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Dance Links w/b Sunday October 28, 2012


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Links – Sunday October 28, 2012

 

Obituaries – Hans Werner Henze, Composer:

Guy Rickards,

Melissa Lesnie,

Jessica Duchen,

 

Review – L.A. Dance Project, Moving Parts, Winterbranch, Quintett, NY: Marina Harss, DanceTabs

 

Review – Michael Clark Company, New Work 2012: Luke Jennings, Observer

 

Review – Boston Ballet, Rooster, Awake Only, The Second Detail: Iris Fanger, Patriot Ledger

 

Review – Birmingham Royal Ballet, London Season: Jeffrey Taylor, Express

 

Review – Phoenix Dance Theatre, Crossing Points Mixed Bill, ROH Linbury: Jenny Gilbert, Independent

 

Preview – Hofesh Shechter, Political Mother: Victor Swoboda, Montreal Gazette

 

Feature – Ballet Manila – predominantly male: Camille Erika R. Sarte, Business World

 

Preview – Atlantic Ballet Theatre of Canada, Ghosts of Violence: Tara Bradbury, Weekend Telegram

 

Review – Cincinatti Ballet, Alice (in wonderland): David Lyman, Cincinatti.com

 

Utah’s Ballet West dancing through financial pressure: Ben Fulton, Salt Lake Tribune (Scroll well down for p2)

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Links – Monday October 29, 2012

 

Review - Mariinsky Ballet, Swan Lake, San Francisco: Aimee Tsao, DanceTabs

 

Review - Birmingham Royal Ballet, The Grand Tour, Faster, The Dream: Clement Crisp, Financial Times

 

Review - Birmingham Royal Ballet, Take Five, Lyric Pieces, Grosse Fuge: Judith Cruickshank, DanceviewTimes

 

Review - Lucy Guerin Inc, Weather, Melbourne: Jordan Beth Vincent, DanceTabs

 

Review - Pittsburgh Ballet, Giselle: Jane Vranish, Pittsburg Post-Gazette

 

Review - Washington Ballet, Dracula (Pink): Sarah Kaufman, Washington Post

 

Review - Tulsa Ballet, Dracula (Stevenson): James D. Watts Jr, TulsaWorld

 

Review - Paul Taylor Dance Company, The Uncommitted, Gossamer Gallants, Cascade: Carrie Seidman, Sarasota Herald-Tribune

 

Review - Kuromori Kagura, Japan Society, NY: Gia Kourlas, New York Times

 

Preview - Pacific Northwest Ballet, All Premiere: Michael Upchurch, Seattle Times

 

Review - Lucinda Childs, Einstein on the Beach: Allan Ulrich, San Francisco Chronicle

 

There are more theatre-goers than football-goers - Theatrical Management Association Awards, 2012: Ismene Brown, The Arts Desk

 

Pilobolus dancers vote with their bodies: Laura Collins-Hughes, Boston Globe

 

Cuba’s National Theater completely restored: Isbel Diaz Torres, Havana Times

 

Interview - William Bracewell, Birmingham Royal Ballet: Nathan Bevan, WalesOnline

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Links – Tuesday October 30, 2012

 

Review - The Royal Ballet, Swan Lake (Osipova, Acosta): Judith Cruickshank, DanceviewTimes

 

Revview - L.A. Dance Project, Moving Parts, Winterbranch, Quintett, NY:

Alastair Macaulay,
New York Times

Deborah Jowitt,
ArtsJournal

 

Review - Birmingham Royal Ballet, The Grand Tour, Faster, A Midsummer Night’s Dream, London:

Zoe Anderson,
The Independent

Vanessa Keys,
The Stage

Judith Mackrell,
The Guardian

Graham Watts,
Londondance

 

Review - Russell Maliphant, The Rodin Project, London: Sarah Kent, The Arts Desk

 

Interview - Russell Maliphant: Graham Watts, Londondance

 

Review - Phoenix Dance Theatre, Crossing Points, London: Sarah Frater, The Stage

 

