttw

 

Review - Rambert, Peaky Blinders: The Redemption of Thomas Shelby, London:  Teresa Guerreiro, Culture Whisper

 

Reviews - Lucy Guerin Inc & Matthias Schack-Arnott, Pendulum, Melbourne:

Gracia Haby, Fjord Review

Stephanie Glickman, Australian Stage

 

Review - Gisèle Vienne, Crowd, New York:  Brian Seibert, NY Times

 

Reviews - Dance Umbrella 2022: Shebeen Dub, London:

Lyndsey Winship, Guardian

Emily May, Stage

 

Review (by a first time ballet watcher) - United Ukraine Ballet, Swan Lake, Singapore:  Carolyn Teo, Coconuts Singapore

 

Gallery - Philadelphia Ballet, Cinderella, Philadelphia:  Scott Serio, Broadway World

 

Feature - Isaac Hernández, San Francisco Ballet:  Staff, California 18

 

Feature - Yes Burt Bacharach wrote that and you can dance to it: (Mark Morris)  Brian Seibert, NY Times

 

Feature - Unity Phelan, New York City Ballet:  Gia Kourlas, NY Times

 

Feature - A pioneering black ballerina (Lauren Anderson) ’s life story comes to the stage:  Kayla Stewart, NY Times

 

Feature - Van Cleef and Arpels’ Dance Reflections comes to Los Angeles:  Candice Thompson, Fjord Review

 

News - Margot Fonteyn interview among rediscovered Desert Island Discs archive:  Jamie Body, Stage

 

Feature - Macarena Giménez and Maximiliano Iglesias, Sarasota Ballet:  Spencer Fordin, Sarasota Observer

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Links – Sunday 16 October

 

Interview - Crystal Pite: ‘Did I get the Royal Ballet job just because I’m female?’: David Jays, Sunday Times

 

Long Review – New York City Ballet, Fall 22 Season (5 shows), New York: Jerry Hochman, Critical Dance

 

Reviews – Rambert, Peaky Blinders, The Redemption of Thomas Shelby, London:

Zoe Anderson, Independent

David Jays, Evening Standard

Scott Matthewman, Reviews Hub

 

Reviews – Dickson Mbi, EnowateLondon:

Vera Liber, BTG

Teresa Guerreiro, Culture Whisper

 

Preview – Philadelphia Ballet, Cinderella (Stevenson), Philadelphia: Camille Bacon-Smith, Broad Street Review

 

Feature – Dance Theatre Harlem remembers Hazel Scott, famous Black pianist, blacklisted by McCarthyism: Sarah L Kaufman, Washington Post

 

News – New York City Ballet to give first autism-friendly performance of The Nutcracker : Leah Putnam, Playbill

 

News - Australian Ballet’s Romeo and Juliet on global livestream: A A Cristi, BWW Dance

 

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Links – Monday 17 October

 

Review – Dickson Mbi, EnowateLondon: Lyndsey Winship, Guardian

 

Review - Dance Umbrella digital festival – riches from punk to samba to the supermarket: Sarah Crompton, The Observer

 

Film Review – Creature (Akram Khan): Maryam Philpott, Reviews Hub

 

Review – Washington Ballet, NEXTsteps Triple Bill, Washington DC: Oksana Khadarina, Ballet Herald

 

Review – QL2 Dance, Big Little Things, Canberra: Michelle Potter, ... on dancing

 

Preview – Les Grands Ballets Canadiens: Carmen adaptations don't always stick to the script: Jim Burke, Montreal Gazette

 

Stream Photo Preview – Australian Ballet, Romeo and Juliet (Cranko): Graham Spicer, Gramilano

 

Interview - Meet Isaac and Esteban Hernández: the first siblings to reach the top rank of San Francisco Ballet: Luz Pena, ABC7 News

 

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Links – Tuesday 18 October

 

Feature - Choreographer Jiří Kylián on bringing his work to the UK and facing his fiercest critics: Laura Cappelle, Financial Times

