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John Mallinson

Dance links w/b Sunday June 2, 2019

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Links – Sunday June 2, 2019

 

Review - American Ballet Theatre, Tharp Trio: Brahms-Haydn Variations, Deuce Coupe, In the Upper Room, NY: Marina Harss, DanceTabs

 

Reviews - San Francisco Ballet, Shostakovich Trilogy, London:

Hanna Weibye, The Arts Desk

Sara Veale, DanceTabs

 

Review - New York City Ballet, A Midsummer Night’s Dream, NY: Gay Morris, Danceviewtimes

 

Review - Sergei Polunin, Rasputin, London: Mark Monahan, The Telegraph

 

Review - Sergei Polunin, Fraudulent Smile, Paradox, Sacré, London: Sara Veale, The Observer

 

Review  Rambert2, Grey Matter, E2 7SD, Killer Pig, Edinburgh: Mark Brown, Herald Scotland

 

Review - Royal New Zealand BalletBlack Swan, White Swan, Wellington: Greer Robertson, Theatreview

 

Review - Houston Ballet, The Merry Widow, Houston: Natalie de la Garza, Houston Press

 

Review - Límon Dance Company, The Moor’s Pavane, The Weather in the Room, Radical Beasts in the Forest of Possibilities, Psalm, NY: Sheila Kogan, TheaterScene

 

Review - Theatre Under The Stars, Jerome Robbins’ Broadway, Houston: Brett Cullum, Broadway World

 

Review - Simone Kenyon, Into the Mountain, Glenfeshie: Lyn Gardner, The Stage

 

Review - YYDC, The Edge of 30 Degrees, NY: David Mead, SeeingDance

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Links – Monday June 3, 2019

 

Review - National Ballet of Canada, Physical Thinking (William Forsythe triple bill), Toronto: Martha Schabas, Globe and Mail

 

Review - San Francisco Ballet, Shostakovich Trilogy, The Infinite Ocean, Snowblind, Björk Ballet, London: John O’Dwyer, Seen and Heard International

 

Photo gallery - San Francisco Ballet, The Infinite Ocean, Snowblind, Björk Ballet: Foteini Christofilopoulou, DanceTabs

 

Review - Eifman Ballet, The Pygmalion Effect, SF: Heather Desaulniers, DanceTabs

 

Reviews - Sergei Polunin, Fraudulent Smile, Paradox, Sacré, Rasputin:

Sanjoy Roy, The Observer

David Dougill, Sunday Times

 

Reviews - Sergei Polunin, Rasputin:

Vera Liber, British Theatre Guide

Jim Pritchard, Seen and Heard International

 

Review - Miami City Ballet, Walpurgisnacht Ballet, Carousel pdd, Heatscape, Brahms/Handel, Washington: Hannah Landsberger, Broadway World

 

Review - Miami City Ballet & Dance Theatre of Harlem, Ballet Across America, Washington: Carolyn Kelemen, MD Theatre Guide

 

Feature - Kathleen Breen Combes retiring from Boston Ballet: Jennifer Stahl, Dance Magazine

 

Review - Pam Tanowitz, Four Quartets, London: David Dougill, Sunday Times

 

Review - Faso Danse Théâtre, Kalakuta Republik, London: Graham Watts, DanceTabs

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Links – Tuesday June 4, 2019

 

Reviews - San Francisco Ballet, The Infinite Ocean, Snowblind, Björk Ballet, London:

Debra Craine, The Times

Vera Liber, British Theatre Guide

Graham Watts, DanceTabs

Maggie Foyer, Seeing Dance

Matt Wolf, The Arts Desk

 

Reviews - San Francisco Ballet, Shostakovich Trilogy, The Infinite Ocean, Snowblind, Björk Ballet, London:

Louise Levene, Financial Times

Lyndsey Winship, The Guardian

 

Review - San Francisco Ballet, Shostakovich Trilogy, London: Rachel Elderkin, The Stage

 

Review - Zurich Ballet, Romeo and Juliet, Zurich: Sarah Batschelet, Bachtrack

 

Reviews - Sergei Polunin, Rasputin:

Graham Watts, Bachtrack

Neil Norman, The Stage

Roslyn Sulcas, New York Times

 