Review - Sydney Dance Company, Project Rameau, Sydney: Deborah Jones, The Australian

 

Review - Ballet West, annual gala: Heather Hayes, Deseret News

 

Preview - The Queen goes to the ballet tonight: Deborah Arthurs, Daily Mail

 

Australian Ballet’s 50th year celebrations come to a close: Valerie Lawson, Dancelines

 

Xiomara Reyes - I would like to dance a complete ballet in Cuba: Cuba Headlines

 

Alejandro Iñárritu's short film Naran Ja, inspired by Benjamin Millepied’s choreography: Kathleen Flood, The Creators Project

 

Another choreographer/film-maker collaboration - Siobhan Davies and David Hinton’s All This Can Happen: John Wyver, Illuminations

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Links – Wednesday October 31, 2012

 

Review - Russell Maliphant, The Rodin Project, London:

Sarah Crompton,
The Telegraph

Graham Watts,
Londondance

Lyndsey Winship,
Evening Standard

 

Reviews - Ballet Next, L.A. Dance Project: Robert Grescovic, Wall Street Journal

 

Review - Memphis Ballet, The River Project, Memphis: Alastair Macaulay, New York Times

 

Hans Werner Henze and Ondine: Ismene Brown, The Arts Desk

 

Dance in Britain is under threat, warns head of Sadler's Wells:

Anita Singh,
The Telegraph

and on
BBC News

 

Sadler’s Wells, Akram Khan, and The Rite of Spring centenary: Mark Brown, The Guardian

 

Reassessing The Rite, conference, Carolina: James R. Oestrich, New York Times

 

Queen shimmers in silver for a night at the Royal Opera: Evening Standard

 

Dancing Around the Bride, Philadelphia Museum of Art: Brian Seibert, New York Times

 

Review - Batsheva Ensemble, Deca Dance, Edinburgh: The Scotsman

 

Review - Northern Ballet, Ugly Duckling, Leeds: Kevin Berry, The Stage

 

Preview - Martin Creed, Work No. 1020 (Ballet), Chicago: Matthew de la Peña, TimeOut Chicago

 

Thomas Lund’s farewell: Mette Windberg Baarup, The Ballet Bag

 

In defence of school drama: don't let arts fall off the curriculum: Patrice Baldwin, The Guardian

 

Lecture - From Tutu to Haute Couture - Costume and the Ballet: San Francisco Chronicle

 

Bolshoi Ballet returns to Australia after 25 years: Valerie Lawson, Dancelines

 

‘A Dance Is a Dance’ - even a pole dance: New York Times

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Links – Thursday November 1, 2012

 

Review - Australian Ballet, 50th Anniversary Gala, Melbourne: Stephanie Glickman, Herald Sun

 

Review - Boston Ballet, Awake Only, Rooster, The Second Detail: Debra Cash, Boston Phoenix

 

Review - English National Ballet, The Sleeping Beauty, Liverpool: Vicki Goodwin, WhatsOnStage

 

Preview - Recreating Merce Cunningham, Un jour ou deux at Paris Opera Ballet: Roslyn Sulcas, International Herald Tribune

 

Review - Lost Dog, It Needs Horses, Home for Broken Turns, London:

Graham Watts,
DanceTabs

Jeffrey Gordon Baker,
Londondance

 

Review - Lucinda Childs/Philip Glass, Einstein on the Beach, Berkeley: Rita Felciano, DanceviewTimes

 

Reviews - The Hula Show and Einstein on the Beach: Paul Parish, Bay Area Reporter

 

Review - Palau'an Bird Call - Huni Ng Tandikan: Rita Felciano, San Francisco Bay Guardian

 

Review - Les Ballets Trockadero de Monte Carlo, Wellington: Ann Hunt, Dominion Post

 

Review - Atlantic Ballet of Canada, Ghosts of Violence: Joan Sullivan, The Telegram

 

Sadler’s Wells – Spring / Summer 2013 programming: Bruce Marriott, DanceTabs

 