 

Review – English National Ballet, Giselle (Khan) – Tamara Rojo’s Final Performance, Paris: Laura Cappelle, Financial Times

 

Review/Feature - Alexei Ratmansky’s dance for the war in Ukraine, Wartime Elegy, Seattle: Jennifer Homans,  The New Yorker

 

Reviews – Hong Kong Ballet, The Last Song, Carmina Burana (Webre), Hong Kong:

Kevin Ng, HK Economic Journal

Natasha Rogai, SCMP

 

Review – Rambert, Peaky Blinders, The Redemption of Thomas Shelby, London: Louise Levene, Financial Times

 

Review – New York City Ballet, Episodes, Vienna Waltzes, New York: Mary Cargill, Danceviewtimes

 

Review – Fall for Dance, Program 4, New York: Leigh Witchel, dancelog.nyc

 

Review – Neon Dance, Prehension Blooms, London: Scott Matthewman, Reviews Hub

 

Preview – American Ballet Theatre, Nine Sinatra Songs, In the Upper Room, New York: Gia Kourlas, NY Times

 

Preview – Sarasota Ballet, Premieres - The Pilgrimage, Living Ghosts, Excursions, Sarasota: Carrie Seidman, Sarasota Herald-Tribune

 

Audio Interview - Paul Mercurio: A life lived in fear is a life half-livedFjord Review

 

News - In New York, masks will not be required at the Opera or Ballet: Javier C Hernandez, NY Times

 

Christmas News!

- English National BalletThe Nutcracker, London: Teresa Guerreiro, Culture Whisper

- Birmingham Royal BalletThe Nutcracker, London RAH: Teresa Guerreiro, Culture Whisper

- Birmingham Repertory Theatre, The Snowman, London: Teresa Guerreiro, Culture Whisper

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Links – Wednesday 19 October

 

Feature – Who is Jakub Hrusa, Antonio Pappano’s successor at Covent Garden?: Neil Fisher, The Times

 

Interview - Crystal Pite: ‘There’s a profound optimism in gathering together and creating something’: Kat Lister, Independent

 

Premiere Reviews – Royal Ballet, Light of Passage (Pite), London:

David Jays, Evening Standard

Graham Spicer, Gramilano (Mainly photos)

 

Feature - Twyla Tharp's dancers reflect on working with the legendary Choreographer: Staff, Playbill

 

Reviews – Aakash Odedra Company, SamsaraLondon:

Teresa Guerreiro, Culture Whisper

Emily May, The Stage

Thom Punton, Reviews Hub

 

Review – Kansas City Ballet, Giselle (Carney), Kansas City: Hilary Stroh, Bachtrack

 

Review – The Trocks UK tour has reached Bradford: Graham Finney, TotalNtertainment

 

Review - Seen in Milan: the very best and absolute worst of contemporary dance: Graham Spicer, Gramilano

 

Review – Alonzo King LINES Ballet, Mixed Bill of Excerpts, San Francisco: Janice Berman, SF Classical Voice

 

Review – Fouad Boussouf/Le Phare, NässBoston: Karen Campbell, Boston Globe

 

Review – Spectrum Dance Theater, Occurrence #11, Seattle: Marcie Sillman, Seattle Times

 

Review – NW Dance Project, Bolero+ Triple Bill, Portland: Max Tapogna, Oregon Artswatch

 

Review – Dance at Melbourne Fringe: Leila Lois, Dance Australia

 

News – The Nutcracker returns to San Francisco Ballet in December: Chloe Rabinowitz, BWW SF

 

News - Kyiv Ballet's U.S. tour continues - New Orleans & Lafayette next: Staff, Acadania Advocate

 

News - Istanbul State Opera and Ballet brings Don Quixote to stage: Staff, Daily Sabah

 

News - Inspired Dance Film Festival opens in Brisbane: Jannson J Antmann, Limelight

 

Book Review – Icons and Instincts by Vincent Paterson: Jim Provenzano, Bay Area Reporter