Review - National Ballet of Canada, Physical Thinking (William Forsythe triple bill), Toronto: Paula Citron, ludwig-van Toronto

 

Review - Hong Kong Ballet, Chroma, The Rite of Spring, The Year of the Rabbit, HK: Natasha Rogai, South China Morning Post

 

Review - Rosie Kay, Ten Soldiers: The Body is the Frontline, Edinburgh: Mary Brennan, Herald Scotland

 

Review - Miami City Ballet & Dance Theatre of Harlem, Ballet Across America, Washington: Mary Lincer, Broadway World

 

Review - Royal New Zealand Ballet, Black Swan, White Swan, Wellington: Jennifer Shennan, … on dancing

 

Review - Marrugeku, Ngarlimbah, Miranda, Strangers, Sydney: Jill Sykes, Sydney Morning Herald

 

Review - Niv Sheinfeld & Oren Laor, Two Room Apartment, Berlin: Veronica Posth, SeeingDance

 

Review - Tupua Tigafua, Shel We?, Wellington: John Smythe, Theatreview

 

Preview/interview - Kit Modus, An Afternoon with Kit Modus, Atlanta: Sydney Burrows, ArtsATL

 

News - Elmhurst Ballet School Summer performances: Broadway World

 

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Links – Wednesday June 5, 2019

 

Review - American Ballet Theatre, On the Dnieper, Sons of Bukovina, The Seasons, NY: Leigh Witchel, dancelog.nyc

 

Feature - Cathy Marston’s Jane Eyre at ABT: Roslyn Sulcas, New York Times

 

Review - San Francisco Ballet, The Infinite Ocean, Snowblind, Björk Ballet, London: Anna Winter, The Stage

 

Feature - The Royal Ballet’s forthcoming tour to Japan: Kris Kosaka, Japan Times

 

Interview - Lauren Cuthbertson, Royal Ballet Principal: Anna Winter, The Stage

 

Q & A - Meaghan Grace Hinkis, RB Soloist: Bruce Marriott, DanceTabs

 

Review - Oakland Ballet Company, Rajastra: The King’s Cloth, Hamsa, Jangala, Oakland CA: Rita Felciano, Danceviewtimes

 

Essay - Kimerer LaMothe, The Dancing Species: Aeon

 

Art reviews - Natalia Goncharova, Tate Modern, London:

Jonathan Jones, The Guardian

Rachel Campbell-Johnson, The Times

 

News - The Evening Standard ‘loses’ two of it’s drama critics: Giverny Masso, The Stage

 

Review - Modern Table Dance Company, Sok-do (Velocity), London: Maryam Philpott, The Reviews Hub

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Links – Thursday June 6, 2019

 

Reviews - The Royal Ballet, The Firebird, A Month in the Country, Symphony in C,  London:

Graham Watts, Bachtrack

Debra Craine, The Times
Mark Monahan, The Telegraph

Joy Sable, The Jewish Chronicle

Anna Winter, The Stage

G.J. Dowler, Classical Source

 

Reviews - American Ballet Theatre, Jane Eyre, NY:

Gia Kourlas, New York Times

Ivy Lin, Bachtrack

Michael Popkin, Danceviewtimes

 

Review - American Ballet Theatre, Tharp programme: Brahms-Haydn Variations, Deuce Coupe, In the Upper Room, NY: Ivy Lin, Bachtrack

 

Review - New York City Ballet, Bartók Ballet, Bright, Tschaikovsky Suite No. 3, NY: Susan Yung, The Brooklyn Rail

 

Review - Merce Cunningham, Night of 100 Solos: A Centennial Event, NY: Leigh Witchel, dancelog.nyc

 

Feature - William Forsythe rehearses Enemy in the Figure with Ballet British Columbia: Janet Smith, Georgia Straight

 

Feature - Bangarra Dance Theatre and Jiri Kilián’s Stamping Ground: Valerie Lawson, Sydney Morning Herald

 

Feature - Brendan Fernandes, The Master and Form, Whitney Museum of American Art, Chicago: Avichal Scher, Dance Magazine

 

News - Northern Ballet, 50th Anniversary schedule: Bruce Marriott, DanceTabs

 

Feature - Fernando Montaño of the Royal Ballet dances underwater against plastics pollution: Laura Harding, The Sunday Post

 