Exhibition - Rudolph Nureyev, A Life in Dance, San Francisco: Laura Jacobs, Wall Street Journal

 

The Queen meets Royal Ballet dancers: The Telegraph

 

Royal Ballet to premiere Don Quixote choreographed by Carlos Acosta: Prensa Latina

 

Profile - Wes Chapman plays new role at Ballet SJ: Allan Ulrich, San Francisco Chronicle

 

Preview - Kate Prince and Some Like It Hip Hop, Edinburgh, Kelly Apter, The Scotsman

 

For ballerinas, life is not a ball - the Bolshoi goes to Delhi: Times of India

 

Preview - Alberta Ballet, Kirk Peterson’s Othello, Edmonton: Salena Kitteringham, Edmonton Journal

 

Sydney Dance Company, Project Rameau: Matthew Westwood, The Australian

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Links – Friday November 2, 2012

 

Review - Australian Ballet, 50th Anniversary Gala, Melbourne:

Jordan Beth Vincent,
Sydney Morning Herald

Eamonn Kelly,
The Australian

 

Review - Pina Bausch, …como el musguito en la piedra, ay si, si, si…, NY: Martha Sherman, DanceviewTimes

 

Review - David Gordon, THE MATTER/2012 Art & Archive, NY: Deborah Jowitt, ArtsJournal

 

Interview - Yvonne Rainer: Gia Kourlas, TimeOut New York

 

Review - Birmingham Royal Ballet, The Dream, Faster, The Grand Tour, Cardiff: Chiara Rinaldi, South Wales Echo

 

Preview - Philippe Decouflé, Panorama, Forever Crazy, London: Keith Watson, Metro

 

Japanese ballet dancers embracing Pittsburgh: Jane Vranish, Pittsburg Post-Gazette

 

RNZB’s new Giselle leaps between stage and silver screen: Voxy.co.nz

 

Film - Jirí Kylián, Forgotten Memories: Carrie Seidman, Sarasota Herald-Tribune

 

Preview - Toni Jodar, Modern Dance Speaks!, London: Londondance

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Links – Saturday November 3, 2012

 

Liam Scarlett - star young choreographer wins leading Royal Ballet role:

Ismene Brown,
The Arts Desk

ROH press release,
DanceTabs

 

Memphis jookin: Alastair Macaulay, New York Times

 

Review - Paris Opéra Ballet, Sous Apparence, Un Jour ou deux: Laura Cappelle, Financial Times

 

Interview - Marie-Agnès Gillot, Paris Opéra Ballet: Roslyn Sulcas, New York Times

 

Review - Michael Clark Company, New Work 2012, London: Louise Levene, The Telegraph

 

Review - English National Ballet, The Sleeping Beauty, Milton Keynes: Louise Levene, The Telegraph

 

Johan Kobborg talks about RNZB’s new Giselle:

 

Interview - Lourdes Lopez on Miami City Ballet: Gia Kourlas, New York Times

 

Review - Alberta Ballet, Othello, Edmonton: Salena Kitteringham, Edmonton Journal

 

Review - Tang Shu-Wing Theatre Studio, Thunderstorm, Hong Kong: Natasha Rogal, DanceTabs

 

Review - Jonzi D and Lyrikal Fearta, London: Josephine Leask, Londondance

 

Review - Dean Walsh, Prime: Orderly, Parramatta: Lloyd Bradford Sykes, Australian Stage

 

Martha Graham Sets and Costumes Damaged by Hurricane Sandy: Daniel J. Wakin, New York Times

 

Arts leaders voice deep concerns over lack of cultural subjects in Ebacc: Charlotte Higgins, The Guardian

 

Interview - Jorden Morris, Royal Winnipeg Ballet choreographer: Matthew de la Peña, TimeOut Chicago

 

This week’s new dance (UK) - RB triple bill (London); Matthew Bourne’s Sleeping Beauty (Plymouth): Judith Mackrell, The Guardian

 

Theatre Awards UK 2012 results: Sarah Kearney, Londondance

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