 

The Fashion Page - 'Balletcore' - reclaiming femininity: Catherine Rowe-Kosary, The Mancunion

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Links – Thursday 20 October

 

Premiere Reviews – Royal Ballet, Light of Passage (Pite), London:

Debra Craine, The Times

Lyndsey Winship, Guardian

Mark Monahan, Telegraph

Louise Levene, Financial Times

Teresa Guerreiro, Culture Whisper

Zoe Anderson, Independent

Alastair Macaulay, Slipped Disc

Rachel Elderkin, The Stage

David Mead, SeeingDance

Matthew Paluch, Gramilano

 

Review – Aakash Odedra Company, SamsaraDickson Mbi, EnowateLondon: Louise Levene, Financial Times

 

Review – Rambert, Peaky Blinders: Royal Ballet, MayerlingLondon: Rupert Christiansen, Spectator

 

Review – Dance Umbrella/Oona Doherty, Hunter, London: Helen Tope, Reviews Hub

 

Reviews – Shobana Jeyasingh, Clorinda Agonistes: Clorinda the Warrior, Salford:

Jo Beggs, Reviews Hub

Rupert Christiansen, Spectator

 

Catchup Review – New York City Ballet, Symphony in C, Play Time, Solo, Love Letter, New York: Leigh Witchel, dancelog.nyc

 

Review – Fouad Boussouf, NässNew York: Gia Kourlas, NY Times

 

Review – BodyVox, Pearl Dive Live, Portland: Jamuna Chiarini, Oregon Artswatch

 

Preview - Jasmin Vardimon CompanyALiCE, London: Teresa Guerreiro, Culture Whisper

 

Preview – Justine A Chambers & Laurie Young, One Hundred More, Montreal: T’Cha Dunlevy, Montreal Gazette

 

Feature - A new leader at New York Theater Ballet and a call for new audiences: Marina Harss, NY Times

 

News - The Royal Ballet's A Diamond Celebration comes to cinemas: Stephi Wild, BWW UK

 

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Links – Friday 21 October

 

Reviews – Royal Ballet, Light of Passage (Pite), London:

Graham Watts, Bachtrack

Jenny Gilbert, Arts Desk

 

Review – Twyla Tharp & Dancers, In the Upper Room, Nine Sinatra Songs, New York: Siobhan Burke, NY Times

 

Reviews – Ballet Black, Say It Loud, Black Sun, London:

David Mead, SeeingDance

Matthew Paluch, Gramilano

 

Catchup Review – New York City Ballet, Fall Fashion Gala, New York: Faye Arthurs, Fjord Review

 

Review – Aakash Odedra Company, SamsaraLondon: Rachel Nouchi, BTG

 

Review – Australian Ballet, Romeo and Juliet (Cranko), Melbourne: Gracia Haby, Fjord Review

 

Review – LaTasha Barnes & Ensemble, The Jazz Continuum, New York: Cecilia Whalen, Fjord Review

 

Review – SAY, the album, London: Maryam Philpott, Reviews Hub

 

Reviews – Atamira Dance Company, Te Wheke, Dunedin: J

Jessica Latton, Theatreview

Hannah Molloy, Theatreview

 

Feature - Camille A. Brown’s latest dance challenge? To have fun: Gia Kourlas, NY Times

 

Preview – Matthew Bourne/New Adventures, Sleeping Beauty, London: Teresa Guerreiro, Culture Whisper

 

Preview – Liz Gerring Dance Company, Harbor, Boston: Karen Campbell, Boston Globe

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Links – Saturday 22 October

 

Feature - The Brilliance and Blahs of New York City Ballet. (And then there’s Solange.) Gia Kourlas, NY Times

 

Reviews – Royal Ballet, Light of Passage (Pite), London:

Roslyn Sulcas, NY Times

Joy Sable, Jewish Chronicle

Sara Veale, Fjord Review

 

Reviews – Ballet Black, Say It Loud, Black Sun, London:

Graham Watts, Bachtrack

Roslyn Sulcas, NY Times

Isaac Ouro-Gnao, The Stage

 

Review – Boy Blue Entertainment, Blak Whyte Gray, Manchester: David Cunningham, Reviews Hub

 

Review – Diavolo/Architecture, SOS – Signs of Strength, Trajectoire, Houston: Victoria Looseleaf, Fjord Review

 

Stream Review – Australian Ballet, Romeo and Juliet (Cranko): Charlotte Kasner, SeeingDance

 

Preview - Israel GalvánLa Consagración de la Primavera, London: Teresa Guerreiro, Culture Whisper

 

Preview – Micaela Taylor/Bodytraffic, Love. Lost. Fly, Beverly Hills: Steven Vargas, LA Times

 

News - Julie Kent to leave Washington Ballet and be co-artistic director of Houston Ballet with Stanton Welch:

Sarah L Kaufman, Washington Post

Amber Elliott, Houston Chronicle

Javier C Hernandez, NY Times

 

News - Russian ballet companies cancel top choreographer Alexei Ratmansky: Sarah L Kaufman, Washington Post

 

News - Les Étoiles 2023 – the cast of the annual Rome dance gala is announced: Graham Spicer, Gramilano

 

News - Alberta Ballet opens season by offering three contemporary pieces by female choreographers: Eric Volmers, Calgary Herald

 

Reminder - World Ballet Day 2022: Teresa Guerreiro, Culture Whisper

 

 

And with due thanks to the cornucopia that Google daily provides:

‘Dracula’ ballet adaptation encourages blood donations: Naomi Volcy, The Independent Florida Alligator

 

 

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Links - Sunday 23 October, 2022

 

 

Review - Twyla Tharp Dance Company, In the Upper Room, Nine Sinatra Songs, New York:  Lora Strum, Broadway World

 

Review - Birmingham Royal Ballet, Into the Music: Forgotten Land, Hotel, The Seventh Symphony, London:  Fionnuala Bourke, Birmingham World

 

Review - Sarasota Ballet, The Pilgrimage, Living Ghosts, Excursions, Sarasota:  Carrie Seidman, Sarasota Herald Tribune

 

Review - Northern Ballet, The Little Mermaid, Southampton:  Helena Gomm, Winchester Today

 

Reviews - Les Ballets Trockadero de Monte Carlo, mixed programme, Edinburgh:

Vivien Devlin, Edinburgh Guide

Serafina Cusack, Reviews Hub

 

Review - United Ukrainian Ballet, Swan Lake, Melbourne:  Stephen Parthimos, The Au Revivew

 

Review - Cloud Gate Dance Theatre of Taiwan, 13 Tongues, Washington:  Rachael F Goldberg, Broadway World

 

Review - Vincent Chaillet, The Kingdom of Shade - Signe Blanc; Frédéric Tavernini, Portrait of Frédéric Tavernini, Belfast:  Alan Meban, Alan in Belfast

 

Review - Cassils, Human Measure, Los Angeles:  Carolina A Miranda, LA Times

 

Feature - Benjamin Millepied talks about his film of Carmen with Sydney Dance Company:  Karen Van Ulzen, Dance Australia

 

News - Dancing Times to sell its collection of photographs:  Jonathan Gray, Dancing Times

 

Books Review - Annie B Parsons, The Choreography of Everyday Life; Neil Baldwin, Martha Graham - When Dance Became Modern: A Life:  Charlie Tyson, The Atlantic

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Links - Monday 24 October, 2022

 

 

Obituary - Bernard Atha CBE, Honorary President of Northern Ballet:  Grace Newton, Yorkshire Evening Post

 

 

Feature - Viengsay Valdés and Cuban National Ballet:  Ruaridh Nicoll, Guardian

 

Review - American Ballet Theatre, Whipped Cream, New York:  Mary Cargill, Danceview Times

 

Review - Royal Ballet, Light of Passage, London:  Sarah Crompton, Observer

 