Review - Jonathan González, Lucifer Landing II, NY: Dillon Heyck, The Brooklyn Rail

 

Review - Tatyana Tenebaum & Jasmine Hearn, collective terrain/s, NY: Rennie McDougall, The Brooklyn Rail

 

Review - Peter DiMuro, Significant Others: Dances for Family, Friends and Lovers, Boston: Jessica Lockhart, The Arts Fuse

 

Review - Tuatara Collective & Manuaku Institute of Technology, Over My Dead Body: Little Black Bitch, Wellington: Grace Ahipene Hoel, Theatreview

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Links – Friday 7 June, 2019

 

Reviews – Royal Ballet, The Firebird, A Month in the Country, Symphony in C, London:

Hanna Weibye, Arts Desk

Vera Liber, BTG

Teresa Guerreiro, Culture Whisper

 

Feature – Marcelino Sambé, New Royal Ballet Principal: David Sanderson, The Times

 

Review – American Ballet Theatre, Jane Eyre, New York: Marina Harss, DanceTabs

 

Reviews – San Francisco Ballet, Bespoke, Hummingbird, Hurry Up, We’re Dreaming, London:

Vera Liber, BTG

Teresa Guerreiro, Culture Whisper

 

Documentaries:

Natalia Osipova, Force of Nature: Peter Bradshaw, Guardian

NureyevRachel Saltz, NY Times

 

Preview – Ballet Black, Click!, Pendulum, Ingoma, Edinburgh: Kelly Apter, The List

 

News – Paul Taylor Dance Company – A Departing Generation: Gia Kourlas, NY Times

 

Review – School of American Ballet, Concerto Barocco, Garland dance, New Sleep, Bourée Fantasque, New York: Carol Pardo, Danceviewtimes

 

Review – San Francisco Ballet School, Graduation Programme, San Francisco: Paul Parish, Bay Area Reporter

 

News – Scottish Ballet teams with the Every Voice Choir: Phil Miller, Glasgow Herald

 

Review – Merce Cunningham Celebration, April 17, New York: Leigh Witchel, dancelog.nyc

 

Diary – New York, Next Week: Brian Schaefer, NY Times

 

Previews – Seattle International Dance Festival:

Gemma Alexander, Seattle Times

Sandra Kurtz, Oregon Artswatch

 

Review – Ryuichi Fujimura & Lucky Lartey, Passing It On, Sydney: Jill Sykes, SMH

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Links – Saturday 8 June, 2019

 

Reviews– Royal Ballet, The Firebird, A Month in the Country, Symphony in C, London:

Josephine Leask, DanceTabs

Louise Levene, Financial Times

 

Review – San Francisco Ballet, London Season: Lyndsey Winship, Guardian

 

Review – San Francisco Ballet, Bespoke, Hummingbird, Hurry Up, We’re Dreaming, London: Siobhan Murphy, DanceTabs

 

Review – San Francisco Ballet, Bound To, Your Flesh Shall Be a Great Poem, Anima Animus, London: Teresa Guerreiro, Culture Whisper

 

Reviews – English National Ballet, Cinderella (Wheeldon), London:

Mark Monahan, Telegraph

Neil Norman, The Stage

Emma Byrne, Evening Standard

 

Review – National Symphony Orchestra & Dancers, Classically Dope, Washington DC: George Jackson, Danceviewtimes

 

Reviews – American Ballet Theatre, Brahms-Haydn Variations, Deuce Coupe, In the Upper Room, New York:

Leigh Witchel, dancelog.nyc

Deborah Jowitt, Arts Journal/DanceBeat

 

Review – Royal New Zealand Ballet, Black Swan, White Swan, Auckland: Felicity Molloy, Theatreview

 

Preview – Robert Moses’ Kin, The Exceptionally Elderly Overweight Black Man Phoenix, San Francisco: Lou Fancher, SF Classical Voice

 

Preview – Eifman Ballet, The Pygmalion Effect, New York: Robert Johnson, Playbill

 

Diary – Southern California, Next Week: Matt Cooper, LA Times

 

News – Kelly Tweeddale, next Executive Director at San Francisco Ballet: Kevin Griffin, Vancouver Sun

 

Review – Wild Card: Stefan Jovanović, Constellations, London: Sophia Moss, Reviews Hub

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