Reviews - Birmingham Royal Ballet, Into the Music: Forgotten Land, Hotel, The Seventh Symphony, Birmingham:

Donald Hutera, Times

James Garrington, Reviews Hub

 

Review - Joffrey Ballet, Beyond Borders (triple bill), Chicago:  Eloise Marie Valadez, NWI Times

 

Review - Dance X Festival, Part One, Melbourne:  Megan Payne, Arts Hub

 

Review - Ballet West, Onegin, Salt Lake City:  Audrey Lockie, Utah Arts Review

 

Review - 4 companies, Swan Lakes, Tel Aviv:  Ora Brafman, Jerusalem Post

 

Review - Company Concentric & Ensemble Matters, Garden Unlocked, London:  David Mead, Seeing Dance

 

Dance Umbrella 2022, London:

 

Review - Chiara Bersani,  Seeking Unicorns; Oona Doherty, Navy Blue:  Teresa Guerreiro, Culture Whisper

 

Review - Chiara Bersani,  Seeking Unicorns:  Lyndsey Winship, Guardian

 

Review - Oona Doherty, Navy Blue:  Matthew Paluch, Gramilano

 

News - Queensland Ballet announces 2023 season:  Jansson J Antmann, Limelight

 

News - Demis Volpi will succeed John Neumeier at Hamburg Ballet:  Staff, Dance for You Magazine

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Links - Tuesday 25 October, 2022

 

 

Podcast - Talking Pointes:  David Hallberg, AD Australian Ballet:  Claudia Lawson, Fjord Review

 

Review - Birmingham Royal Ballet, Into the Music:  Forgotten Land, Hotel, The Seventh Symphony, Birmingham:  David Mead, Seeing Dance

 

Review - Sarasota Ballet, Premieres:  The Pilgrimage, Living Ghosts, Excursions, Sarasota:  Sara Rachon, Sarasota Observer

 

Review - Dance Theatre of Harlem, Balamouk, Passage, Sounds of Hazel, Charleston:  Maura Hogan, Post and Courier

 

Review - Rambert, Peaky Blinders: The Redemption of Thomas Shelby, Wembley:  Rachel Nouchi, British Theatre Guide

 

Review - Hofesh Shechter, Double Murder:  Clowns, The Fix, Toronto:  Michael Crabb, Toronto Star

 

Dance Umbrella 2022, London:

 

Reviews - Oona Doherty, Navy Blue, London:

Lyndsey Winship, Guardian

Rachel Elderkin, Stage

Zuzzana Chmielewska, West End Evenings

 

Review - Hanah Tasker-Poland with Lucien Johnson, The Most Naked, Dunedin:  Hannah Molloy, NZ Theatreview

 

Review - Emily Johnson, Being Future Being, New York:  Siobhan Burke, NY Times 

 

Review - NZ Dance Company, Artefact - How to behave in a Museum / Art Gallery, Dunedin:  Hannah Molloy, NZ Theatreview

 

Review - Ballet Arkansas, Dracula, North Little Rock:  Theresa Bertram, Broadway World

 

Preview Feature - Northern Ballet, The Nutcracker, on tour in England:  Cate Crafter, Great British Life

 

Preview Feature - Alberta Ballet, Skyward, Calgary:  Ansharah Shakil, The Gauntlet

 

Feature - Benjamin Millepied talks about his new film Carmen:  Jason J Antmann, Limelight

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Links - Wednesday 26 October, 2022

 

 

Reviews - American Ballet Theatre, Whipped Cream, New York:

Marina Harss, Fjord Review

Ivy Lin, Bachtrack

 

Reviews - Twyla Tharp Dance Company, In the Upper Room, Nine Sinatra Songs, New York:

Jerry Hochman, Critical Dance

Erin Bomboy, Bachtrack

 

Review - Fall for Dance 2022, Programme 5, New York:  Leigh Witchel, dancelog.nyc

 

Review - Mark Morris Dance Group, The Look of Love, Santa Monica:  Victoria Looseleaf, Fjord Review

 

Review - Les Ballets Trockadero de Monte Carlo, mixed programme, Edinburgh:  Kelly Apter, Scotsman

 

Review - Liz Lerman, Wicked Bodies, San Francisco:  Lou Fancher, 48 Hills

 

Dance Umbrella 2022, London:

 

Review - Chiara Bersani, Seeking Unicorns:  Sarah-Mace Dennis, Seeing Dance

 

Preview Feature - BalletMet, Dracula, Columbus:  Peter Tonguette, Columbus Dispatch

 

Feature - Pacific Northwest Ballet’s 3 newest principals:  Moira Macdonald, Seattle Times

 

Feature - Noé Soulier, choreographer:  Michael Seaver, Irish Times

 

Feature - Joseph Toonga, AD Just Us Dance Theatre:  Whelan Barzey, The British Black List

 

News - Dutch National Ballet launches new series of online ballet classes on World Ballet Day:  AA Cristi, Broadway World

 

Feature - How Strictly is challenging the way people think about dance:  Kathryn Stamp, The Conversation

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Links – Thursday 27 October

 

Obituary – Beryl Goldwyn, Dancer: Jane Pritchard, Guardian

 

 

Feature - John Neumeier celebrates his 50th Anniversary at Hamburg Ballet: Stephanie Kramer, Pointe Magazine

 

Feature - Three Australian ballet companies, three distinctive looks in 2023: Deborah Jones, FollowSpot

 

Feature – Northern Ballet, The Little Mermaid: Lyndsey Winship, Guardian

- Review – David Mead, SeeingDance

 

Reviews – Rupert Christiansen, Spectator

Royal Ballet, Light of Passage

Birmingham Royal Ballet, Into the Music Triple Bill

 

Review – National Ballet of Japan, Giselle (Yoshida/Marriott), Tokyo: Naomi Mori, Bachtrack

 

Review – United Ukrainian Ballet, Swan Lake, Melbourne: Stephanie Glickman, Australian Stage

 

Reviews - Joseph Toonga/Just Us Dance TheatreBorn to Exist: The Woman I Know:

Donald Hutera, The Stage

Teresa Guerreiro, Culture Whisper

 

Review – Aakash Odedra Company, SamsaraLondon: Stuart Sweeney, Critical Dance

 

Review – Niall Jones, Compression, New York: Brian Seibert, NY Times

 

Photo Preview – Northern Ballet, The Nutcracker: A A Cristi, BWW Regional

 

Preview – Cassils, Human Measure, Toronto: Joshua Chong, Toronto Star

 

Preview – Stephanie Lake/Sydney Dance Company, The Universe Is Here, Sydney: Lenny Ann Low, The Age

 

News - Bangarra Dance Theatre announces its 2023 season: Jo Litson, Limelight

 

News - American Ballet Theatre to host Post-Performance Panel on world premiere of Lifted, October 29: A A Cristi, BWW Dance

- Feature – Cori Murray, Playbill

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Links – Friday 28 October

 

Interviews:

-  Amy Hall Garner & Lauren Lovette: Working with the Paul Taylor Dance Company: Candice Thompson, Fjord Review

-  Sascha Radetsky & Kevin McKenzie, Spotlight on American Ballet Theatre Studio Company: Chava Pearl Lansky, Playbill

 

Review – American Ballet Theatre, The Dream, The Seasons, New York: Mary Cargill, Danceviewtimes

 

Review – Birmingham Royal Ballet, CoppeliaBirmingham: David Mead, SeeingDance

 

Review – Vienna State Ballet, Sleeping Beauty, Vienna: Jim Pritchard, Seen and Heard

 

Review – DanceX Festival, Part 1: Australian Ballet, Sydney Dance Company, Lucy Guerin Inc, Bangarra Dance Theatre, Melbourne: Gracia Haby, Fjord Review

 

Review – Mark Morris Dance Group, The Look of Love, Washington DC: Sarah L Kaufman, Washington Post

 

Review – Le Phare/Fouad Boussouf, NässNew York: Marina Harss, Fjord Review

 

Reviews – Shechter II, Contemporary Dance 2.0, London:

Nicola Rayner, The Stage

Teresa Guerreiro, Culture Whisper

Richard Maguire, Reviews Hub

 

Reviews – Sadler’s Wells Young Associates, To Start With, London:

Emily May, The Stage

Miriam Sallon, Reviews Hub

 

News – Glasgow dancer earns degree while balancing Scottish Ballet job and studies: Sarah Campbell & Katharine Hay, Glasgow Evening Times (and elsewhere)

 

News - Final bell sounds for ‘boxing ballerinas’: Eoin O’Donnell, Irish Times 

 

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Links - Saturday 29 October, 2022

 

 

News - José Martinez named new Director of Paris Opera Ballet:  Roslyn Sulcas & Laura Cappelle, NY Times

 

Review - New York City Ballet, Episodes, Vienna Waltzes, New York:  Leigh Witchel, dancelog.nyc

 

Review - American Ballet Theatre, Sinfonietta, Lifted, The Dream, The Seasons, New York:  Gia Kourlas, NY Times

 

Reviews - Twyla Tharp Dance Company, In the Upper Room, Nine Sinatra Songs, New York:

Cecilia Whalen, Fjord Review

Kasey Boekema, Ballet Herald

 

Review - Birmingham Royal Ballet, Coppelia, Birmingham:  Simonetta Dixon, BalletCo Forum

 

Review – DanceX Festival, Part 1: Australian Ballet, Sydney Dance Company, Lucy Guerin Inc, Bangarra Dance Theatre, Melbourne:  Leila Lois, The Saturday Paper

 

Review - Merce Cunningham, Unavailable Memory, New York:  Brian Seibert, NY Times

 

Review - Hofesh Shechter, Double Murder: Clowns, The Fix, Toronto:  Paula Citron, Ludwig Van

 

Review - Shechter ll, Contemporary Dance 2.0, London:  Gabriel Wilding, Everything Theatre

 

Review - NZ Dance Company, Artefact - How to behave in a Museum/Art Gallery, Nelson:  Melanie Stewart, NZ Theatre View

 

Review - American Contemporary Ballet, Inferno, Burlesque, Los Angeles:  Stefan Smith, Ballet Herald

 

News - Scottish Ballet’s The Snow Queen returns next month:  Stephi Wild, Broadway World

 

Review - Bruno Beltrão/Grupo de Rua, New Creation, London:  Teresa Guerreiro, Culture Whisper

 

Feature - Paul Taylor and Alex Katz’s long collaboration:  Brian Seibert, NY Times

 

Feature - For dancers performing in museums, first rule is: don’t bump into art:  Sarah L Kaufman, Washington Post

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Links - Sunday 30 October, 2022

 

 

Review - American Ballet Theatre, The Dream, The Seasons, New York:  Faye Arthurs, Fjord Review

 

Review - Mark Morris Dance Group, The Look of Love, Santa Monica:  Mary Lincer, Broadway World

 

Review - Birmingham Royal Ballet, Coppelia, Birmingham:  Nicole Hayness, Redbrick

 

Review - United Ukrainian Ballet, Swan Lake, Sydney:  Jansson J Antmann, Limelight

 

Review - Dance X Festival 2022, part lll, Melbourne:  Alex First, J-Wire

 

Review - Arthur Pita, Ten Sorry Tales, London:  Neil Norman, Stage

 

Review - Jasmin Vardimon Company, ALiCE, London:  Maryam Philpott, Reviews Hub

 

Review - Cassils, Human Measure, Toronto:  Ilana Lucas, Broadway World

 

Preview Feature - Tulsa Ballet, Carmen (Kendall, World premiere), Tulsa:  Kyra Laubacher, Pointe Magazine

 

Documentary Review - Paul Taylor: Creative Domain:  Neely Swanson, Easy Reader

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